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About 1757 filtered results
HDR Video, Explained: Color Grading
Posted 08/21/2026
Now that you've filmed your video, it's time for editing and delivery in HDR. Doug dives deeper into HDR formats, as well as standards and workflows when working with HDR video. Join him in DaVinci Resolve where you'll learn about both the technical and creative sides. 0:00 - Intro 1:03 - Choosing an HDR Monitor 5:08 - Color Gamut 6:44 - Setting Up Your Monitor & Project 10:39 - Grading in HDR 24:28 - Exporting & Delivering 25:32 - Final Thoughts   Sponsored by
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HDR
Filmmaking
Recording Electric & Acoustic Bass at Home
Posted 08/20/2026
Andrew takes us through ways to record both electric and acoustic upright bass at home. You'll hear how different DI boxes can subtly change the sound of the electric bass and how to mic a bass amp. For Upright bass, Andrew will share some considerations when using a DI box as well as a nifty trick to mic an upright with a Shure SM57. You'll also hear how both ribbon and condenser mics can make the upright bass sound full. 0:00 - What We're Covering Today 0:29 - How Electric Basses Work 1:03 - Using the Hi-Z/Intrument Input 2:03 - DI Boxes
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Home Recording
Music Production
Astrophotography Gear That Makes All The Difference
Posted 08/19/2026
"It's better to have it and not need it, than to need it and not have it" is the motto for this video. Sam lists her astrophotography essentials to keep you safe and make sure you get the shot. 0:00 - Intro 0:18 - Tripod 1:29 - Headlamp 3:01 - Photo Planning App 5:13 - Accessories
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Astrophotography
Sequential Fourm: No Talking No Effect Preset Demo
Posted 08/17/2026
Join Gabe on a sonic tour of the Sequential Fourm. No talking, no effects, just the Fourm speaking for itself! 0:00 - A New Legend (Program 1, Factory bank 1) 0:32 - Hard Synch (Program 93, Factory bank 2) 0:45 - Mini Prophet (Program 42, Factory bank 1) 1:31 - Sawyer Vibez (Program 45, Factory bank 1) 2:00 - The Bassics (Program 3, Factory bank 1) 2:19 - EEEE PEEEE (Program 4, Factory bank 1) 2:48 - Syncing Pressure (Program 5, Factory bank 1) 3:04 - Fourmer Brass (Program 8, Factory bank 1) 3:19 - Petite Sweeper (Program 9, Factory bank 1)
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Synthesizers
HDR Video, Explained: The Basics & Monitoring
Posted 08/17/2026
In part one, Doug shares how you can introduce HDR into your workflow. He discusses the advantages and disadvantages of shooting HDR video, the basics of HDR formats, and monitoring HDR on set. 0:00 - Intro 0:59 - What Is HDR Video? 2:20 - HDR Format Basics 5:30 - Middle Gray 7:19 - HDR Monitoring 12:59 - A Note on Exposure 13:45 - Where Is 18% Gray in HDR? 14:26 - Final Thoughts
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HDR
Filmmaking
What Gear Stands the Test of Time?
Posted 08/13/2026
Whether it's for recording audio or lighting a portrait, everyone has a piece of gear that's their go-to. Clare asks B&H's employees and customers what they think is the best piece of gear that stands the test of time. Big-ticket items like cameras, lenses, or audio interfaces made the list, but sometimes the less-flashy gear that is the unsung hero of the creative process. 0:00 - Intro 0:10 - What's Everyone's Go-To?
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Lenses & Accessories
Audio Interfaces
Cinema Cameras
When Should You Use On-Camera and Off-Camera Flash?
