Samsung NX1: The Bridge between the DSLR and the Mirrorless Camera


The debate continues. For those entering the world of digital imaging, or if you are itching to change up your gear, you have to decide: DSLR or mirrorless camera? Both have their pros and cons. Many of those already carrying DSLRs around have been attracted to the smaller size and weight of the mirrorless cameras. However, some cannot make the break from optical viewfinder to the electronic viewfinder (EVF). Also, many mirrorless cameras not only have a retro look, some of their control interfaces are retro as well. Let’s face it—there are DSLR users who appreciate the ergonomics of the beefier DSLR body and its modern, easy-to-use controls.

The Samsung NX1 is the mirrorless bridge, in terms of controls and design, between mirrorless and DSLRs. It is getting rave reviews and you know the specs already, so let’s take the NX1 out for a sailing trip and talk about what it is like to experience photography with the Samsung NX1.


The Samsung NX1 is, without looking at dimension-laden spec tables, the largest mirrorless camera on the market. This could be a negative for some, but the NX1 fills the hand with terrific ergonomics and a solid feel that speaks of quality and build. I am sure it can take a few punches while getting tossed around the cockpit of the sailboat, but this NX1 is not mine, so I treat it as if I want to return it in the same condition in which it was loaned to me.

The shape of the NX1 is unique. More reminiscent of Canon than Nikon, it has sensuous curves and no hard lines, but the shape is in no way a copy of any other camera brand on the market. It sports a fresh look. Samsung loaned us an NX1 with the optional battery grip that so many DSLR or mirrorless customers seem to enjoy using. Not every shooter needs double battery life, or a vertical shutter release and grip, but these grips definitely improve the shooting experience for some. The NX1's additional grip has ergonomics identical in size and feel to the camera's main grip and the setup just feels right for the NX1. The vertical grip's male connectors are protected, not by a plastic cap that is easy to misplace when the grip is installed, but buy a hinged plastic cap that flips neatly into a concave recess while the grip is attached. Smart.


Without the grip, the Samsung feels like a small, robust DSLR camera, but its magnesium-alloy chassis is definitely lighter than the DSLR cameras with which it competes. With the grip, the NX1 has the footprint of a pro DSLR. A representative from a major camera manufacturer told me once that 80% of those buying the optional handgrips were buying it simply for the “pro look,” not for the extra battery power or vertical release. I am sure many NX1 users will like the serious look of the camera with the optional grip attached.

There are no retro controls on the NX1. Mirrorless fully modernized.

On the left, the top dial turns to select the shooting drive mode and the small buttons atop the dial combine with the rear command dial to change metering mode, white balance, ISO, and AF mode. The dial on the right is the PASM knob with an all-auto mode, two custom modes, and a scene mode. The scene mode allows quick selection of a plethora of specialized modes including: Beauty Face, Landscape, Action Freeze, Rich Tones, Panorama, Waterfall, Multi Exposure, Silhouette, Sunset, Night, Fireworks, Light Trace, and Samsung's magical Auto Shot that can fire off a frame right when a ball makes contact with a swinging bat, and other unique features.

Also sharing the right top of the camera is an informative LCD screen. The NX1 is the only mirrorless camera today that has a top LCD screen—a feature that has been known to professional and high-end consumer DLSRs for years. And, as I have said in other reviews, I am a sucker for Timex Indiglo-style electroluminescent backlighting. The Samsung LCD on the NX1 glows a nice orange color.



Every dial and button on the Samsung is a delight to the fingers. The tiny buttons on the top of the left dial are on the small side, but the tactile feel of the Samsung's controls are spot-on. The 3" rear AMOLED screen tilts up and down and is touchscreen capable.


Samsung is likely the most "vertically integrated" camera company in the market. Many of today's top camera brands use components from other manufacturers—even direct competitors—when it comes to digital sensors, optics, batteries, and more. There are some strange bedfellows in the digital photography world. Samsung makes everything on and inside the NX1—sensor, lenses, batteries, and even the memory card that came inside our loaner camera.

Speaking of the batteries, Samsung seems to know a bit about keeping the NX1 running. I shot the camera for several days on the sailboat and took more than 600 images. I did not charge the camera, nor did I run out of battery power with the internal battery and the battery in the vertical grip.

The NX1's sensor is impressive. It packs 28MP into an APS-C-sized BSI CMOS sensor for exemplary image quality and resolution. Autofocus is snappy. Metering is spot-on. Bottom line here—the NX1 is capable of helping the photographer capture great images.


As you know, movies are part of the NX1’s powerful package. It features 24 fps 4K output or 30 fps UHD videos. Feel free to send me a 4K TV sometime, but until then, it is obvious that the Samsung NX1’s sensor and DRIMe V processor have positioned it as a serious moving image capture machine.

