Shure ULX-D Digital Wireless Handheld Microphone Kit with Beta 58A Capsule (H50: 534 to 598 MHz)
- For Broadcasting & Performance
- Beta 58A Supercardioid Dynamic Capsule
- Handheld Transmitter
- Single-Channel Receiver
Shure ULX-D Digital Wireless Supercardioid Lavalier Microphone Kit (H50: 534 to 598 MHz)
- For Broadcasting and Presentations
- WL184 Supercardioid Lavalier
- Bodypack Transmitter
- Single-Channel Receiver
Shure ULX-D Digital Wireless Bodypack Instrument Kit (H50: 534 to 598 MHz)
- For Guitar, Bass, or Other Instruments
- WA302 Instrument Cable
- Bodypack Transmitter
- Single-Channel Receiver
Shure ULXD14/WL18 DG WL MICRPH SYS(G57/J50A)
Shure ULXD24/SM87A Handheld Wireless System (Band H50)
Shure ULXD14/WL18 DG WL MICRPHN SYS(G57/G50)
Shure ULX-D Digital Wireless Handheld Microphone Kit with SM58 Capsule (J50A: 572 to 608 + 614 to 616 MHz)
- For Performance and Presentation
- SM58 Dynamic Cardioid Capsule
- Handheld Transmitter
- Single-Channel Receiver
Shure ULXD24/B87C Handheld Wireless System (Band H50)
Shure BLX24/PG58 Wireless Handheld Microphone System with PG58 Capsule and Bag Kit (H10: 542 to 572 MHz)
- For Presenters and Performers
- PG58 Cardioid Mic/Transmitter
- Single-Channel Tabletop Receiver
- Padded Wireless-System Bag
Electro-Voice RE3-BPGC Bodypack Instrument Wireless System (5L: 488 to 524 MHz)
- For Guitar, Bass & Keytar Players
- Rack-Mountable Diversity Receiver
- Compact Bodypack Transmitter
- 1/4" to TA4F Instrument Cable
Electro-Voice RE3-BPGC Bodypack Instrument Wireless System (5H: 560 to 596 MHz)
- For Guitar, Bass & Keytar Players
- Rack-Mountable Diversity Receiver
- Compact Bodypack Transmitter
- 1/4" to TA4F Instrument Cable
Electro-Voice RE3-BPGC Bodypack Instrument Wireless System (6M: 653 to 663 MHz)
- For Guitar, Bass & Keytar Players
- Rack-Mountable Diversity Receiver
- Compact Bodypack Transmitter
- 1/4" to TA4F Instrument Cable
Electro-Voice RE3-BPHW Bodypack Wireless System with Headworn Mic (6M: 653 to 663 MHz)
- For Theater, Broadcast & Concert Sound
- Rack-Mountable Diversity Receiver
- Compact Bodypack Transmitter
- Supercardioid Headworn Microphone
Electro-Voice RE3-BPHW Bodypack Wireless System with Headworn Mic (5H: 560 to 596 MHz)
- For Theater, Broadcast & Concert Sound
- Rack-Mountable Diversity Receiver
- Compact Bodypack Transmitter
- Supercardioid Headworn Microphone
Electro-Voice RE3-BPHW Bodypack Wireless System with Headworn Mic (5L: 488 to 524 MHz)
- For Theater, Broadcast & Concert Sound
- Rack-Mountable Diversity Receiver
- Compact Bodypack Transmitter
- Supercardioid Headworn Microphone
Electro-Voice RE3-BPCL Bodypack Wireless System with Cardioid Lavalier Mic (6M: 653 to 663 MHz)
- For Theater, Broadcast & Film Production
- Rack-Mountable Diversity Receiver
- Compact Bodypack Transmitter
- Cardioid Lavalier Microphone
Electro-Voice RE3-BPCL Bodypack Wireless System with Cardioid Lavalier Mic (5H: 560 to 596 MHz)
- For Theater, Broadcast & Film Production
- Rack-Mountable Diversity Receiver
- Compact Bodypack Transmitter
- Cardioid Lavalier Microphone
Electro-Voice RE3-BPCL Bodypack Wireless System with Cardioid Lavalier Mic (5L: 488 to 524 MHz)
- For Theater, Broadcast & Film Production
- Rack-Mountable Diversity Receiver
- Compact Bodypack Transmitter
- Cardioid Lavalier Microphone
Electro-Voice RE3-BPOL Bodypack Wireless System with Omnidirectional Lavalier Mic (6M: 653 to 663 MHz)
- For Theater, Broadcast & Film Production
- Rack-Mountable Diversity Receiver
- Compact Bodypack Transmitter
- Omnidirectional Lavalier Microphone
Electro-Voice RE3-BPOL Bodypack Wireless System with Omnidirectional Lavalier Mic (5H: 560 to 596 MHz)
- For Theater, Broadcast & Film Production
- Rack-Mountable Diversity Receiver
- Compact Bodypack Transmitter
- Omnidirectional Lavalier Microphone
Electro-Voice RE3-BPOL Bodypack Wireless System with Omnidirectional Lavalier Mic (5L: 488 to 524 MHz)
- For Theater, Broadcast & Film Production
- Rack-Mountable Diversity Receiver
- Compact Bodypack Transmitter
- Omnidirectional Lavalier Microphone
Electro-Voice RE3-RE520 Wireless Handheld Microphone System with RE520 Wireless Mic (6M: 653 to 663 MHz)
- For Singers, Speakers & Presenters
- Rack-Mountable Diversity Receiver
- Wireless Handheld Mic Transmitter
- RE520 Supercardioid Condenser Mic Head
Electro-Voice RE3-RE520 Wireless Handheld Microphone System with RE520 Wireless Mic (5H: 560 to 596 MHz)
