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The New Nikon D600 HDSLR: Bridging the Gap Between Professional and Enthusiast
Nikon has just announced the D600, their most compact full-frame DSLR, featuring a 24.3 megapixel CMOS sensor, EXPEED 3 image processing system, low-light sensitivity to ISO 25600 and a continuous shooting rate up to 5.5 full-resolution frames per second. In addition to image quality, the D600 also features the ability to share your imagery wirelessly with the optional WU-1b Wireless Mobile Adapter. This camera bridges the gap between professional-level DSLRs and more affordable cropped-sensor DSLRs by integrating a large FX sensor into a much more compact body than other full-frame models, allowing you the convenience of carrying a lighter weight body without sacrificing on quality.
FX-Format 24.3 Megapixel CMOS Sensor and EXPEED 3 Image Processor
At the heart of this camera lies a large full frame imaging sensor that is powered by a powerful processing system. This combination alone places the D600 in a unique position, allowing it to attain imagery of the highest quality and sharpness. An FX-sized sensor permits greater capture of nuance and minute details in a scene and allows for more control over the focus plane in your imagery. Additionally, it renders images with greater visual depth and smoother gradations between tones.
This sensor is adequately paired with an EXPEED 3 image processing system, which in addition to the speed afforded across the entire platform, also helps to boost the sensitivity to an expanded ISO 25600. This increased sensitivity also comes with the benefit of reduced noise levels for improved results when working in extreme lighting situations. There is support for continuous still image capture up to 5.5 full-resolution frames per second and Full HD video recording up to 1920 x 1080p at 30 fps.
Intelligent Metering and Focus Systems
Enhancing the sensor’s ability to capture impeccable detail and clarity, the D600 integrates a highly accurate 39-point autofocus system for expedited precision while shooting. The 39 points cover a broad area across the entire ima
ge plane, and benefit furthermore with the inclusion of nine cross-type points and seven center focus points. These AF points are functional down to f/8 and are ideally paired for use with tele-converters and longer lenses. When working with Live View and recording HD video, a contrast-detection-based autofocus system is employed for continuous focusing with the mirror up. This ensures critical focus across all working modes and in a variety of situations.
Exposure metering is determined through Nikon’s Intelligent Scene Recognition System, which utilizes 3D Color Matrix Metering II. This metering system makes use of a 2016-pixel RGB sensor for evaluating the entire scene’s brightness and contrast values, subject distance and colors in order to determine the exposure settings. The acquired data is then stored for comparative use to ensure consistency among different exposures in regard to white balance and overall exposure values. It also helps to improve i-TTL flash measurements and subject-tracking focus.
High Definition Video Recording
Mutually benefitting from the full frame sensor size, HD video recording is improved with the D600 and can support recording in both Full HD 1920 x 1080p as well as 1280 x 720p formats in a variety of frame rates. While recording video, you have manual control of your exposure settings through use of the exposure compensation dial, shutter speed, or ISO settings; continuous autofocusing capabilities with face priority; still image capture capability; and dedicated inputs for both headphones and an external microphone. For the highest video quality, the camera can also output uncompressed 8-bit Full HD video during recording through the HDMI port. This enables you to use an outboard recorder to capture footage for rich detail and image fidelity.
Design and Compatibility
In conjunction with the innovatively large sensor, the size of the body is innovatively compact. The combination allows for users to gain the image quality potential of a professional-grade camera within a more convenient form factor. While the body is small in comparison to the imaging technology, the D600 still possess a large, high-resolution 3.2-inch LCD monitor with a 921K-dot resolution. The monitor provides 100% frame coverage and supports wide-angle viewing up to 170° in all directions.
The D600 features Nikon’s proprietary F lens mount, which provides compatibility with a vast array of lens choices. Being a full, 35mm-sized sensor, there is also more support for wide-angle lenses, compared to cameras with DX-sized sensors. The D600 is available as a body only, or in kit form with the inclusion of the AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR lens. This lens provides an ample focal length range for most shooting situations and features VR vibration reduction for reducing the appearance of camera shake.
Wireless Compatibility
For instant gratificat
ion after shooting, the WU-1b Wireless Mobile Adapter provides full Wi-Fi connectivity for instantly sharing your images straight from your D600. This small adapter kit plugs directly into the camera body and enables your camera to send images to your smart phone or tablet. Once the images have been transferred, you can easily share your work on social networking sites, through email or upload to cloud-based storage sites. Additionally, it allows you to gain remote control of the camera from your mobile device. Wireless control of the D600 is available for iOS or Android-based smart phones or tablets once the Nikon Wireless app has been downloaded. When working in this app, you can view from your camera’s perspective and trigger the shutter release, making it ideal for self-portrait or distant applications.
The Nikon D600 is an innovatively designed camera, poised to blur the boundary between the professional and enthusiast markets. The incorporation of a large, FX-format sensor within a compact body brings the best of both realms together without neglecting attention to details. Cinematic-quality HD video, intelligent exposure and focus systems, and processing power are all highlights of the D600 that serve to bridge the gap between previously polarized worlds.