The electronic viewfinder felt lag free, bright, and seamlessly integrated into the system. In the bright sun, the eye sensor got tricked a few times into thinking my face wasn’t pressed against the camera, but that was a minor complaint. Even outdoors, the viewfinder was plenty bright for composing and making images.

There isn't much more to say here. Being a mirrorless camera, focus is still not on the level of the SLR, but it is as good as any mirrorless camera I have used. Bottom line, the Samsung did not produce any truly frustrating character traits while I was shooting. It did everything I asked it to do without objection.





With modern DSLR controls, the Samsung’s learning curve for experienced photographers is almost nonexistent. If you have used a PASM dial before, you wont find the NX1’s different than others. The buttons on the top left have a bit of DLSR DNA, as they are shortcuts for changing ISO, metering, white balance, and autofocus modes. The left dial also twists to select drive mode.

Front and rear command dials roll through settings and change your aperture and shutter speed on the fly. The front command dial is in the Canon-like vertical position instead of Nikon’s preferred position; horizontal in front of the shutter release. Also Canon-like, the D-pad features a control wheel for scrolling through menus and image reviews.


When it comes to touchscreen controls on the rear AMOLED, I have not used a camera with its equal. Years of experience making top-of-the-line touchscreen phones gives Samsung the know-how to make the NX1’s touchscreen interface as good as you can get in a camera system. Here, again, the learning curve for shooters, and probably for those just getting into photography, is short. Without thinking or reading a manual, I was scrolling through menus, changing settings, reviewing images with a swipe, zooming into images with pinch-zoom, and working the camera as though I had been using it for years.

Often, picking up a camera from different manufacturers and exploring the menus is a bit like learning a new dialect of your native language. The Samsung NX1’s menus and interface are as easy as any camera you will touch in the near future.


Our Samsung loaner kit came with a host of Samsung lenses. Samsung is manufacturing its own lenses after an early partnership with Schneider-Kreuznach. The glass is impressive.

Included with the NX1 were the 30mm f/2.0 NX Pancake, the 60mm f/2.8 Macro ED OIS SSA, the 85mm f/1.4 ED SSA, and two Premium S lenses, the 16-50mm f/2-2.8 S ED OIS and the 50-150mm f/2.8 S ED OIS.

16-50mm f/2-2.8 S ED OIS 

The pancake, macro, and 85mm portrait lenses were all solid performers and had a good feel to them. The mere existence of the 85mm f/1.4 shows that the NX-mount system is catering to professionals, and the lens is impressive in size and weight.

50-150mm f/2.8 S ED OIS

It was the two newer Premium S lenses that made the best impressions on me. Both lenses had heft, and a quality feel. You can tell the lens designers at Samsung refined both of these lenses until the feel of the zoom and focus rings were perfectly weighted—that is to say, they are heavily damped in a way that makes you think of the classic manual lenses of yesteryear, not the frictionless plastic autofocus toys of the modern era. Of note, the zoom ring of the 50-150 has an incredibly short throw to get through the entire zoom range—a great feature for quick composing, and nice for allowing you to keep your shooting position fairly constant—no need to “ratchet” your hand to get from 50mm to 150mm. Bravo to Samsung for injecting these two lenses with high doses of quality.

The optical quality was on par with the feel of the lenses and the iFunction button allows you to make speedy adjustments to camera settings without releasing your grip on the lens barrel. Cool!

Another noticeable feature is the dust- and splash-proof construction of the S lenses. The lens rear has a rubber O-ring gasket that, when you mount or dismount the lens, creates a noticeable bit of friction while turning the lens. Instead of metal sliding over metal, or plastic wearing down plastic, you feel like you are creating some kind of waterproof seal on the NX1 when you add a Samsung lens to the front of the camera. It isn't waterproof, but it is definitely sealed. You can feel it.


The macro and S lenses feature optical image stabilization, built in. I used the full kit while sailing in good-sized chop on a small sailboat, and the OIS systems allowed me to get consistently sharp images, even as the light was fading in the evening hours.

On my voyage, I came across a historic schooner on which I used to crew. I circled her and took photos with the wide zoom and the telephoto. The S lenses cover just about every focal length you need for day-to-day shooting. Add the 85mm for portraits, the 60mm for macro work, and the 30mm pancake for street shooting, and your bag is left not wanting much in the way of other lenses. Going onboard the schooner, the NX1 and its small battery of lenses were perfect for getting detail shots and documentary-style images on board.


Burst Shooting

The NX1 can fire off frames at a blistering 15 per second. For those of you keeping score at home, that exceeds the Nikon D4S’s 11 fps and the Canon EOS-1D X’s 14 fps. Hearing the NX1 happily click through a roll of 36 exposures in less than 3 seconds is scary as one thinks about the post-processing load that you just created with your heavy shutter finger, but it sounds super cool. The smart thing that the NX1 does is this: when you fire off a burst at 15 fps, the camera puts all the images from that burst into a single “folder” so that, if you are swiping through your images from an afternoon of shooting, you don't have to look at dozens of images taken at intervals of 1/15th of a second. Thank you, Samsung!


