Pro Audio
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Posted
Andrew takes us through ways to record both electric and acoustic upright bass at home. You'll hear how different DI boxes can subtly change the sound of the electric bass and how to mic a bass amp. For Upright bass, Andrew will share some considerations when using a DI box as well as a nifty trick to mic an upright with a Shure SM57. You'll also hear how both ribbon and condenser mics can make the upright bass sound full.
0:00 - What We're Covering Today
0:29 - How Electric Basses Work
1:03 - Using the Hi-Z/Intrument Input
2:03 - DI Boxes
by Freddy Gerngross · Posted
SSL Subsidiary Harrison Audio has released the Harrison FleX-10, a new high-performance USB/ADAT 10-in/12-out audio interface compatible with MacOS and Windows with the provided ASIO driver. The FleX-10 offers advanced features in a desktop form factor with premium circuitry, injecting analog quality harmonic saturation into anything it records.
by Freddy Gerngross · Posted
Sennheiser has announced the release of the new Spectera SKM handheld audio transceiver, which, when paired with the Spectra Base Station, can facilitate easy multi-microphone wireless connections for live music, theater, and broadcast productions. The Spectera SKM handheld
Posted
Join Gabe on a sonic tour of the Sequential Fourm. No talking, no effects, just the Fourm speaking for itself!
0:00 - A New Legend (Program 1, Factory bank 1)
0:32 - Hard Synch (Program 93, Factory bank 2)
0:45 - Mini Prophet (Program 42, Factory bank 1)
1:31 - Sawyer Vibez (Program 45, Factory bank 1)
2:00 - The Bassics (Program 3, Factory bank 1)
2:19 - EEEE PEEEE (Program 4, Factory bank 1)
2:48 - Syncing Pressure (Program 5, Factory bank 1)
3:04 - Fourmer Brass (Program 8, Factory bank 1)
3:19 - Petite Sweeper (Program 9, Factory bank 1)
by Freddy Gerngross · Posted
In the postmodern era of music production, most musicians, producers, and engineers rely on a computer running a robust Digital Audio Workstation (DAW) like Pro Tools or Ableton to be the studio centerpiece. But despite their power and convenience, sometimes creating in this environment can turn into a series of mouse clicks that eat away at the joy and magic of music production. There are times when ditching the DAW and going old school with a physical piece of hardware can unlock new potential, forcing you to develop alternative techniques
by Freddy Gerngross · Posted
Whether you record demo tracks on the road, produce podcasts at home, or collaborate with other artists in random locations, having a travel-friendly audio interface is key to staying versatile in your work. An ideal interface would be small enough to fit in a backpack, laptop bag, or satchel while supporting multiple types of I/O and USB powering. Seriously, the last thing you need is to have your ideas vanish whilst frantically searching for a free AC power outlet. Thankfully, your options are plentiful in number, and I’d like to bring your
by Freddy Gerngross · Posted
Let’s face it—microphones are expensive. We all want a stocked mic locker with the greatest vintage microphones the world has to offer, but unfortunately, that’s a privilege few can afford. But fear not! There are plenty of amazing and affordable microphones in production that rival or even exceed the sound of the classic studio legends. So whether you’re micing up a guitar, your voice, or a whole drum kit, check out five of my favorite mics that we have in stock at B&H.
Large Diaphragm Condenser: Rode NT1 5th Gen ($214-$228)
As a mic I
by Freddy Gerngross · Posted
Perhaps more than in any other creative field, the line between professional and prosumer is the blurriest in pro audio. Just within the last 15 years, the quality of gear that has become financially obtainable by hobbyists and enthusiasts has increased exponentially, from interfaces to
by Freddy Gerngross · Posted
As miraculous as audio recording and reproduction technology must have been for those who witnessed its proliferation during the early 20th century, it remained a broadly rudimentary process until the late 1940s when the adoption of magnetic tape became standard.
Unfortunately, magnetic tape was invented in an extremely tumultuous time and place: German engineer Fritz Pfleumer’s 1927 invention was sequestered away from the world at large for nearly twenty years. When Germany was liberated in 1945, Allied forces were ordered to seize all German
by Freddy Gerngross · Posted
For this installment in the 500-series guide, we’ll be looking at the available offerings of effects modules in the 500-Series format. I’m also including more utility modules that aren’t necessarily an “effect,” but don’t fall under the Preamp, EQ, or Compressor categories and are quite useful, nonetheless. Some more recently released 500-series effects modules have a combination of preamps and dynamics processors or can be used as such, so if you’re looking to get started on a budget, these could be good places to start your 500-series
Posted
In this video, Kevin breaks down the dos and don'ts of planning your first recording session at a commercial studio. He'll break down budgets, logistics, and everything you'll need to have the best experience possible.
0:00 - Intro
0:35 - How to Choose the Right Studio for You
2:11 - Pre-Production
3:34 - Understanding Roles
6:03 - Studio Etiquette
6:53 - Budgeting & Pricing Estimates
10:46 - Most Importantly
by Freddy Gerngross · Posted
The acclaimed German audio manufacturer Beyerdynamic has announced the release of the new DT-275 PRO headphones, designed specifically for filmmakers, live front-of-house and DJ booths, and any audio situation where confident decisions need to be made under pressure in loud environments. These closed-back on-ear headphones feature high passive sound isolation and balanced no-nonsense sound
by Freddy Gerngross · Posted
If you're new to the world of audio and are wondering what a mic preamp does and whether you need one for your home studio, you're in luck. We've put this guide together to answer all of your questions.
What Is a Mic Preamp?
The mic preamplifier, or preamp, is a device that increases the voltage of a mic’s outgoing signal so it can be strong enough to be processed by other audio equipment—it takes signal from mic level to line level (often boosting between 30-70 dB). It can also add a user-specified amount of gain to the signal which in turn
by Trevor Collins · Posted
No matter what area of audio production you work in, you're constantly listening. Loud and proud or whisper quiet, through headphones or speakers, in your studio or on the road, you're constantly listening. And naturally, you need to hear your productions through various transducers to accurately assess how they translate.
What you don't want is to be relegated to a life of vibe-killing, time-wasting repatching—you know, power-down those speakers, unplug them, plug in the other speakers, power them on, etc.—or adjust your DAW's master fader to
Posted
Please welcome a new (or should we say Nu) member to the Nu:Tekt family, a DIY series of products designed to bring your creativity anywhere! The NTS-4 is a 6-channel portable performance mixer with on-board effects. It's perfect to use with other Nu:Tekt devices, Volcas, Eurorack setups or any synth you might have in your arsenal. Join Gabe for an all-around tour of the unit, a live