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Search results for: content understanding depth field cinematography

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Optical Filters in a Digital World, with Ira Tiffen
by Steven Gladstone · Posted 10/01/2015
I have been using filters ever since I first shot Super 8 film with a little Kodak M-22 camera. Just press the funny-looking piece of metal into the top of the camera to drop in (or remove—I can't remember which it was) the Wratten 85 filter that allowed you to use tungsten-balanced film in daylight, and achieve the correct color balance. Over the years, my filter experience has pretty much stayed the same—I use filters to achieve a
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