| Type | Single-lens reflex digital camera |
| Lens Mount | Nikon F bayonet mount |
| Effective Pixels | 24.3MP |
| Total Pixels | 24.7MP |
| Sensor Size | 35.9 x 24mm |
| Image Sensor Format | FX |
| Image Sensor Type | CMOS |
| Dust Reduction System | Image sensor cleaning |
| Image Area (Pixels) | FX-format L: 6016 x 4016 M: 4512 x 3008 S: 3008 x 2008 DX-format L: 3936 x 2624 M: 2944 x 1968 S: 1968 x 1312 |
| Still Image File Format | JPEG (Fine, Normal, Basic), NEF (RAW; Lossless Compressed, Compressed, or Uncompressed 12 or 14-bit), TIFF (RGB) |
| Picture Control | Landscape, Monochrome, Neutral, Portrait, Standard, User-customizable settings, Vivid |
| Storage Media Type | SD, SDHC, SDXC |
| Card Slot | 2x SD |
| File System | Compliant with DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), EXIF 2.3 (Exchangeable Image File Format for Digital Still Cameras), PictBridge |
| Viewfinder | Eye-level Pentaprism Single-Lens Reflex Viewfinder |
| Viewfinder Frame Coverage | FX: approx. 100%, DX: approx. 97% |
| Viewfinder Magnification | Approx. 0.7x |
| Viewfinder Eyepoint | 20.6mm (-1.0m) |
| Viewfinder Diopter Adjustment | Built-in diopter (-3 to +1 m) |
| Focusing Screen | Type B BriteView Clear Matte Mark VIII with AF Area Brackets (grid lines can be displayed) |
| Reflex Mirror | Quick-return type |
| Lens Aperture | Instant-return type |
| Compatible Lenses | AF NIKKOR lenses (including G and D lenses), AI-P NIKKOR lenses, and non-CPU AI lenses |
| Shutter Type | Electronically controlled vertical-travel focal-plane |
| Shutter Speed Range | 1/4000 to 30 sec., bulb |
| Flash Sync Speed | Up to 1/200 sec. (synchronizes with shutter at 1/250 sec. or slower) |
| Shutter Release Modes | Continuous low-speed, Continuous high-speed, Mirror-up mode, Quiet shutter release, Self-timer mode, Single-frame mode |
| Continuous Shooting Rate | Up to 5.5 fps |
| Self-Timer | 2, 5, 10, 20 sec. delay |
| Exposure Metering System | TTL exposure metering using 2,016-pixel RGB sensor |
| Metering Method | Center-weighted, Matrix, Spot |
| Metering Range | 0 to 20 EV |
| Exposure Modes | Programmed auto with flexible program (P), Aperture-priority (A), Shutter-priority (S), Manual (M) |
| Exposure Compensation | +/-5 EV in 1/3, 1/2, or 1 steps |
| Exposure Bracketing | 2 or 3 frames in 1/3, 1/2, 2/3, 1, or 2 EV steps |
| ISO Sensitivity | ISO 100-6400 (expandable to ISO 50-25600) |
| Focus Modes | Auto AF-S/AF-C selection (AF-A), Continuous-servo (AF-C), Face-Priority AF (available in Live View and D-Movie only), Manual (M) with electronic rangefinder, Normal area, Single-servo AF (AF-S), Wide area |
| Maximum Autofocus Areas/Points | 39 |
| Autofocus Sensitivity | -1 to +19 EV (ISO 100, 68°F / 20°C) |
| Flash Bracketing | 2 or 3 frames in 1/3, 1/2, 2/3, 1, or 2 EV steps |
| Built-In Flash Guide Number | 39' / 11.9m (ISO 100) |
| Flash Sync Modes | Front-curtain sync (normal), Rear-curtain sync, Red-Eye reduction, Red-Eye reduction with slow sync, Slow sync |
| Flash Compensation | -3 to +1 EV in 1/3, 1/2, or 1 steps |
| White Balance Modes | Auto, Choose color temperature (2500K–10000K), Cloudy, Direct Sunlight, Flash, Fluorescent (7 types), Incandescent, Preset manual (up to 4 values can be stored), Shade |
| Movie Metering | TTL exposure metering using main image sensor . |
| Movie Maximum Recording Time | 20 min. at highest quality, 29 min. 59 sec. at normal quality |
| Movie File Format | MOV |
| Movie Video Compression | H.264/MPEG-4 AVC |
| Movie Audio Recording Format | Linear PCM |
| Movie Formats | 1920 x 1080/30p, 25p, 24p 1280 x 720/60p, 50p, 30p, 25p |
| Microphone | Built-in microphone (monaural) or external stereo microphone (optional) |
| Monitor Size | 3.2" / 8.1 cm |
| Monitor Resolution | 921,000-dots |
| Monitor Type | Wide viewing angle TFT-LCD |
| Monitor Angle of View | 170° wide-viewing angle |
| Monitor Adjustments | Brightness (5 levels) |
| Interface | Type C mini-pin HDMI, headphone jack, USB 2.0, stereo microphone input |
| Wi-Fi Functionality | Eye-Fi compatible, WU-1b Wireless Mobile Adapter compatible |
| Power Source | EN-EL15 rechargeable lithium-ion battery |
| Battery Life | 900 shots per charge (CIPA) |
| Tripod Socket | 1/4" |
| Operating Temperature | 32-104°F / 0-40°C |
| Dimensions | 5.6 x 4.4 x 3.2" / 141 x 113 x 82mm |
| Weight | 2.6 lb / 1.2 kg |
Comments
I'm delighted to find that mtd600 works wuth my legacy lenses.
Will it work with my old SB 17 Speedlight?
To mount the SB-17 on a standard ISO type shoe(D600), you would need to get a Nikon AS-6 Flash Coupler, if you don’t already have one. With that coupler, you could use the SB-17 on the D600 in non-TTL auto and manual modes. Unfortunately, that coupler has been discontinued, and we have since sold out of all stock. So, you would need to find one used (again, if you don’t already have one).
Hi everybody,
I just bought Nikon D600 along with the new lens 24-85mm VR 3.5-4.5 and my main purpose is the video shooting as we already have Nikon lenses (24-70mm, f2.8 & 70-200mm VRII f2.8 & 50mm f1,4) and we also have the new Nikon D800 and 2 speedlights SB-910.
Although this camera is very good at shooting stills, I am very disappointed of the fact that, unlike D800, D600 does not have the option to control-change the exposure, aperture (f-diaphragm) manually while in D-movie mode! (Here you say that you change aperture manually WRONG!) This is a real issue because if somebody wants to control the depth of field and check this change straight at the LCD, this camera does not allow! So, I have to switch off D-movie, change the aperture and then switch the D-movie on again! Disaster especially when shooting weddings and events generally! This is also a problem of D7000 which I sold in order to buy the D600. Unfortunately, Nikon didn't correct this issue through a firmware update.
If it hadn't been for the lenses and the whole Nikon equipment I would have bought Canon for video. For a company such as Nikon these things are unacceptable and very disappointing.
Please, if anybody can help, will Nikon solve this problem through a new firmware or this is impossible? Is a matter that has to do with the firmware or has to do with the construction of the camera?
Thank you...
Yes, you are correct that the D600 does not support manual switching of aperture when working in live view or movie mode. However, it does afford you manual exposure control when working in live view. In Program, Aperture Priority, and Shutter Priority modes, you can control your exposure settings with an exposure compensation dial for up to three stops, either under or over. If working in Manual mode, you can change exposure settings by modifying either the shutter speed or ISO setting.
