Crown Audio SASSP-MK2 - Microfone PZM Estéreo com Case
- No Longer Available
The Crown Audio SASS-P MKII Microphone is a stereo PZM microphone designed for classic ensemble, concerts, electronic news gathering, crowd ambiance, theater and sound effect recording. The microphone's dual capsule design features two Pressure Zone Microphones with human-head-sized spacing between them creating well focused stereo imaging without a "gap" in the middle spectrum. A foam barrier baffle located between the capsules maintain accurate focus and limits phase cancellation when switched to mono.
The SASS can be powered using 9 Volt batteries, as well as 12-48V phantom power. The SASS offers a wide frequency response of 20Hz to 18kHz and a sonic character best described as smooth and warm with emphasis on high frequencies providing an "airy" quality on output.
- An Ideal Ambience Microphone
- The SASS-P MKII's design is perfect for ensemble, concerts, electronic news gathering, crowd, general ambiance, theater, and sound effect recordings.
- Captação Estéreo
- O SASS-P MKII apresenta cápsulas duplas de Microfone Pressure Zone desenvolvidas para a gravação estéreo e broadcast. As cápsulas são espaçadas em dimensões do tamanho de uma cabeça humana, oferecendo uma perspectiva estéreo precisa em relação à audição humana.
- Cápsulas de Zona de Pressão
- O design patenteado da cápsula de Microfone de Zona de Pressão apresenta elementos altamente sensíveis, que podem transmitir com precisão o ambiente de qualquer cenário de gravação.
- Característica Sonora Quente
- O SASS-P MKII apresenta uma característica sonora suave e quente, enfatizando as freqüências agudas que oferecem uma qualidade "aérea" na saída.
- Refletor tipo Barreira de Espuma
- Entre as cápsulas existe um refletor tipo barreira de espuma que oferece uma captação focada e minimiza cancelamento de fase quando o mono for usado.
| Transdutor | Condensador de Eletreto Estéreo, PZM (Microfone se Zona de Pressão) |
| Padrão Polar | Omnidirecional (Baixa Freqüência), Unidirecional (Alta Freqüência) |
| Frequency Response | 20Hz to 18kHz |
| Dynamic Range (Typical) | 129.5dB |
| Signal-to-Noise Ratio | 73.5dB, (@ 94dB SPL) |
| Maximum Input Sound Level | 150dB SPL, (at the Diaphragm, Produces 3% THD) |
| Power Requirements |
Standard Phantom Power,12 to 48v DC, Positive Voltage on Pins 2 and 3 with Respect to Pin 1 of the Output Connector Or, Two 9v Alkaline Batteries (Mallory Duracell MN1604 or equivalent) |
| Impedância de Saída | 150 Ohms Rated (240 Ohms Reais), Balanceada (Impedância de Carga Mínima Recomendada de 1000 Ohms) |
| Conectores de Saída | 2 XLR Tipo 3M, (Um por Canal) |
| Pad | Não possui |
| Low Frequency Roll-Off | Yes, Low-Frequency Cut Switch, Attenuates Frequencies Below 100Hz by 12dB per-Octave |
| Dimensões | 11,5 x 5,28 x 5,709 polegadas (29,21 x 13,41 x 14,5cm) LxAxP |
| Weight | 17oz. (482g) |
REVIEW SNAPSHOT®
by PowerReviews(based on 1 review)
Ratings Distribution
REVIEWS
Reviewed by 1 customer
Displaying review 1
Pros
- Excellent stereo image
- Lightweight
- Quiet
- Simple Use
Cons
- Conspicuous appearance
- Large carry case
Best Uses
- Location recording
- Professional
Comments about Crown Audio SASSP-MK2 Microphone:
Just to clear up one thing, B & H's description of this mic as having "switchable patterns" is not correct. Rather, it tends to have omni pickup at lower frequencies, and the baffle creates directionality at higher frequencies. That said, it sounds very good, with exceptional stereo imaging (especially when heard over headphones--it comes close to sounding like a binaural dummy head system).
I would not rate the sound quality of the SASSP-Mk2 as highly as the best stereo microphones made by Schoeps, Royer and others, but it is competitive in its price range. Also, as it can be battery powered and comes with an effective wind screen, it is possible to use it for field recording of stereo sound effects, ambience, etc. The main drawback of this mic is its large size, which makes it conspicuous in concert recording situations, and requires a large carry case for transport. However, it is not heavy, so at least it won't strain your back.
- Primary use:
- Business
- Recommended:
- Good quality mic stand, Mixer or recorder with XLR inputs
- Similar:
- Sony ECM-999 stereo microphone
Displaying review 1
- Case de transporte
- Punho
- Windscreen
- Adaptador de Rosca de 5/8"-27 a 1/4"-20
- 3 anos de garantia (Apenas nos EUA)
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