If you have been following the NX1 since launch, you will see that Samsung has been rolling out firmware updates fairly regularly since the camera hit the B&H shelves. According to the Samsung representative, these firmware upgrades have been largely driven by customer feedback, and the company is committed to keeping the NX1 relevant for a long time to come. The next firmware update will feature variable-speed focus for video shooters.

The Bottom Line

Samsung’s biggest challenge is selling a camera with the name “Samsung” on the front. While not a young company, Samsung is definitely relatively new to the camera-manufacturing business. Being a kind of new kid on the block means that there is no multi-decade of photographic laurels to rest on. It also means that you need to be very good, right out of the gate, if you are going to survive in the current digital camera world.

To me, cameras are like pizza. Is there really a bad slice? Sure, some are way better than others, but pizza is pizza, and when you are hungry, even a frozen TV-dinner French bread slice tastes pretty darn good.

The Samsung NX1 is not a camera from a company trying to feel its way cautiously into a crowded market. It is a serious camera for serious photographers and it is a no-compromise machine with first-class optics to match.

The NX1 uniquely gives photographers the DSLR experience with all the benefits of mirrorless and without the quirky retro interfaces or diminutive size of its mirrorless competition.



Hi fellow users,

We are in the process of upgrading our camera. As for now, we have Canon Rebel t2i equipped with an EFS 15-85 Canon optic.

So far we have been happy with this, but since our daughter was born it does not fulfill our needs for indoor pictures in dim light. We have come to the descicion of changing to a mirrorless, still favoring either one all round lens or maybe combined with one for portrait/indoor photography. We are, however, very much in doubt of whether we should go for the Samsung NX1 (equipped with the premium lenses) or Sony A7-II (zeiss or sony lenses). We hope that some of you fellow readers may help us choosing.

Our primary need is portraits and in general capturing pictures and short videos of the daily family life. Besides this, we love bringing our camera along on holidays. Practical issues regarding size and weight of the camera and optics is not crucial parameters in the descicion making.

Thanks in advance,





Hi Stine,

This article came out a while ago, but I hope it still gets enough traffic to get you some input.

I can tell you that both cameras are very capable. If you have the chance, I would try to get to the B&H Superstore (or your local camera store) to handle both cameras in person and see how they feel to the hand and how intuitive the controls and menus are for you and your other half.

Good luck and thanks for reading!

Hey Henry...nope...when I said, "This article," I was referring to this NX1 hands-on review. It has been out for a few months now. Sorry for the confusion!

Todd. Thanks.  As I re-read, you were clear.. My bad.   Great article, great camera, thanks for the guidance!  Have a great Labor Day!

No worries, Henry! Thank you! Have a great Labor Day.

B&H is open today for your shopping convenience!


What a great and enthuses tic write-up of this technologically advanced camera!

I am STILL a Nikon D200 shooter, but am about to update out of the ice-age, and really like he NX1 concept. Lighter than DSLR's, solid, lots of cutting edge tech, outstanding IQ, but lenses seem to be the gate item. I really want an 11mm f2.8 or better lens for indoor cathedral shooting, (Think traveling Europe and shooting dark interiors), in city close architecture (shoot a cathedral from close by, 'cause here's a building at my back...), etc.  

Is there an ultra-wide option available? 

Also, is there a roadmap for lenses at all? I'd also like to shoot my kids sports and need at least a 200 mm ( same fov as 70-200 on D200(crop)).


Hey Henry,

I used to be a D200 shooter too! Now I have the D300! Way more high tech! Ha!

I cannot find an official lens roadmap for Samsung, but I just called our product rep and left a voicemail for him. When he gets back to me, I will post another reply here.

Rokinon makes a 10mm f/2.8 for the NX mount as well as 12mm f/2.0. There are lots of other available lenses for the NX mount.

For telephoto, in addition to the 50-150mm lens used in this article, Samsung also has an 18-200mm and 50-200mm lens available.

One of the cool things about mirrorless cameras, like the NX1, is the ability to attach almost any lens to the camera system with an adapter. So, you can easily attach your favorite Nikon glass to the NX1 (you wont have all the electronic or autofocus functionality) and keep using the glass you have.

I hope this helps! Thanks for your questions and thanks for reading!

Hi Henry,

Just heard back from a regional Samsung roadmap yet. For what it is worth, they have passed their desire to have one for customers to the head offices in Korea.

Sorry I couldn't be more help!


Thanks for the quick replies.  So I can use my Taking 11-16? What adapter would I need?  For wide angle, I can work with manual focus. The NX1 has a number of focus aids, right? This is a really exciting camera, and I really hope they quickly fill in a couple more lenses to make the system all it can/ should be.