Unfortunately we have no knowledge of the types of firmware updates Nikon might have planned for the D600 or which features they will improve or add to the camera.
custom menu item f5 lets you assign aperture control aperture ring on the lens (assuming the one you're using has an aperture ring) this allows you to change aperture on the fly while in live/video view
With the WU-1b Wireless Mobile Adapter
does the d600 have a print feature directly on camera
to utilize with a wifi printer or would you
have to use the mobile app?
Hello,
Currently ,the WU-1b Wireless Mobile Adapter plus the Wireless Mobile Adapter Utility does not support printing.
Two questions:
1. I currently have a D-90 with am AF-S 18-300mm DX lens as my primary "walk around" lens and other DX lenses. Can the D-600 use DX lenses and if so what happens to the MP.
2. Does it have two memory cards and if so, can you designate one to be used for Raw and the other for .jpeg?
1: Yes, DX lenses can fit onto the Nikon D600 DSLR camera. However, as the DX lens is designed specifically for the smaller sensor APS-C cameras, not for the full-frame FX sensor, it only uses a part of the sensor, and the largest resolution image would use 10.3 megapixels.
2: Yes, the D600 has two SD memory card slots. You can use the Role played by card in Slot 2 item in the Shooting Menu to choose the role played by the card in Slot 2. If set to RAW Slot 1—JPEG Slot 2, then, as the name indicates, NEF/RAW copies of photos recorded at settings of NEF/RAW + JPEG are recorded only to the card in Slot 1 and the JPEG copies only to the card in Slot 2.
Will the d600 get the very best out of the Nikkor 85mm 1.4G lens?
Yes, the Nikon 85mm f/1.4G AF-S FX ED lens (released in 2010) is fully compatible with the Nikon D600 DSLR camera. It is the most recent upgrade from the older Nikkor 85mm f/1.4D IF Autofocus Lens (released in 1995), known worldwide in the photographic industry as the "cream machine" due to the way it rendered skin and out-of-focus bokeh when used as a portrait lens. The updated Nikon 85mm f/1.4G AF-S FX ED lens is designed and optimized for use with digital camera sensors in mind, and as it is an FX lens, it is fully compatible with the Nikon D600.
Is is possible to remotely and wirelessly start and stop D600 video?
To correctly answer the inquiry, as indicated on page 64 of the Nikon D600 Instruction Manual under Remote Cords:
[QUOTE] "...if Record Movies is selected for Custom Setting g4 (Assign shutter button, 248) the shutter-release buttons on optional MC-DC2 remote cords can be used to start movie live view and to start and end movie recording. [/END QUOTE]
However, as indicated on page 248 of the same instruction manual, do note that the infrared ML-L3 Remote Release cannot be used to start/stop video, regardless of the Custom Setting option chosen. I would recommend referring to both pages 64 and page 248 for more information regarding using a wired remote with a DC2 connection to start/stop video recording.
No, I am sorry there is no release currently available that can control video capture.
I have a question that is never stated in articles or anything. I shoot an independent professional baseball team and the lighting is borderline dangerous for the players; it's that bad. I presently have a D80 which I'm pushing to its limit to get action photos. I'm interested in upgrading the camera body. I really am an FX fan; I've been doing photography for close to 50 years and do shoot a lot of subjects, but the DX is fantastic for the baseball.
All FX cameras are tested and rated only in FX but not DX mode. The D600 is 10meg in DX mode. Obviously it is great in FX but how is it in Dx? My D80's 10meg could sure be better for resolution when I take photos and have to crop them. Is the D600 going to be any better in DX mode in low lighting than the D80? Is the D7000 a better choice for the baseball and enough to continue to give up the FX format. All my lenses are FX lenses; I have never bought a DX lens both because I've always wanted an FX digital camera and quite frankly the DX lenses are generally far inferior to the FX lenses.
Nikon's philosophy has always been to protect the "F" lens mount so in my opinion this is why FX cameras have a DX mode, so that owners will not have Nikkor lens they cannot use. Having seen test shots taken with a D700 with DX lens, I see no reason why the reportedly superior D600 ( I have not had a chance to use it yet) would not make excellent DX format images. To be honest, having a FF sensor in your hands, I am sure you would in time move over to FX lenses.
I am excited about this camera but have read several complaints about dust and oil spots. Has thi been an issue at B an H?
yes there is plenty of discussion of oil spots w/the D600 on the web, and I have experienced it as well.
As of Jan 16, 2013 how do you view the dust/oil issues for the D600? I cannot get any word out of Nikon support that they recognize this as a "problem", yet there are many reports worldwide of dust and a few of oil-like substances showing up. This is a big upgrade for me and I don't want to get in over my head with a design or maintenance problem. I'm thinking that waiting a while to buy will allow time for Nikon to resolve whatever is going on. Have I waited long enough??
Thanks,
Henry
It is a fact that Nikon USA has not “officially” acknowledged an issue regarding the D600. So “officially” we have no comment since normally we’d have info like this from the US distributor. The other side of the coin is Canon USA which has bravely posted several product advisories during the past 12 months.
By the same token I think there are two difficulties relying on internet anecdotes. The first is they multiply. I think more people report a problem than actually have a problem because after all people have to have something to say when lurking in a forum, don’t they? The second is the same anecdotes get repeated in multiple forums so we end up reading the same problem from the same people in fredmiranda.com and dpreview.com and nikonians and so on. If ten people have a problem and each posts it in 4 forums, that’s 40 posts. Then we can add the hangers-on, and the people who see problems where there aren’t any because it’s been made “cool” to be able to see it and not seeing it is like being the only kid at camp who doesn’t get the joke.
So it comes down to – should you buy a D600 now or wait? We sell many, we get very few returns and very few complaints. Is every single one 1000% problem-free? I doubt it but IMO it’s a great camera and since you’re more likely than not to get a perfectly fine camera I think it’s reasonable to go for it.
- Henry Posner
We have not seen any issues with the D600 nor have received any negative feedback concerning the camera from customers.
