Boompoles & Fishpoles
Auray BP-47A Aluminum Boompole with Internal Coiled Cable and Bottom Exit (7.5')
- 4 Sections, Extends 2.5 to 7.5'
- Durable Aluminum Tubes
- Internal Coiled Cable, Bottom Exit
- Anti-Twist Design Keeps Tubes Aligned
K-Tek KE-89CC Avalon Series Aluminum Boompole with Internal XLR Cable
- Measures 2' 5" to 7' 6"
- Four Locking Sections
- Internal Coiled Cable
- Bottom XLR Connection
Auray BP-1383C Quick-Draw Run & Gun Carbon Fiber Boompole (8.3')
- Lightweight Carbon Fiber Boom Pole
- Extends from 1.3 to 8.3 ft.
- Eight Lockless Telescoping Sections
- Quick-Draw Design for Rapid Adjustment
Neewer NW-7000 Aluminum Telescoping Microphone Boompole (8.1')
- 3 Sections, Extends from 3.1 to 8.1'
- Durable and Lightweight Aluminum Alloy
- Soft-Foam Handgrips
- Ergonomic Twist-and-Lock System
K-Tek KC88 Indie 4-Section Carbon Composite Boompole (Uncabled, 7.3')
- For Independent Filmmakers, Creators
- 4 Sections, Carbon Composite
- Extends to 7.3', Collapses to 28.7"
- 3/8"-16 Top Screw
K-Tek KC134CC Indie 6-Section Carbon Composite Boompole (Cabled, 11.2')
- For Independent Filmmakers and Creators
- 6 Sections, Carbon Composite
- Internal Coiled XLR Cable
- Extends to 11.2', Collapses to 35.7"
K-Tek KC88CC Indie 4-Section Carbon Composite Boompole (Cabled, 7.3')
- For Independent Filmmakers and Creators
- 4 Sections, Carbon Composite
- Internal Coiled XLR Cable
- Extends to 7.3', Collapses to 28.7"
K-Tek KE-79CC Traveler Avalon Series Aluminum Boompole with Internal XLR Cable
- Measures 1' 8" to 6' 7"
- Six Locking Sections
- Internal Coiled Cable
- Bottom XLR Connection
Auray BP-59A Aluminum Boompole with Internal Coiled Cable and Side Exit (9.6')
- 5 Sections, Extends 2.8 to 9.6'
- Durable Aluminum Tubes
- Internal Coiled Cable, Side Exit
- Anti-Twist Design Keeps Tubes Aligned
K-Tek KE-110CCR Avalon Series Aluminum Boompole with Internal XLR Cable
- Measures 2' 10" to 9' 2"
- Five Locking Sections
- Internal Coiled Cable
- Side XLR Connection
Auray BP-36A Quick-Twist Lightweight Aluminum Boompole (7')
- 3 Sections, Extends 2.7 to 7.0'
- Durable and Lightweight Aluminum
- Ergonomic Quick-Twist Locks
- Comfortable Foam Handle
RODE Boompole for Rode NTG1, NTG2 and Video Mic (10.6')
- Extends to 10,6'
- Five Collapsing Sections
- Fits NTG1, NTG2 & Video Mic
- 3/8"-16 Threaded Screw
RODE Micro Boompole 3-Section Telescopic Boompole
- For Video and Electronic News Gathering
- Three Sections Smoothly Extend to 6.3'
- Precision Balanced and Lightweight
- Anodized Aluminum Construction
Neewer Upgraded MS-300C Microphone Boompole (Black, 9.8')
- For Live Sound and Audio for Video
- Durable and Lightweight Carbon Fiber
- Adjustable Length: 2.4 to 9.8'
- Max Load Capacity of 4.4 lb
Film Devices Microphone Travel Boompole Kit (Aluminum)
- Aluminum Construction
- Lightweight at 1.6 lb
- 20 to 67" Range
- 1/4"-20 Threads with 3/8"-16 Adapter
Auray BP-28CC Carbon Fiber Boompole with Internal Coiled Cable and Bottom Exit (7.7')
- 5 Sections, Extends 2.2 to 7.7'
- Lightweight, Sturdy Carbon Fiber Tubes
- Internal Coiled Cable, Bottom Exit
- Anti-Twist Design Keeps Tubes Aligned
Auray BP-28CN Carbon Fiber Boompole (7.7')
- 5 Sections, Extends 2.2 to 7.7'
- Lightweight, Sturdy Carbon Fiber Tubes
- Anti-Twist Design Keeps Tubes Aligned
- Ergonomic Twist Locks
K-Tek KC134 Indie 6-Section Carbon Composite Boompole (Uncabled, 11.2')
- For Independent Filmmakers, Creators
- 6 Sections, Carbon Composite
- Extends to 11.2', Collapses to 35.7"
- 3/8"-16 Top Male Screw
On-Stage MBP7000 Microphone Boom Pole
- Length: 3.1 - 8.1' (0.94m - 2.46m)
- Three Aluminum Sections
- Rubber Hand Grips
- Standard 5/8"-27 Brass Male Threads
Ulanzi ZJ08 Mic Boom Pole Arm
- For Independent Filmmakers and Creators
- Extends to 3.3', Collapses to 16.8"
- 3 Sections, Aluminum Alloy
- Internal Coiled 3.5mm Cable
Zacuto MICRO Boompole
- Lightweight On-Camera Boompole
- Adjusts from 14 to 35" in Length
- Internal Cable Included
- NATO Rail Mounting
Auray Aluminum Telescoping Boompole Kit with Universal Microphone Shockmount