Posted 08/11/2026
Should you go with on-camera or off-camera flash? There are pros and cons to each choice, and it depends on what you want to evoke with your work. Juan shares his tips for both on- and off-camera flash in an outdoor photoshoot. 0:00 - What're We Covering? 0:48 - On-Camera Flash 2:31 - Off-Camera Flash 3:21 - Soft Box with Off-Camera Flash 3:49 - Side-By-Side Comparison 4:19 - How Each Affect Your Backdrop 5:40 - How Far Away Can You Place Your Model? 6:01 - Should You Even Use On-Camera Flash? 6:47 - Are There Drawbacks to Off-Camera Flash? 7
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On-Camera Flash
off-camera flash
How to Choose a Production Monitor for Filmmaking
Posted 08/10/2026
Monitors are a critical component for a video production set. Sidney shares what to look for in an on-camera monitor, featuring the SmallHD ULTRA 10 4K Portable Production Monitor. 0:00 - In This Video 0:20 - Size 1:03 - Brightness 1:27 - Color Accuracy 1:58 - Connectivity Options 2:54 - Professional Monitoring Tools 3:40 - Conclusion Sponsored by
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On Camera Monitors
How to Plan for Your First Studio Session
Posted 08/07/2026
In this video, Kevin breaks down the dos and don'ts of planning your first recording session at a commercial studio. He'll break down budgets, logistics, and everything you'll need to have the best experience possible. 0:00 - Intro 0:35 - How to Choose the Right Studio for You 2:11 - Pre-Production 3:34 - Understanding Roles 6:03 - Studio Etiquette 6:53 - Budgeting & Pricing Estimates 10:46 - Most Importantly
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Studio Recording
Insta360 Luna Ultra: Not Your Typical Gimbal Camera
Posted 08/06/2026
Join Lotta to learn what sets Insta360's Luna Ultra apart from other gimbal cameras, including its dual Leica lenses, ability to capture up to 8K30fps action footage, and more. 0:00 - Sensor & Leica Lenses 0:35 - Photos & ND Filters 0:52 - Modes 1:05 - LCD Screen & Tracking 1:38 - Battery Life 1:51 - Who Is This Camera For? Sponsored by
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Gimbal Camera
How To Pack and Store Your Camera Gear
Posted 08/05/2026
Packing and storing your camera gear safely is crucial because of how expensive it is. Matt shares how we pack our gear for photo and video shoots, as well as how we store and organize it once we get back to the studio. By the end of this, you'll know what camera bag to buy and how to store your equipment once you get home. 0:00 - Backpacks & Hard Cases 1:35 - Organizing Your Gear at Home 2:21 - How We Store Our Gear 3:45 - What Are Your Storage Solutions? Sponsored by
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Dry Cabinets
Camera Storage
Zeiss Panoptes 65: In-Studio & On-Location Tests
Posted 08/03/2026
Large format sensors have been making their way across the filmmaking industry, so a need for compatible lenses has arisen. Enter ZEISS's Panoptes 65 lineup of cinema lenses. Join Doug for two video shoots—one in-studio and the other a documentary-style—as he puts the 35mm, 40mm, and 110mm through their paces. 0:00 - Intro 0:28 - Indoor Video Shoot 3:18 - Test Footage (Indoors) 4:19 - Outdoor Video Shoot 5:04 - A Note on Image Quality 7:04 - Demo & Test Footage (Outdoors) 10:00 - Doug's Overall Thoughts Sponsored by
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Filmmaking
Cinema Lenses
KORG NTS-4: DIY Fun, Professional Results
Posted 07/30/2026
Please welcome a new (or should we say Nu) member to the Nu:Tekt family, a DIY series of products designed to bring your creativity anywhere! The NTS-4 is a 6-channel portable performance mixer with on-board effects. It's perfect to use with other Nu:Tekt devices, Volcas, Eurorack setups or any synth you might have in your arsenal. Join Gabe for an all-around tour of the unit, a live
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Audio Mixers
DZOFilm Arcana: Affordable Anamorphic Lenses for Indie Filmmakers
Posted 07/30/2026
Sidney tests the DZOFilm Arcana anamorphic prime lenses, DZOFilm's most affordable anamorphic lenses for the burgeoning filmmaker. 0:00 - Intro 0:34 - Test Footage 1:40 - Physical Specs 2:23 - Breaking Down the Test Video 2:57 - Creative Potential 3:33 - Flare Test 4:30 - Bokeh Test 5:32 - Who Is This For? Sponsored by
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Filmmaking
Radio Frequency Primer Part 2: How Frequency Coordination Can Help Fight Interference
Posted 07/30/2026
Did you know that wireless units eat their young? Well, not literally but put too many of them in a room together without proper configuration, and it won't sound pretty. In this video, Andrew breaks down what leads to interference and looks at how a spectrum analyzer can help you manage your system to avoid any hiccups during that important show. 0:00 - In This Video 0:31 - Intermodulation Distortion (IMD) 3:11 - How to Troubleshoot 4:31 - How to Use a Spectrum Analyzer 6:23 - Frequency Coordination Demo Sponsored by
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wireless audio

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