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by Mathew Malwitz · Posted
Getting a new camera is always an exciting affair. Whether it’s your first interchangeable lens camera or a long-awaited upgrade, there’s almost always new features to explore. Mirrorless cameras are especially exciting as they bring new and intuitive features that boost creativity while making photography easier than ever! Whether you’re new to cameras, shopping for one, or looking to dust off an old hobby, let’s get into setting up our new mirrorless camera.
What Is a Mirrorless Camera?
It’s not often something is named after a feature it
by Mathew Malwitz · Posted
There’s an old adage that claims in order to be a wildlife photographer, you need a lot of time and a lot of money. This is only partly true. Many great wildlife photo opportunities can occur in urban parks and even in your own backyard, as long as we know what we’re doing. In this article, we’re going to cover a number of essential tips that will help you become a better wildlife photographer.
If you’ve read our introduction
by Mathew Malwitz · Posted
Do you plan your images? Really think about that question. Do you have an idea of an image before you head out for a shoot, or do you let the moment inspire you as the pieces fall into place? There's no wrong answer here. Planning or "pre-visualization" is a key piece of the photography puzzle that some put a lot of thought and effort into while others effortlessly come up with ideas on the fly.
No matter how you go about taking a picture, there is some level of planning that goes into a shot. With that said, there's a big difference between
by Mathew Malwitz · Posted
If there’s one area of wildlife photography that challenges even some of the most consummate artists, it’s birds in flight. A dynamic flight shot shows action, and a bit of technical prowess. As you can imagine, capturing birds in flight is no easy feat.
To consistently capture these shots, one must be proficient with their gear and have a knowledge of animal behavior. We’d go as far as to say you need a bit of luck too, but what is luck if not preparedness meeting opportunity. In order to make the most of the opportunities that present
by Mathew Malwitz · Posted
When you first head out to take photos of wildlife, what’s the first thing you think of? If it’s not lighting, we’ve got news for you. Photography is, by definition, the capture of light on a light-sensitive surface. The word “photograph” is derived from Greek roots that translate to “drawing with light.”
We can have the most expensive camera and lens combo, but without good light, we’ll never get the most out of it. Understanding our primary light source and its many qualities is essential to improving as a wildlife photographer, and in this
by Mathew Malwitz · Posted
Photography is by definition, the capture of light on a light sensitive surface. That surface could be glass, tin, film, or a digital imaging sensor like those found in most modern cameras. The amount of light that reaches our light-sensitive surface is what we can define as exposure.
A good exposure will look accurate to life or the photographer's creative vision. It will maximize an images quality and
by Luke Rollins · Posted
Subject and style may vary, but consistency is a quality shared by all successful photo studios. When working indoors, that begins with lighting. Strobes remain the bread and butter of many still photography studios. Unlike natural light, which can be finicky and unpredictable; on-camera flashes, which are not typically designed for studio use; or continuous lights, which can become costly as output increases; strobes are built to withstand the rigors of studio life while providing flexible and powerful light. But with so many options on the
by Mathew Malwitz · Posted
It is probably safe to say that many of us photographers have, either with our cameras or smartphones, tried to capture a close-up image of an insect, flower, toy, or other object. We have an idea of what we want this photograph to look like as we prepare to capture the image. We've seen and admired beautiful close-up images before but, when we nose the camera lens up to the object, we see nothing but a blur—the lens can't focus close enough to
by Mathew Malwitz · Posted
After the smartphone revolution, it appeared that the days of the compact camera were done. How wrong we were. It’s true that a few years back, point-and-shoot options were few and far between. There were just a handful of options on the market, and some industry titans even left the market entirely. Despite the long-rumored demise of the compact camera, it seems that photo enthusiasts still desire a dedicated device without the distractions that come with a smartphone.
What is a compact or “point-and-shoot” camera? Just because a camera is “
by Mathew Malwitz · Posted
Fall is one of the most exciting times to be a photographer. Whether the changing foliage is the subject itself or the dramatic backdrop, there's something about the warm, cozy colors that get many photographers amped up. We at B&H are right there with you and are already preparing for the creative season ahead and making sure we have the right gear.
I have experienced four fall seasons as a photographer, and through trial and error have accumulated an assortment of tools to better my images. Some of my gear predates my time as a landscape
by Todd Vorenkamp · Posted
There are many ingredients in the recipe that make a good photographic portrait—foreground, background, setting, pose, expression, color, lighting, and so on—but one element that can be as important to the result as the portrait sitter is the lens used to capture the portrait and help create the art.
Technically, any lens can be used to take a portrait with your camera, and there are traditional focal lengths for “portrait lenses” like 85mm and 105mm, but I asked my fellow B&H photographers, as well as our B&H Creative partners and
by Mathew Malwitz · Posted
Whether you’re interested in photography or a semi-experienced beginner looking to upgrade your gear, this is a guide to the essentials you need to build a complete camera kit for any budget. But what do we need in a basic kit? Of course, you can’t take photos without a camera and lens, but we’re looking to help you take your photography to the next level. To do this, we’ll need other staples like a tripod, flash, and select filters to enhance our image taking abilities.
The Basics
When building a kit, there’s more to consider than just the
by Josh Taylor · Posted
Many experienced photographers think of fast moderate telephoto lenses, as “portrait lenses” because so many professional portrait photographers rely on them. Lenses in the 85-105mm focal length range with maximum apertures between f/1.4 and f/2.8 can capture frame-filling headshots and head-and-shoulders portraits at moderate shooting distances, thus minimizing apparent perspective distortion—the dreaded “big-nose effect”—in close-ups. And they deliver very shallow depth of field at their widest apertures, creating compelling pictorial
by Zack Young · Posted
Once you’re familiar with the basic concepts behind high-volume photography, the next logical step is to figure out what gear you need to purchase. That’s when the panic might hit. Suddenly you’re flooded with decisions about cameras, lenses, strobes, backdrops, barcode scanners, and more, each category including tons of different options at every
by Zack Young · Posted
There are countless brands putting out budget-friendly cinema lenses at the moment, but DZOFilm has separated itself from the pack with quality and consistency. Now the brand is making its biggest play yet at the professional space with the DZOFilm Arles series, T1.4 cinema lenses that cover full-frame and Vista Vision sensors. The look of the Arles attempts to bridge the gap between