Hey Henry,

For Nikon F lenses to seat on the NX1 there are two mounts: FotodioX and Novoflex. As you can see, there is a huge price difference between them. I have a Novoflex adapter for my Fuji and I am very pleased with it. The Novoflex has an aperture control ring to control the aperture on some Nikon lenses that do not have their own aperture control rings.

Yep, the NX1 has a great focus peaking system to help you manually focus your Nikon lenses. 

Good luck!

it's not a comment but  one question: is it any way to correct the bending of the strait (write) lines on the 16 mm possition ef the 16/50 f2/2.8 - as long as they are in the middle of the image, is no problem, but when they come on the top or the bottom they become a bow!!

Hi jose,

I believe you are asking about lens distortion at the wide end of the 16-50mm f/2-2.8 lens. 

Most lenses, especially wide angle lenses, feature some amount of distortion. If the distortion cannot be avoided by careful composition, you can correct for it in many of today's post-processing software systems like Photoshop or Lightroom. There are dozens of online tutorials that can help you out for your particular software.

Good luck and let us know if you have any other questions!

It must  really be a fantastic camera. The pictures are superb. As you advance reading the article you get increasingly uneasy on the chair. It's impossible not to want use it. 


Thanks, Walmir! I enjoyed shooting with it a lot! I appreciate the kind words!

looks big and heavy, fot this kind of image cuality, I think it`s better the series X of fuji.

Hello Jorge,

It is big, but it is noticeably lighter than some DSLR cameras of the same bulk. Check our spec sheet on the sales page to compare the weight with other cameras.

Thanks for reading!

I gotten back into photography by purchasing a T5i Canon,althugh ts not mirrorless camera of the likes of Nikon and Samsung; I (stil) like Canon's.  The difference between shoting from the range finder or the screen is not that revalent.  Although, the Canon has a touch screen and this makes gong through menue options that much easier.After getting some work out and project done with ths camera, I will eventually do another purchase Maybe I'll go mirrorless then.  When t comes to video I rather use a dedicated CCD camera.  The Samsung seems to not have a lot of lenses to choose from, am I wrong? 

Hi kristi276,

Thanks for reading and commenting! Samsung is fairly new to the interchangeable lens camera scene, but they do have a fair amount of lenses considering their time in the market.

I did find the Samsung's touch screen was a pleasure to use and a direct result of their extensive experience making premium smartphones.

Good luck!

Enough about the camera!  Tell us about your experiences with the Brilliant.  Now and then she shows up in Penobscot Bay, and It's always a thrill to see that lovely schooner at a mooring, or underway.


Hey Michael,

I sailed on her a few times when I was in high school with the late Captain George Moffett. She is, in my opinion, the most beautiful sailing boat on the water. Years ago, I had the pleasure of meeting Olin Stevens at the New York Yacht Club in Newport, RI and told him that very thing. He smiled and said he agreed with me!

She is a special boat and I am happy to report that her crew keeps her in impeccable condition. You have no idea she is nearing 100 years old when you see her, walk her decks, or go below. Next time you see her, don't hesitate to see if you can get aboard!

Thanks for reading!

Are there any adapters that would allow me to use my Zeiss and Canon L glass?

I used two of these cameras to shoot a feature film with anamorphic adapters. They performed wonderfully. In the begining there were some macroblocking issues in the blacks, but the firmware updates fixed that problem. If this camera had 10bit raw out to a recorder, they would change the industry. H.265 was a pain at times, but I just set up a second computer and let it transcode. Hopefully in the next year Adobe will add it to AE and Premiere. For the price, you can't go wrong. 



Thanks for reading and commenting, David! 

Thank you Todd! Enjoyed your take on the NX1.

Thanks, David and thanks for reading! 

As a film grad I love the fact that it has UHD not just 4k the only downside is the H.265 workflow.This is why I'm inbetween  for upgrading my T2i I also want to see the real world review of the A7rII.

Hey Dominique,

I have heard that complaint from some of our resident video shooters, but, for me, it was not on my radar as I am shooting stills. Let us know which direction you decide to go and thanks for reading!

I will be going on a three week roadtrip through Europe in Decmeber and I want a camera for some great stills and video. After some research, the NX1 is now at the top of my list. Really hoping I can get a great deal on one in November when I am ready to buy!

Hey Ross,

I hope the NX1 performs for you as well as it did for me and a lot of other photographers out there! Good luck and thanks for reading!

I bought the NX1 in December of 2014 as a backup to my  Canon 5D Mark lII. Since I bought it I have not used my Canon 5D Mark lII.In fact I sold it last week. This camera is amazing!!

Glad you are enjoying it, Steven! Thanks for reading and sharing your experience!