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Posted 04/04/17
Sennheiser’s new microphone for the GoPro Hero4 is waterproof, wind resistant, and stands up to adverse conditions – just like the GoPro. Let’s hear it in action…
2915 Views
Posted 02/09/17
This 4-capsule Ambisonics microphone is designed to capture immersive “spherical” audio for VR and surround applications.
3269 Views
Posted 10/05/16
We’re trying out Rycote’s model-specific “Perfect For” Series of windshields and shock mounts for popular Sennheiser and Rode microphones.
3422 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
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