One of the easiest ways to improve your production, be it podcast, radio, film, or music, is to take a look at the type of device into which you are recording your audio. Most pros know (and will tell you), not all audio is captured equally.
If you gather ten sound engineers in a room and ask them what’s the best way to record something, don’t be surprised when you get ten different answers. One thing that makes sound engineering such a fun field is that all ten answers will probably be right.
If you’re experienced working in film, video, or electronic news-gathering, then you already know how devastating the wind can be to your audio recordings. Without the proper protection, a microphone will interpret wind, vocal pops, and drafts from air-conditioning units as disturbances in air pressure around the microphone element. digital recorders.
In the third and final episode in our series dedicated to helping DSLR shooters improve the audio quality of their video productions, we take a look at some dual-system solutions. “Dual systems” means we use an entirely separate device to record our audio.
There is a first time for everything, and if you have your mind set on producing a wedding video, you will encounter plenty of “firsts” within that initial wedding weekend. There is a first kiss, a first dance and a first slice of cake. Where will you have your cameras set up for each of these memorable moments? Will you need lights for every shot? How will you manage the audio?
Watch Rob Rives as he looks at Tascam’s DR-60D 4 Channel Linear PCM Recorder, with a form factor and feature set designed specifically to meet the needs of DSLR videographers. Combo ¼-inch XLR inputs and a stereo mini input give the user versatile options for plugging in external microphones or line level gear.
When it comes to production sound for film or an original series, quality audio capture is imperative. Bad audio can ruin the experience for everyday viewers and critics alike. In this article, we’ll discuss the elements of an effective and ultra-portable sound recording rig.
With each new iPhone release, Apple continues to improve on its camera - they always take their camera/phone integration seriously. The standardized size of the phone has opened up a great market for camera accessories, and when you consider the iPhone’s popularity and the innovative features on both the front and rear cameras, it’s no surprise that there are dozens of manufacturers producing all types of iPhone camera accessories.
Software isn’t always the most convenient way to make a recording. If you’re on the road or just trying to document a performance, all the necessary accessories to utilize a DAW can be overwhelming and delicate. A portable multi-track recorder, on the other hand, provides an all-in-one solution.
As technology advances, older analog media is always in danger of becoming antiquated. Those slides, film negatives and prints from historical family events, rites of passage and vacations, the VHS tapes of your kids' first steps, or your favorite cassette tapes from the late 1970s have all been rendered obsolete by digital media.
Way back—five years ago—if you shot video, you used a video camera, and if you shot photographs, you used a still camera. Today, that distinction is all but meaningless. Almost every video camera today captures stills, and virtually every still camera now shoots video.
When most people record audio in stereo, they usually go to the most common mic configurations, such as a matched pair of microphones arranged in an X/Y pattern, or possibly those same matched mics in an ORTF pattern for a wider stereo field.
While most music today is consumed via personal players using mp3 files, there is still a need for a professional CD player that is suitable for broadcast, studio or touring applications. Tascam has stepped up to the plate with the CD-6010.
The Tascam DR-40 is the most budget-friendly portable digital recorder on the market that offers advanced features like dual combo-XLR inputs and four-channel recording. A new firmware update adds independent level-control to its external inputs.