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RODE NT4 X/Y Stereo Condenser Microphone

BH #RONT4 • MFR #NT4
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RODE NT4 X/Y Stereo Condenser Microphone
Key Features
  • 20 Hz to 20 kHz Frequency Response
  • Dual 1/2" Gold-Sputtered Capsules
  • Phantom or Battery Powered
  • 5-Pin Stereo to 2 x 3-Pin XLR Cable
The NT4 X/Y Stereo Condenser Microphone from Rode combines an acoustically matched pair of 1/2" cardioid condenser capsules fixed in a perfect 90° near-coincident alignment. It can be used for drum overheads, percussion, choir vocals, environmental recording, and sound design in a studio or in the field.
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RODE NT4 Overview

The NT4 X/Y Stereo Condenser Microphone from Rode combines an acoustically matched pair of 1/2" cardioid condenser capsules fixed in a perfect 90° near-coincident alignment. It can be used for drum overheads, percussion, choir vocals, environmental recording, and sound design in a studio or in the field.

The NT4's versatility is extended by its ability to be powered by a 9V battery, in addition to 48V phantom power. Both stereo XLR and 3.5mm mini-jack cables are supplied to ensure the NT4 is ready to record to a mixing console, portable recorder, or camera. Also included is a WS4 pop filter/wind shield and a durable RM3 microphone clip.

X/Y Stereo Elements
The NT4 features dual cardioid elements mounted in an X/Y stereo configuration. The X/Y configuration results in accurate representation of signal within the "Left/Right" stereo field.
Matched Capsules
Both cardioid capsules are matched in sensitivity and frequency response for optimum results.
Phantom or Battery Powered
The NT4 can be powered via Phantom Power or a standard alkaline 9V battery.
Flexible Connectivity
The NT4 includes a dual XLR cable and a stereo 3.5mm mini-jack output cable making the it ready for use in any recording environment.
UPC: 698813000043

RODE NT4 Specs

Key Specs
Microphone Type
Single-Point Stereo
Polar Pattern
Cardioid
Element Type
2x Condenser
Controls
On/Off
Frequency Response
20 Hz to 20 kHz
Maximum SPL
143 dB (1 kHz, 1% THD)
Analog Output
1x XLR 5-Pin (on Mic)
2x XLR 3-Pin Male (on Included Cable)
1x 1/8" / 3.5 mm TRS Male (on Included Cable)
Power Sources
Battery / Phantom Power
Microphone
Microphone Type
Single-Point Stereo
Polar Pattern
Cardioid
Element Type
2x Condenser
Sound Field
Stereo
Diaphragm
0.5" / 12.7 mm
Orientation
End Address
Controls
On/Off
Circuitry
Solid-State
Performance
Frequency Response
20 Hz to 20 kHz
Maximum SPL
143 dB (1 kHz, 1% THD)
Sensitivity
-38 dB (at 1 kHz)
Dynamic Range
128 dB
Equivalent Noise Level
16 dB (A-Weighted)
Connectivity
Analog Output Connector
1x XLR 5-Pin (on Mic)
2x XLR 3-Pin Male (on Included Cable)
1x 1/8" / 3.5 mm TRS Male (on Included Cable)
Power
Power Sources
Battery / Phantom Power
Operating Voltage
48 V (Phantom Power)
9 V (Battery Power)
Battery Type
1x 9 V (Not Included)
Physical
Color
Nickel
Mounting Thread Size
5/8"-27 Female (3/8"-16 Female with Included Adapter)
Dimensions
ø: 1.3 x W: 2.4 x L: 9.1" / 33 x W: 61 x L: 231 mm
Weight
1.1 lb / 480 g
Packaging Info
Package Weight
3 lb
Box Dimensions (LxWxH)
15.65 x 12.15 x 4.7"

RODE NT4 Reviews

xy simplicity

By David
Rated 5 out of 5
Date: 2025-10-06

This nice sounding condenser mic has simplified my miking of live performances. The sound is subtly fuller, nicer than the pair of rode m5's I've been using. I now use the M5's as an ORTF pair, when necessary and use the NT4 for xy stereo applications. I've been supplying phantom power to mic but it's nice having the 9v battery option if paired with a recorder which does not supply power.

Perfect performance microphone

By Martin
Rated 5 out of 5
Date: 2018-12-15

I got this to record music and theater performances, and its the perfect tool for the job. The sound quality is great, and It gives an outstanding stereo separation.  It really makes my recordings sound like I know what I am doing. It pairs perfectly with my Zoom F4 recorder, which combines the left and right feeds into a single stereo track.  And as a bonus, it lets me record a separate stereo track at a different level.  Thats perfect for live performances where I cant be at the recorder to set levels; I set a loud level and a quiet level, and I always have one that is right.

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