FUJIFILM Fujichrome Velvia 50 Professional RVP 50 from FUJIFILM is a daylight-balanced color transparency film characterized by exceptionally high color saturation and vibrancy, as well as a neutral gray balance and extended detail throughout the highlight and shadow regions. It has a slow-speed nominal sensitivity of ISO 50/18° when processed in E-6 or CR-56 processes and can effectively be pulled one half stop or pushed one stop with minimal variation in color balance and tonal gradation. Additionally, Velvia 50 also exhibits a fine grain structure with high sharpness and resolving power, and is well-suited to a wide variety of shooting applications.
FUJIFILM Fujichrome Velvia 50 Professional RVP 50 Color Transparency Film (35mm Roll Film, 36 Exposures, 5-Pack)
- Daylight-Balance Color Transparency Film
- ISO 50/18° in E-6/CR-56 Process
- High Color Saturation and Vibrancy
- Fine Grain and High Sharpness
FUJIFILM Velvia 50 35mm Overview
FUJIFILM Velvia 50 35mm Specs
| Number of Rolls | |
| Film Format | |
| Number of Exposures | |
| Film Type | |
| ISO/ASA Film Speed | |
| Color Balance | |
| Film Processing | |
| Film Base | |
| Layer Thickness |
| Package Weight | |
| Box Dimensions (LxWxH) |
FUJIFILM Velvia 50 35mm Reviews
Reds, Greens, & Yellows Really POP
The four images I uploaded were shot in Canada in September. Velvia is great for anything with lots of bright color such as car & motorcycle racing, birds, flowers, & landscapes.
You're all too young!!
This is a great transparency film, for what that's worth. I'm clearly older than anyone writing these reviews. Why anyone is shooting with film today is because, I guess, they want to be authentic photographers, or something. None of the old films can compete with modern digital imaging. They are beautiful, but you are just trying to live in a world that was gone before you arrived. Kodachrome 25 was the best transparency film ever made. But it pales in comparison to modern RAW files. It's important that you're trying to understand where photography came from, but make no mistake, modern digital imaging is lightyears ahead of anything you can do with film. I started my career in a darkroom running 40 rolls of Tri-X at a time and 4x5 sheet film. Every image was hard and there were SO many ways to mess things up. Please respect every good photograph you see from the film era because it took a great deal of talent, skill, and luck to create.