I am very interested in the output of uncompressed 8-bit Full HD video during recording through the HDMI port. Would you suggest an outboard recorder that I can use to capture footage with the best quality? Will hiperdeck shuttle 2 do it?
I read on the manual (page 205) that some devices may not support this camera frame rate and resolution and that movies may be output at a frame size smaller than that selected for frame size/frame rate. That's what I'd like to avoid. Thank you very much.
The ouput from the HDMI on the D600 is advertised as uncompressed 1920x1080 HD video. The two recorders I recommend for this camera are the Hyperdeck 2, which you mentioned but also the Atomos Ninja 2. Both will take in the footage from the D600 as uncompressed HD. The Hyperdeck 2 will record an Avid DNxHD or Uncompressed HD Quicktime file while on the Ninja 2 you will be recording in Apple Pro Res.
Is the color sub-sampling 4:2:2 or 4:2:0 like the new Panasonic GH3? Thank you.
The output color space is 4:2:2
Is the Vello Shutter Boss compatible?
Yes, you have @ options for using a Vello Shutter Boss with the D600.
Whether you are in the studio or out in the field - the ShutterBoss Timer Remote for Nikon USB Connection from Vello provides photographers with an enhanced level of exposure control. Featuring specialized functionality such as: continuous shooting, long time exposures, and interval shooting - the ShutterBoss is a huge asset to keep in your magic bag of tricks.
http://bhpho.to/JAV3D1
Vello's Wireless ShutterBoss Timer Remote (Nikon DC-2 Connection) doesn't just trip your shutter wirelessly. It's also equipped to handle a long list of timer functions: self-timer, interval timer, long exposure timer, as well as controlling the number of continuous shutter releases. It works with a vast array of different cameras--just swap out the camera release cable for the correct camera. The transmitter works at distances up to 250' (80 m) on any one of 99 channels over a reliable 2.4GHz frequency.
http://bhpho.to/JB7eQ9
Can you use this to start recording video?
No sorry, this is not possible.
I am likely to buy the D600 as it is getting great reviews. Does anyone know if the SD cards can be written simultaneously for video, so you would have backup video on second disk as you record.
The question also applies to Still photo images for recording twice for backup. (I have also D300s which has data flow over to second card or jpeg and raw saved on separate cards.) I imagine you need fast SD Extreme or Extreme Pro such as Sandisk brand to achieve this dual copy video recording, which the Canon XF100 (pro video camera, which this DSLR is an alternate choice to) the XF100 can do dual record copies but with Pro CF instead. Would like to know if Nikon D600 is setup this way as well for 2 copies, in case of corruption of data or data drops on long HD maximum length recordings, a second recording copy could be useful. Or would this not be an issue for a need of backup video recording when camera is in use?
On the Nikon D600, in Movie Settings>Destination, you can pick either card but not both for video recording.
Does anyone know if the hotshoe can accept a xlr adapter. New Sony a99 will.
Hello Dale -
A better solution - without the fuss of fabricating your own cable would be the Pearstone LMT100 - Low to High Impedance Matching Transformer. This cable simply enables a microphone or mic-level device to be input into the 3.5mm mini input found on consumer recording devices. It is 1.5' long and has a 3-pin XLR female connector on one end and a standard 3.5mm mini plug on the other. It is designed for use with mono microphones.
Please contact us via e-mail if you have additional questions: AskBH@BandH.com
It's an easy matter to wire up a low impedance cable with an XLR connector on one end and the appropriate 1/8" tip-ring-sleeve plug on the camera end.
These can be purchased at audio stores like The Guitar Center.
Nikon does not currently manufacture XLR microphones nor XLR adapters, nor does Nikon list compatibility with XLR microphones under the D600 System Accessories or Technical Specifications on their website. There is no notice from Nikon stating that the D600 hotshoe will accept an XLR adapter.
I have a D7000 with a bunch of lenses. Since the new 600 only shoots 10 MP with a DX lens it seems like a bit of a down grade unless I buy more lenses.
Will the eyefie / wifi adapter allow me to download direct to a PC?
Thanks
Yes, as indicated on Nikon's website next to Wi-Fi Functionality under the Tech Specs tab, the Nikon D600 is Eye-Fi Compatible. I am not sure what you mean by the Eye-Fi Adapter, but the Eye-Fi SDHC memory cards are compatible and will work with the Nikon D600 DSLR camera.
I have the nikon d600 and would like to us it with the Nikon app that controls the camera and with Light Box tethered to an iPad 2. And possible an iPhone 5 for control only. Is the best route eye fi (spelling?) SDHC cards or to use the added WU-1b adapter from Nikon?
Is light box the proffered app to tether and view/make adjustments as you shoot?
Thanks
The Nikon WU-1b wifi transmitter, in conjunction with the special IOS App entitled the "Nikon Wireless Mobile Adapter Utility Application" will allow one to wirelessly transmit and control your D600 camera from your iPad and iPhone, albeit with some limitations.
Regarding Eye-fi cards: I have tried them in the past with an iPhone 3gs and was not very impressed with the overall user interface. I have not bothered to try it with my iPhone 4s since I have upgraded as in my prior experience the process took far too long and drained the batteries in both my camera and iPhone. The Eye-fi cards will cause a drain on your camera in the long run, so if you choose that route, make sure to have spare batteries on hand to compensate for that.
The Nikon system seems to be the more advanced and feature rich way to go if you want to shoot wirelessly with the D600 and use your smart devices. The Nikon IOS App mentioned above is its own program, and runs seperately from Light Room. You would use the mobile app to do your shooting, and then use Light Room to do your editing.
Below are links to the MObile App on the Itunes store for you to regard, it has details there that are worth reading as to the overall use and limitations you may run into when using it. The second link below will be to the PDF Instruction manual on the Nikon WB-u1 with the Mobile App software. I would recommend checking that out also to get a better idea if the process is one you would like to work with.
http://bit.ly/NTODWn
http://bit.ly/SdIi56
I own two SB-800 are they compatible with the new D600 or do I have to upgrade?
As indicated on Nikon's website, the Nikon SB-800 Speedlite Flash is compatible with the Nikon D600 DSLR camera.
Your two SB800 units are fully compatible with the D600 camera.
Is the sb600 a good flashgun for my d600 or should I buy something different?