- 4 x Smooth Telescoping Sections
- Durable and Lightweight Aluminum
- Adjustable from 2.5 to 7.5'
- Ergonomic Twist Locks
K-Tek KC108CC Indie 5-Section Composite Boompole with Coiled Cable (9')
- 5 Sections, Composite, Extends to 9'
- Collapses to 29.5"
- Internal Coiled Cable
- 3-Pin XLR-M, Straight Bottom Exit
K-Tek KE-79CCR Traveler Aluminum Boompole with Internal Coiled XLR Cable (Right Angled)
- Avalon Series
- Measures 1' 8" - 6' 7" (0.54 - 2.04m)
- 6 Locking Sections
- Internal Coiled Cable
Saramonic Boompole Light Universal 3-Section Carbon Fiber Boompole with Internal Coiled XLR Cable (8.2')
- Extends to 8.2', Collapses to 3.3'
- 3 Sections, Collar Coupling Locks
- Lightweight Carbon Fiber Tubes, 1.6 lb
- Internal Coiled 3-Pin XLR Cable
RODE Mini Boompole (6.7')
Deity Microphones BP380 Telescoping Boom Pole
- For Filmmaking and Audio for Video
- 3 to 12.5' Length Extension
- Durable, Lightweight Carbon Fiber Tube
- Aluminum Twist-Lock Collars
E-Image 4-Section Telescoping Aluminum Microphone Boompole (8')
- Telescoping Microphone Boompole
- 4-Section, Aluminum Pole
- Extends from 30 to 96.5"
- 1/4"-20 and 3/8"-16 Mounts
Lightweight Boompoles for Field Recording
Boompoles are extendable or otherwise collapsible wands that hold microphones. Audio technicians use them for electronic news gathering (ENG), electronic field production (EFP), documentary video (DV), and other field recording applications, such as reality TV shows, to record the audio components of interviews and footage. The poles enable technicians to get the mics as close as possible to the subjects while also keeping the mics out of camera view. Since technicians have to hold them above their heads, the mic holders must be lightweight.
Boompole Specs
Most mic poles are telescoping, normally with four to five sections, but sometimes up to seven. When extended, they can range in length from 6 to 12 feet, and even longer. You loosen or tighten the telescoping sections in place with grooved or dimpled captive collets. Some booms, such as Rode boompoles, have sections that screw together for an ultra-secure locking mechanism. Most poles feature aluminum or lightweight carbon fiber. The majority of poles weigh between one and two pounds, although some are lighter than a pound, including some Rode micro boompoles, which weigh less than 14 ounces.
Connecting Mics to the Poles
The poles have threaded tips, most with a standard size of 3/8-inch, to directly secure mics. The tips also fit a variety of pro audio grips and mic suspensions that include shock and lyre mounts for cradling mics to reduce their vibration and noise.
Some telescoping poles come with an internal microphone cable that plugs directly into a mic with an XLR 3- or 5-pin male connection. The cable runs down to the grip to an XLR male output pin jack on the side or at the bottom of the pole. This allows you to plug the pole into a video camera, recorder, preamp, or wireless transmitter. In addition, a variety of in-line mic accessories, including preamps, input attenuators, USB interfaces, and signal adapters, are available for attachment to either of the pin connections.
Non-cabled boompoles have side clips or Velcro strips for securing external microphone cables, and some poles have an internal raceway for manually snaking a mic cable through the pole. These arrangements make it easy to remove the cable at the end of video sessions and quickly collapse the pole without entangling any cable.
Boompole Accessories
Several boom box stands are available for standing the poles upright during breaks, as are resting mounts that secure to adjustable C-stands, which are also useful for stabilizing the poles during static takes such as sit-down interviews. Many other boompole accessories are also available, including carrying bags, external cable wiring clips, mic stand adapters, and pole counterweights.
Check out B&H Photo and Video to find the boompole with the right weight and length for any ENG, EFP, and DV production environment, and match those with the right accessories.

