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Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
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Posted 10/30/14
The DR-70D is a 4 channel audio recorder with a form factor and feature set specifically designed for DSLR video shooters. 2 built-in mics on the front and 4 XLR-1/4" combo inputs with phantom power and a stereo 1/8" input with plug-in power.
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