It states on page 293 of the Nikon D600 Instruction Manual that the Nikon SB-600 is CLS compatible and would be compatible with the Nikon D600 DSLR camera. Page 294 lists which features would be compatible with the SB-600.
One thing I did not see was wireless remote control RF or IR. For instance will the D600 support the inexpensive ML-L3 IR remote?
The Nikon ML-L3 Wireless Remote Control is listed as a compatible accessory both on NikonUSA's website as well as under the Remote Control section of the Accessories Tab for the Nikon D600 DSLR Camera on our website.
I may add that the D600 user manual (English version, page 298) describes the use of the ML-L3 transmitter.
The promo for this included a link to a site where two brothers were given D600s to tromp around in the wilderness. Photos and a lot of video were shown in the four clips, and it looked wonderful. One commenter asked about an intervalometer, and with a lot of time-lapse shown, I'd guess there must be some way of doing so, just the same as I can do with my D300. A question for those, perhaps a comment from the B & H folks who see a lot of stuff, are there some suggested ways to take the interval frames and make them into a movie? There is a way, or the demo clips wouldn't be able to show the rotating stars and speeding clouds, but can someone comment on or suggest some recent software solutions to do that combining? This may just make night sky time lapse much more fun than it has been.
Hello, Many editing programs allow you to import single frames and convert them to video frames. Adobe Premiere is good choice.
Import numbered still-image sequences as video clips
You can import an animation contained in a single file, such as an animated GIF. You can also import a sequence of numbered still-image files, such as a TIFF sequence, and automatically combine them into a single video clip; each numbered file becomes one frame of video. Importing a sequence is useful for animations exported as a series of numbered still images by applications like After Effects. The images in the series cannot include layers. For information on layers and flattening, see the application’s documentation.
Im not sure if I missed it, but is the camera capable of using an external flash unit?
Yes, it has an external flash shoe and is compatible with Nikon i-TTL flashes and flash system. In Auto FP High Speed Sync the camera will sync up to 1/4000 of a second. It also has rear curtain sync, slow sync, and also has a built in commander mode for the Nikon CLS wireless flash system.
I currently use a D300 and am looking to upgrade. Other than video and a full frame sensor with 24mp. Is this camera a step up or down?Any suggestions?
As you stated to disregard the sensor size, video addition, and megapixel count, three of the main reasons most photographers would use to compare the two cameras, it would depend on your personal usage and photographic needs as to whether the camera is a step-up or a step down for you. The D600 has less autofocusing points, has a lower maximum shutter speed, and a slightly slower continuous drive speed and only offers three-frame AE bracketing/three-frame WB bracketing (compared to nine-frame AE bracketing/nine-frame WB bracketing on the D300). If you will be using the camera for manually taking RAW HDR images or sports photography, or you have a ton of CompactFlash cards and EN-EL3e batteries, then it might be a slight step down, depending on your current camera/accessory configuration. However, most would consider it a step-up, or at least a comprable, full-frame equivalent to the D300.
As your question is subjective, the answer would depend on your personal, specific needs and your normal camera usage. However, I would state with the advances in technology since the release of the D300 (which I own and currently still use), improvements in low-light capability, noise at higher ISO settings, faster buffering and in-camera processing due to the newer EXPEED 3 processor, addition of video and dual card slots for more storage and writing/backup options, and not needing to convert/interpret angles-of-view from DX to FX cameras (all things that are related to the three items you disregarded above) have merit and are worth considering when deciding on upgrading your camera.
Does it have multiple exposure capability?
I have not been able to find any specific mention to the camera having Multiple Exposure mode as a feature, however its a pretty common feature on Nikon DSLRs. I'd be surprised if the camera lacked this feature. It does offer bracketing which is typically a feature offered along side multiple exposure modes. Once we find out more we will post that data here.
By multiple exposures, I meant multiple exposures on the same frame, like in the new Canon 6D and Canon 5D mark III.
I understood your question originally actually, I apologize for not better clarifying my reply. I still am not able to find any reference to the camera having the multiple exposure feature. I only mentioned bracketing in my prior response as that is a similar feature most cameras have in tandem with multiple exposure.
Once Nikon posts the camera manual online I can then confirm if the camera will allow one to take multiple exposures on a single frame.
I own this camera and yes it does take multiple exposures say to superimpose one frame on top of another. See manual page 160. It also does a 2-frame HDR photo manual page 139.
I have a D300 and am contemplating purchasing the D600. What features will I gain and what features will I lose? Will the Nikon lenses that fit my D300 still fit the D600? Will my SB600 flash fit the D600?
The D600 is compatible with Nikon FX series lenses, and if you want to use DX series lenses it will crop its sensor to become a DX format camera with a pixel count of 10mp. The D600 is more liken to a full-frame D7000 than than a D300 would be. It uses the same DC-2 trigger cord as the D7000 instead of the 10-pin connection such as your D300 does. It also lacks a PC-sync input such as your D300 does but one could be added via a hot-shoe adapter. The D600 has a higher pixel count and higher ISO range than your D300 does, and a faster processor. It shoots at 5.5fps which is roughly the same as your D300. Overall due to the larger pixel count and higher ISO and processor, the D600 would out-perform your D300 in those respects. The camera is fully compatible with your SB600 flash unit.
Does the Nikon ML-L3 Wireless Remote Control work with the D600?
Yes. The Nikon ML-L3 Wireless Remote Control is listed as a compatible accessory both on NikonUSA's website as well as under the Remote Control section of the Accessories Tab for the Nikon D600 DSLR Camera on our website.
I currently have a D300 with several lenses. Will the lenses that I haved fit the D600? Does the D600 have all of the features of the D300 and what has been added? Are the differences worth buying the D600? Is it considered a professional camera? Will my 600 flash fit the D600?
The D600 is compatible with Nikon FX series lenses, and if you want to use DX series lenses it will crop its sensor to become a DX format camera with a pixel count of 10mp. The D600 is more liken to a full-frame D7000 than than a D300 would be. It uses the same DC-2 trigger cord as the D7000 instead of the 10-pin connection such as your D300 does. It also lacks a PC-sync input such as your D300 does but one could be added via a hot-shoe adapter. The D600 has a higher pixel count and higher ISO range than your D300 does, and a faster processor. It shoots at 5.5fps which is roughly the same as your D300. Overall due to the larger pixel count and higher ISO and processor, the D600 would out-perform your D300 in those respects. The camera is fully compatible with your SB600 flash unit.
