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by Roberto Bayde · Posted
Action cameras are one of the best tools to capture everyday life and action adventures. Most cameras feature a universal two-prong adapter that can connect to a multitude of accessories. Here are some of our favorites.
SmallRig Quick Release Chest Strap Mount for Action Cameras
This Chest Strap from SmallRig is an essential for POV filming and can be used to record all types of content, including travel, action, and
Posted
Large format sensors have been making their way across the filmmaking industry, so a need for compatible lenses has arisen. Enter ZEISS's Panoptes 65 lineup of cinema lenses. Join Doug for two video shoots—one in-studio and the other a documentary-style—as he puts the 35mm, 40mm, and 110mm through their paces.
0:00 - Intro
0:28 - Indoor Video Shoot
3:18 - Test Footage (Indoors)
4:19 - Outdoor Video Shoot
5:04 - A Note on Image Quality
7:04 - Demo & Test Footage (Outdoors)
10:00 - Doug's Overall Thoughts
Sponsored by
by Mary Latvis · Posted
Are you looking to learn more about the LED volume walls used in the burgeoning field of OSVP (on-set virtual production)? These walls are a key component of the process, serving as true-to-life backgrounds, and in effect, sets and locations for OSVP. Volume walls are composed of multiple LED displays that are seamlessly joined to form a custom-size screen on which your prerecorded background plates are played back. Here we'll go over the component that stiches together those displays and controls the behavior of your LED volume wall:
Posted
Sidney tests the DZOFilm Arcana anamorphic prime lenses, DZOFilm's most affordable anamorphic lenses for the burgeoning filmmaker.
0:00 - Intro
0:34 - Test Footage
1:40 - Physical Specs
2:23 - Breaking Down the Test Video
2:57 - Creative Potential
3:33 - Flare Test
4:30 - Bokeh Test
5:32 - Who Is This For?
Sponsored by
by Jennifer Hahn · Posted
Many moons ago, when the economy was unstable and layoffs were rampant, this author decided to switch careers to pursue filmmaking. With a new perspective and energy, but without any guidance, knowledge, or tools, going back to school for digital filmmaking was a no-brainer. The aim was to tell real stories in documentary form, and it became a challenging but ultimately rewarding adventure.
Tips for Starting Out
If you’re just starting out at the dawn of your student career, or find yourself older and wiser looking for a change, and you want
by Jennifer Hahn · Posted
In a recent Explora article, we went over the basics of media servers for in-camera virtual effects (ICVFX) and virtual production (VP), describing these beefy machines for media playback and distribution to LED processors for LED walls and volumes. A VP media server can be a custom hardware solution or software installed on an off-the-shelf machine, but either type needs to have a
by Steven Esposito · Posted
Whether you are learning the craft of cinematic filming, content creation, or even video editing, Professor Zack is here to get you started!
by Zack Young · Posted
Many budding filmmakers have toiled away on the color correction and grading of their first masterpiece, watched it over countless times, hit the export button, pulled it up on a TV, and been shocked. "This looks nothing like I was expecting. The colors! The contrast! The saturation!" Although there's no universal fix for differences in how devices display an image, the most common culprit of these headaches is
by Zack Young · Posted
Whether it's a four-year undergraduate program, a two-year graduate school, or a single class, studying film production is different from other fields of study. Film production classes are more like being in a trade school. Students learn and apply work skills, as well as film theory. Most importantly, you will be shooting at least one short film, and to make that film you need equipment, tools, and supplies.
Most film programs provide the cameras, sound equipment, and editing facilities you need, but, to take full advantage of them, some
by Zack Young · Posted
Sony has unveiled the FX5 5K full-frame cinema camera, with 3:2 open gate, 16-bit X-OCN recording, three base ISO, expanded monitoring options, and more, all packed into a compact 750g body.
by Zack Young · Posted
Sony is squeezing professional cinema features into a handheld package with the new FX5 5K cinema camera. Key specs include 3:2 open gate recording, internal 16-bit X-OCN, three base ISOs, high frame rates, expanded monitoring options, and more. The camera has a new 16.6MP full-frame fully stacked Exmor RS CMOS image sensor alongside a BIONZ XR2 chip with an integrated AI processing unit.
by Zack Young · Posted
SmallRig has new tripod and monopod offerings, bringing their popular one-touch deployment technology to the monopod space with the SmallRig x Potato Jet TRIBEX PRO X-Clutch hydraulic monopod, available in four versions with different head and feet configurations. All versions have a quick-deploy X-Clutch for adjusting three height stages with a single squeeze. SmallRig is also releasing an Ultra-Light Travel Tripod made for videographers, plus a Reverse-Folding
by Zack Young · Posted
The original MOFAGE POCO lens adapter grew from a Kickstarter hit to an industry mainstay, and now its successor is here. The POCO II Drop-In Filter Adapter has the same core feature set as the original, but adds an interchangeable front mount, a redesigned inner chamber for increased lens compatibility, and a more lightweight overall build.
MOFAGE POCO II
by Zack Young · Posted
B&H is excited to announce that our new Virtual Production and XR (Extended Reality) category is now live. Initial offerings include products for cinema capture, broadcast, live events, sports, education, and more, with an emphasis on LED volumes, IMLs (Interactive Media Labs), content creation, advertising, and tradeshows.
Current subcategories for browsing include
by Zack Young · Posted
FUJIFILM expands the possibilities of their large-format cameras, the GFX ETERNA 55 especially, with the announcement of the GF 19-35mm T3.5 PZ OIS WR lens. The 19-35mm marks the widest angle-of-view available in GF-line cine lenses, and includes a bunch of much requested features including five stops of optical image stabilization and weather-resistant construction.
Billed as the ideal companion for the