Hot on the heels of the iXY microphone, RØDE now introduces the smartLav lavalier microphone—for smartphones. Not only is it compatible with Apple iOS products, the smartLav also works with many Android devices as well.
A few years ago, HDSLRs revitalized the wedding video industry. Today, the second generation of HDSLRs offers a variety of great new features for shooting HD video. The most serious decision you can make as a wedding videographer, which will have an effect on both your workflow and style of shooting, will be your choice of camera.
Australian manufacturer RØDE recently announced the smartLav, a unique lavalier microphone for Apple and Android portable devices. It's specially designed to bring high quality, discreet audio-recording capabilities to videographers, journalists, lecturers and others—without the need for expensive and complicated equipment.
Wedding videography, like event videography in general, is an art form in full bloom. Relatively recent advances in video technology have arguably raised the wedding video's potential to equal that of still photography. To be fair, perhaps the burgeoning popularity of Internet videos is equally responsible for the medium's newfound stature.
When most people think of a wedding, the visuals come to mind. The ceremony, the reception hall, being surrounded by friends and family, and of course the beautiful white dress.
In this video we take a look at the new Røde iXY Stereo Recording Microphone for iPhone and iPad. Used in conjunction with the Røde Rec app available on iTunes, the iXY is the first mic to deliver stereo recordings for iOS devices at resolutions of up to 24-bit/96 kHz. A foam windshield and protective zip case are included, making it easy to turn your iPhone or iPad into a portable audio recorder at a moment’s notice.
The original Rode VideoMic has been one of the most popular on-camera microphones in video production for several years. It greatly improves the sound-quality of a camera, making it one of the best options for video shooters who need to upgrade their sound on a budget.
At the NAMM Show in Anaheim, California, it’s not uncommon for the old and the new to cross paths. For more than a century, NAMM has been the place to showcase the latest innovations in music-related products. In 2013, we witnessed the rebirth of a synthesizer that was originally released in the late 1970s, and we were also introduced to a new kind of interface.
When it comes to production sound for film or an original series, quality audio capture is imperative. Bad audio can ruin the experience for everyday viewers and critics alike. In this article, we’ll discuss the elements of an effective and ultra-portable sound recording rig.
Do you need ideas for some awesome holiday gift ideas for students? When you cornered them and asked what they wanted, did you draw a blank? Perhaps they offered to send you a list of gift ideas later, when something came to mind. In the likely event that the list never arrived, we’ve compiled that list of student-friendly suggestions for you.
When it comes to image quality, HDSLRs offer videographers some highly desirable aesthetic characteristics. However, issues like automatic gain and loud autofocus motors have given these types of cameras a poor reputation for in-camera audio.
As 2012 draws to a close, we have the opportunity to take a look back at a year which saw many innovations in the world of HDSLR video. One of the most prominent trends of 2012 has been the continuing blending of still and video acquisition technologies into the same tools.
This B&H video examines a few quick and affordable ways to improve the in-camera audio on "run-and-gun" style, single-operator shoots using camera mountable mics. These mics usually plug directly into the camera's 3.5mm external mic input and mount on your HDSLR accessory shoe.
Shotgun microphones are used to capture sounds such as dialog in film and video productions, for “spot” miking specific areas on sets, stages and installations, and for creating Foley and sound effects.
Røde is the undisputed leader in on-camera microphone technology, and its new Stereo VideoMic Pro is the most lightweight, compact and superior sounding camera-mountable stereo microphone the company has ever built.
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Hot on the heels of the iXY microphone, RØDE now introduces the smartLav lavalier microphone—for smartphones. Not only is it compatible with Apple iOS products, the smartLav also works with many Android devices as well.
A few years ago, HDSLRs revitalized the wedding video industry. Today, the second generation of HDSLRs offers a variety of great new features for shooting HD video. The most serious decision you can make as a wedding videographer, which will have an effect on both your workflow and style of shooting, will be your choice of camera.
Australian manufacturer RØDE recently announced the smartLav, a unique lavalier microphone for Apple and Android portable devices. It's specially designed to bring high quality, discreet audio-recording capabilities to videographers, journalists, lecturers and others—without the need for expensive and complicated equipment.
Wedding videography, like event videography in general, is an art form in full bloom. Relatively recent advances in video technology have arguably raised the wedding video's potential to equal that of still photography. To be fair, perhaps the burgeoning popularity of Internet videos is equally responsible for the medium's newfound stature.
When most people think of a wedding, the visuals come to mind. The ceremony, the reception hall, being surrounded by friends and family, and of course the beautiful white dress.
In this video we take a look at the new Røde iXY Stereo Recording Microphone for iPhone and iPad. Used in conjunction with the Røde Rec app available on iTunes, the iXY is the first mic to deliver stereo recordings for iOS devices at resolutions of up to 24-bit/96 kHz. A foam windshield and protective zip case are included, making it easy to turn your iPhone or iPad into a portable audio recorder at a moment’s notice.
The original Rode VideoMic has been one of the most popular on-camera microphones in video production for several years. It greatly improves the sound-quality of a camera, making it one of the best options for video shooters who need to upgrade their sound on a budget.
At the NAMM Show in Anaheim, California, it’s not uncommon for the old and the new to cross paths. For more than a century, NAMM has been the place to showcase the latest innovations in music-related products. In 2013, we witnessed the rebirth of a synthesizer that was originally released in the late 1970s, and we were also introduced to a new kind of interface.
When it comes to production sound for film or an original series, quality audio capture is imperative. Bad audio can ruin the experience for everyday viewers and critics alike. In this article, we’ll discuss the elements of an effective and ultra-portable sound recording rig.
Do you need ideas for some awesome holiday gift ideas for students? When you cornered them and asked what they wanted, did you draw a blank? Perhaps they offered to send you a list of gift ideas later, when something came to mind. In the likely event that the list never arrived, we’ve compiled that list of student-friendly suggestions for you.
When it comes to image quality, HDSLRs offer videographers some highly desirable aesthetic characteristics. However, issues like automatic gain and loud autofocus motors have given these types of cameras a poor reputation for in-camera audio.
As 2012 draws to a close, we have the opportunity to take a look back at a year which saw many innovations in the world of HDSLR video. One of the most prominent trends of 2012 has been the continuing blending of still and video acquisition technologies into the same tools.
This B&H video examines a few quick and affordable ways to improve the in-camera audio on "run-and-gun" style, single-operator shoots using camera mountable mics. These mics usually plug directly into the camera's 3.5mm external mic input and mount on your HDSLR accessory shoe.
Shotgun microphones are used to capture sounds such as dialog in film and video productions, for “spot” miking specific areas on sets, stages and installations, and for creating Foley and sound effects. 
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