I have a D200 and my son a D700. My son-in-law a D7000. BTW I also have a Nikkormat FTN and a Nikon 8008 :)
Will th ebattery pack increase the FPS as in the D700, or simply give you a longer battery life and square body lik ethe D7000
The Nikon MB-D14 grip for the D600 camera will simply give you longer battery life/performance, it will not increase the shutter burst rate.
The Nikon MB-D14 grip for the D600 camera will simply give you longer battery life/performance, it will not increase the shutter burst rate.
This is terrific, it's a full frame.......l am into sony.....hope they come out with this.........
Long time Nikon user. Started in 1970 with FTN. I have a question;- I have Prime AI lenses I used for my F3 back in film days. Will I be able to use this in A priority,& Manual focus? I have the 24mm F2.8 and the 50mm F1.4. The others-- 105mm and 200mm I doubt I would carry. If so this looks like a winner. I now use a D80 but want to grade up to a full frame.
Your Nikon prime AI series lenses would be compatible with the D600 in manual exposure mode and in Aperture Priority mode. Metering would need to be put to centerweight averaging.
This item looks like a winner. - Thank You!
AI should work. AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC lenses) and DX lenses (using DX 24 × 16 1.5x image area), AI-P NIKKOR lenses, and non-CPU AI lenses (A and M modes only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses cannot be used.
Unfortunately the D600 did away the AF-ON button, which was on the D300 and D700 cameras.
I wonder if the ISO 6400 camera performance is equal or better than the D700.
The D7000 did not have any AF-On button to it either, however it does have a custom function where you can have that feature exist with the orange button on the back of the camera. Its placement was somewhat awkward for the feature however. It's possible that the D600 may have a similar option.
The D600 has a new Exspeed 3 processor, whereas the D7000 had a Exspeed 2 processor. The new processor will help it with better high lights and shadow detail, and better performance in low light, not to mention faster processing for buffering the larger files it generates. Based on that it should out perform the D7000 at 6400 ISO.
With the D600, it looks like the percentage surface area of the viewfinder containing the autofocus sensors is much smaller than on the D700, D800, D7000. I wonder if that means it may not be possible to zoom in as close as might be desired on some shots because the point needing sharpest focus may be beyond the confines of this sensor grid resulting in the need to pull back to get a good focus lock on the point needing to be sharpest and then crop in post-processing. Do any others have this concern?
Yes, you'll find some forum discussions out there. The difference isn't huge -- about the equivalent of another row of sensors on the outside edges, maybe 10% of the total width. I thought this was the biggest real downside to the performance of the D600 (assuming the early sensor results from techradar and Bob Claff are accurate, showing close to par results vs. the D800). But the advantages -- U1 and U2 settings, smaller file size -- for my needs outweighed them. And I suppose you have to get something extra for your $900.
Besides everyone knows that outside left row on the D800 don't focus right anyhow!
I've used my friends D7000 with a 17-55 lens on it. Didn't like the balance nor the small size of the grip. The size of the D600 is just a little bigger from what I've read, would the balance and feel be better?
Looking at the D700 for the larger body and FX of course. About the same price today as the D600.
I love Nikon cameras, but seem to get a migrane when they start announcing new models as lately their numbering system is all over the map.
One of the Q-As already asks about a D400.
Is this D600 meant to replace the D300, or are we waiting to he hear about the actual emergence of the D400?
We don't know. There's no rule set in stone dictating what/when a new model will be released. I infer based on this model (and other models recently announced from other manufacturers similar in specification) that full-frame sensors are coming down in price within the industry, and as such manufacturers seem keen on releasing cameras with a larger frame. We don't know what the next model will be, or if there will be another high-end APS-C model to replace the D300. It would make sense if they did to keep the sports/nature photographers happy with the 1.5x gain. We'll just have to wait and see what Nikon does next.
I already ordered mine
does the d600 have a pc port?
No it does not, that's one key feature they seem to have left off the camera. You could always opt for a hotshoe-PC adapter such as the Nikon AS-15 or if you prefer voltage protection you could opt for the Wein Safe Sync option.
What happened to the D400? When will that come out?
Unfortunately manufacturers never advise us of their future products nor intentions prior to any official press release. We learn of new models on the same day as you would. If there is a D400 camera in the works, we just have to wait on Nikon to announce it.
This ought to drop the prices of the used D3 market a bunch!
Most used D3's are going for approx. $2,000.
Comparing the D600 to the D800, it seems that one of the greatest differences is in the TTL exposure metering system: where the D600 has a 2,016 RGB sensor, the D800 has a 91,000 RGB sensor. Is this very significant?
Hello,
For metering accuracy no, Nikon's Matrix Metering system is known for its spot on exposure calculations.
The D600 incorporates Nikon's 3D Color Matrix Metering II: Matrix metering evaluates multiple segments of a scene to determine the best exposure by essentially splitting the scene into sections, evaluating either 420-segments or 1,005 segments, depending on the Nikon D-SLR in use. The 3D Color Matrix Meter II takes into account the scene's contrast and brightness, the subject's distance (via a D- or G-type NIKKOR lens), the color of the subject within the scene and RGB color values in every section of the scene. 3D Color Matrix Metering II also uses special exposure-evaluation algorithms, optimized for digital imaging, that detect highlight areas. The meter then accesses a database of over 30,000 actual images to determine the best exposure for the scene. Once the camera receives the scene data, its powerful microcomputer and the database work together to provide the finest automatic exposure control available.
Nikon's revolutionary Advanced Scene Recognition System, introduced with the flagship D4 camera, is also employed in the D800/D800E. At its core is a 91K-pixel RGB sensor that meticulously analyzes each scene with the fine resolution. The RGB sensor can recognize your scene's colors and brightness with unprecedented precision, then use that information to implement various automatic controls and give you more natural-looking results. The real breakthrough, however, is that the sensor can detect human faces with startling accuracy when shooting through the optical viewfinder. Along with face detection, detailed scene analysis is utilized to support more accurate autofocus, auto exposure and i-TTL flash exposure results in a diverse range of compositional and lighting situations. The improved subject tracking is most noticeable when using 3D-tracking, which can maintain a focus on moving subjects smaller in size than with previous generations.