- For Singers, Speakers & Presenters
- Rack-Mountable Diversity Receiver
- Wireless Handheld Mic Transmitter
- RE520 Supercardioid Condenser Mic Head
Electro-Voice RE3-RE520 Wireless Handheld Microphone System with RE520 Wireless Mic (5L: 488 to 524 MHz)
- For Singers, Speakers & Presenters
- Rack-Mountable Diversity Receiver
- Wireless Handheld Mic Transmitter
- RE520 Supercardioid Condenser Mic Head
Electro-Voice RE3-RE420 Wireless Handheld Microphone System with RE420 Wireless Mic (6M: 653 to 663 MHz)
- For Singers, Speakers & Presenters
- Rack-Mountable Diversity Receiver
- Wireless Handheld Mic Transmitter
- RE420 Cardioid Condenser Mic Head
Electro-Voice RE3-RE420 Wireless Handheld Microphone System with RE420 Wireless Mic (5H: 560 to 596 MHz)
- For Singers, Speakers & Presenters
- Rack-Mountable Diversity Receiver
- Wireless Handheld Mic Transmitter
- RE420 Cardioid Condenser Mic Head
Electro-Voice RE3-RE420 Wireless Handheld Microphone System with RE420 Wireless Mic (5L: 488 to 524 MHz)
- For Singers, Speakers & Presenters
- Rack-Mountable Diversity Receiver
- Wireless Handheld Mic Transmitter
- RE420 Cardioid Condenser Mic Head
Electro-Voice RE3-ND96 Wireless Handheld Microphone System with ND96 Wireless Mic (6M: 653 to 663 MHz)
- For Singers, Speakers & Presenters
- Rack-Mountable Diversity Receiver
- Wireless Handheld Mic Transmitter
- ND96 Supercardioid Dynamic Mic Head
Learning About Wireless Sound Systems
Unlike wired microphones that transmit sound through electrical cables, wireless sound systems use transmitters and receivers to convert sound into radio signals. This means that you'll have easy mobility when using wireless microphone systems. You'll also eliminate any issue of audio drop-offs, which are quite common with wired mics.
Features of a Wireless Microphone System
To set up a wireless mic system, you'll need three main components: the microphone, a transmitter, and a receiver.
The microphone is the instrument that converts sound waves into electrical signals. Wireless mics come in a range of styles for different purposes. Handheld wireless microphones are popular with on-stage performers such as singers and comedians. Lavalier wireless mics are ideal for talk shows hosts and presenters who want to have their hands free when presenting. Head-worn mics are popular with aerobics instructors, dancers, and singers, or artists who move all over the stage.
You can also categorize wireless microphones according to the frequency they use. These mics can either use UHF or VHF frequencies. UHF wireless microphones have larger ranges and fewer issues with sound distortions. VHF models, on the other hand, use less power than UHF microphones.
Transmitters
With live sound wireless transmitters, you can send audio signals to the receivers. They're built within a handheld unit or within the bodypack of wireless lavalier microphone systems. Most of these bodypacks are small, and you can usually clip them onto a belt.
Receivers
Receivers pick up the audio signals from the transmitters and transfer them to live sound speakers for amplification. There are two main types of receivers: single antenna receivers and diversity receivers. Receivers with one antenna are ideal when the distance between the transmitter and receiver is short and fixed. Diversity receivers have more than one antenna to pick up the strongest signals from the transmitters. Choose this type of receiver if the operating distance between the receiver and the transmitter is longer, or if you intend to move around the stage with the wireless mic. You can mount the antennas directly on the receiver, or use them remotely.
Wireless Sound System Accessories
To boost the strength of your receiver, you may want to consider extra remote antennas for your wireless mic system. If the operating distance between the transmitter and the receiver is fixed, you may need rack mounting kits for your receivers and antennas. When using one antenna for multiple receivers, you'll need antenna splitters to split the audio signals without compromising on the sound quality. Remember to invest in a good wireless microphone system case to help you protect your mics, transmitters, receivers, and other live sound speaker accessories.
Whether you're looking for lavalier or handheld, single or dual wireless microphone systems, browse B&H live sound options to find the right wireless systems for your specific needs.