Hello, Full HD Video out during recording is a great, long awaited feature; which is not present in Canon DSLR (like 5D, 7D, 60D etc.)
Is there any Audio line input point to record audio out from mixer etc. What is the maximum length of video which can be recorded continuosly. (As ALL Canon DSLR camera video is limited to 12 minutes, whereas 5D can record 29 minute video clip.
Curious to get answers to my queries.
With Love
There is not any audio line input to record audio out from a mixer. A company called Beachtek offers a DXA-SLR Active Audio Adapter that you could plug into the mic-input, and you can connect the mixer to this box, which will then drop the line level to mic level for the camera.
As far as the maximum video clip lenghts are concerned, you can record 20 min. at highest quality, 29 min. 59 sec. at normal quality according to Nikon.
This is going to be an awesome camera for those people that don't need all the pro features in the D800. I'm really happy that Nikon made this camera and it seems to have a decent kit lens option, all for $2800. (I'm speaking from a consumer pov.)
Am I waiting in vain for a full frame camera with articulated LCD screen? There are a lot of great images that are difficult or impossible to get laying on the ground or arms high in the air without such a screen.
Get the wireless adapter and an iPhone -- the new Nikon app lets you see what the camera sensor sees and trigger the shutter, all remotely, from a 30' range.
No waiting in vain. Sony just came out with the a99 yesterday. Look it up and enjoy. Bye bye Canon 5dm3!
What is it made of composition or metal?
The camera body is constructed on top and bottom of a magnesium alloy, other less crucial areas use plastic. Its a durable camera, it uses seals and gaskets to prevent against mositure and dust.
I am so choked! I just bought a D7000 after owning a D300 for 4 years. I bought the D7000 as I wanted video and photo. This camera is so much better for photo and video and not much more money. I also can't believe that the D7000 doesn't allow USB download like my D300. I've used Nikon since my first Nikon F, but I am surprised the things they miss in their development.
Huh? Why is this camera any better for Video. It's the same-old same-old, 1920x1080 scaled down terribly from a huge sensor. Why don't they give us 2k frame size at least?? Then you'd have good video.
I see that the maximum Flash Sync Speed is only up to 1/200 sec. I wonder if it’s capable of Auto FP High Speed Sync?
In Auto FP High Speed Sync the camera will sync up to 1/4000 of a second. It also has rear curtain sync, slow sync, and also has a built in commander mode for the Nikon CLS wireless flash system.
Great question Victor! I always wonder the same thing about new cameras like this one. I also wonder if it can go into rear curtain sync with the flashes --- especially the older flashes like the SB800s.
This camera can be a real winner! From all that I've read on the websites and the additional info provided here in the other comments, this new Nikon will redefine the market.
Look forward to seeing it once it is released and then let's see if Nikon can keep up with demand.
lol heavier, thicker, taller than the D700. so much for "most compact".
It is neither taller nor heavier than the D700 though it is 5mm thicker. Not sure where you got your specs from but they're incorrect.
But far lighter than a D3.
Interval timer capabilities? I don't see it listed.
There is no mention of any intervalometer feature in the camera itself, its not a common feature that is built into Nikon DSLR's. You could always opt for a remote control that has an intervalometer feature built into it, such as the Vello Shutter Boss .
I have been using the intervalometer on my D200 and D300s. They are buried in the menu and work fine.
It's pretty common with Nikon... D7000, D800, D300s,D200, D700, D3s, D4, etc. all Have it. I might be missing one in there too but you get the point.
How about using DX lens in the 1080 hd video mode??
Nikon has not stated how DX lenses will be in the video mode but I believe that it will still fill the 1080P resolution and frame by using the pixels alloted to the DX format rather than putting a full blackbox around the frame.
Wow!!! I really hadn't thought about moving to a full frame camera because I like the extra reach of the DX. However, this is a game changer. If it performs as well as expected this will be an amazing camera.
Before u buy this. Look at the Sony a99. That is the camera to buy trust me
Ahhhh...weight is 760 g. or 42 ounces? I think Nikon screwed up!
760gms = 42oz Ummm, I think someone needs to go back to school
Look again. 1.2 kilos is 1200 grams.
760g/28.349g/oz=26.8 oz
26.8oz/16oz/oz/lb=1.675 lbs
Ironically, the difference in weight is equal to the combined weight of all of you're mathematicians' brains!!
VERY VERY VERY well Put!!
I hope they do a better job of meeting demand than they did with the D800. Most places still have a waiting line for that camera and it's been out how long????
will there be a long wait for this camera ?? and is there a replacement for the d7000 coming on line soon
Hello,
At this time we do not know how Nikon will handle supply and demand nor the future of the D7000. We'll have to wait and see.
The first I seen about the D600 the price was less than $1000.00 how did it get up to over $2000.00?
Oh really? Where did you hear it was going to be under $1000? In a forum somewhere? Because they are always so accurate.
There is no way this camera would sell for less than $1000. I'm actually surprised that it's only $2000. Sure has me thinking about selling my D7000 for this!
I was hoping for around $1500 body only. At the $2000 price I will wait awhile. There are too many alternatives out there.
Why is it D600 when u already have D800. Why is it cheaper than d700 and other higher level of nikon. I love 600 features for the price. It what's the difference between 600 and 700?
The D700 is a very heavy camera and this is much more compact and lightweight. The D700 is only compatible with FX lens, where as this and the D800 are compatible with FX and DX lenses. And mostly the D700 is only 16-17 megapixels, where as this is 26 and less than the 32 of the D800. Its a perfect mix of the D700 and the D800 (from what I read obviously!) :-D
The D700 is 12MP, while the D600 is 24MP and the D800 is 36MP. D700 can take DX lens however crop factor gives a 5.5 MP image when DX is applied. The other 2 would take DX as well with more MP crop factor. I would have preferred at least one CF card slot instead of 2 SD slots as CF cards are more robust. However I am a professional, so D800 may be logical upgrade from D700. Not in a rush as D700 still delivers great images but not any video though.
"I am a professional" Don't make me laugh!
If you hang anything other than a 14-24, 24-70 or 70-200 with a prime of course, than this is your logical upgrade. F4's, 28-300's etc on the D800/E just won't cut it. Invest in lenses first.
To "fxed": Replying to your comment that F4 lenses do not cut it professionally on Nikon D800/E, Nikon put the gold ring on the F4 24-120 claiming it as professional themselves. Well known, well respected professional landscape photographer Michael Riechman from Luminous Landscape actually picked the F4 24-120 over the F2.8 24-70 for his D800E photos due to VR in low light extra stops advantage, image quality and constant F4. For landscape F4 or higher would likely be preferred over F2.8 which is more for portrait and subject isolation. The other lens you mention: Nikon FX 28-300 can get in closer from far distances and hence capture more detail information than 70-200mm from same distance and hence can be more professional for very long distance photos without having to crop later which is a big advantage. Ken Rockwell, whether you like his reviews or not, has photos to demonstrate this extra reach detail advantage for this lens. F2.8 sharp lenses at F2.8 use are great for specific subject isolation (limited area of focus) but higher F stops give more sharpness over an extended depth of field and macro photos often are taken at F8 to F11 for extreme closeups, ask well known Robin Wong at his blog with great macro insect samples which still achieve lots of background bokeh even at these higher F stops because in macro your DOF is very small to start anyway. Your statement that F4 and 28-300 mm Nikon FX lens do not cut it, is incorrect and I would like to help anyone else reading this with less experience, that you can buy these lens for very good "pro" use indeed.
From your comment obviously you do not do weddings or video and did not understand what I was saying at all. I only use FX on D700 and have Nikons 24-70mm, 24-120 and 28-300 and 60 micro2.8, plus 10-24 Tamron. The 28-300 is much more versatile to use for inside churches for reach, than the 70-200 which I know is also sharp. I was only saying that in a pinch one could use DX on higher pixel cameras like D600 and D800 for longer reach for say wildlife photos maybe or video reach, and still achieve 10mp or more in DX crop (not good enough on D700 resolution though). For weddings, no need to go longer reach than I have in FX, and I prefer FX only anyway on D700. With excellent programs like Lightroom and DXO Optics Pro 7, Photoshop and Nik Color Effects plugins, the programs enhance and bring out more of the details in the photo that are superior in FX including D700 which many pros love. Your comments are too general and opinionated to your own needs. D800 needs best FX glass I hear to achieve best results due to high MP, and D600 would benefit from it as well but video does not use as much of the pixels for full HD video so center crop would still cover it for HD video using superior low light sensors of camera.
The D700, like the D800, is compatible with both FX and DX lenses. It automatically switches the resolution/frame size to match the lens.
This camera is all about size but yet the dimensions of the camera are 'not specified by manufacturer.' What lame-brain in the marketing department at Nikon thought this wasn't important?
Camera dimensions not listed. You just have to find something to complain about. You guys just freak me out.
Be calm.
You can find that info here:
http://www.nikonusa.com/Nikon-Products/Product/Digital-SLR-Cameras/25488...
Can you not perform an internet seach? Go to the Nikon USA site. The dimensions are clearly listed:
http://www.nikonusa.com/Nikon-Products/Product/Digital-SLR-Cameras/25488...
Is a vertical grip available for this D600?
Nikon will be offering a battery grip for the D600, called the MB-D14. Currently they have not indicated any price or availability. Keep an eye out on our site, when we receive info we will post it there.
Can anyone tell me given the 5.5 fps speed and 24 mp sensor of the new D600, in how many seconds or in how many exposures will the buffer fill before the camera "shuts down" and no exposures can be taken? The 24 mp seems more practical than the 36 mp of the D800, which fills the camera buffer in 2.5 seconds or 10 exposures.
As many different sites have posted details on this camera, I am not able to find any details on a maximum number of exposures that can be taken before the buffer fills. Hopefully Nikon will release more details like this in the near future. Once they post a copy of the instruction manual in PDF format online, questions like these will be able to be answered.
You can find info about the battery grip at Nikonusa. However, it was silent about whether its use would increase the frames per second speed from the 5.5 max.
So excited! I have been waiting for this for so long! I want! It looks to almost have the same layout as the D7000.
Just the Nikon I've been waiting for, to upgrade from my D90.
Full frame sensor, 39 focusing points & SD cards. My kind of camera.
I wonder how it performs with my Nikkor 18-200VR - DX ? Any thoughts?
Sell the 18-200 and use that money towards the Nikon 28-300. A perfect lens for the D600. Evens out in the end and the glass is better.
That lens is designed for crop sensor (DX) bodies ( d90, d7000, d5000, etc.). It will work but you will see heavy darkening in the edges of the frame or the camera will go into crop (DX) mode. In any case you will just have a very expensive crop body with this lens. This is an FX body and therefore need FX lenses to get full benefit of the camera. I would try to get the excellent ( for a super zoom) 28-300 FX from Nikon if you are thinking of getting this body. This lens has the same field of view as the 18-200 lens you have.
If you want to keep that lens, the D7000 would be an excellent choice.
Why should he buy a D7000 just because he has a DX lens? That will limit him to DX in the future. Maybe he can't afford a new FX lens right now but in the future he might. Stop suggesting things to people who you don't know.
Oops! Seems like I touched a nerve here Tony! I am just replying based on the information he gave described. I didn't pretend to know him any more than I know you! My recommendation could have been different if more information was given such as what other lens, if any, he has and what he intends to do with his kit. As a rule of thumb, investing in better optics FIRST is better than getting a new body since bodies come and go as technology improves.
Cheers.
Tony, your input seems useful. Why demean the input someone else "who you don't know?" Leave the ego out of it -- go for win-win communication and your knowledge will be appreciated.
Stick to d7000 if u want to use DX lens in this body
So, would there be any reason to own both the D600 and the D7000 as a back up for an occasional wedding/mostly personal shooter? I currently own the D7000 with a few nice DX lenses but I have always wanted the more proffessional FX lens with their better build and generally faster glass. So, I would sell my 70-300 and buy the 70-200 but still use some of my other DX lenses for the back up D7000. Of course, money is always an object, but wanted to read what others thought. Such a pain with two lens types.