The Sigma 150-600mm f/5-6.3 DG OS HSM Sports Lens: a Hands-On Review


The brand new Sigma 150-600mm f/5-6.3 DG OS HSM Sports Lens intends to bring super-telephoto action, event, birding, and wildlife capabilities to a broader audience. Designed specifically for Canon, Nikon, and Sigma mount cameras, this new zoom boasts affordability, durability, and high-powered performance. While optimized for full-frame cameras, it’s also compatible with APS-C-format Canon EF, Nikon F, and Sigma SA cameras. On cropped-sensor bodies, focal-length equivalency is approximately 240-960mm.


Opening the box is quite the spectacle. The lens arrives tightly packed in a large padded carrying case, which comes with a shoulder strap. Inside, the 150-600mm f/5-6.3 sits with a fabric lens-cap sleeve protecting its massive front element. A touch-tab fastener keeps the sleeve from unraveling.

ISO 2000, 389mm, f/6.3, 1/100, handheld with OS

The 150-600mm is definitely no lightweight. At over six pounds, it requires a certain finesse to maneuver and use. At its most compact, and without a hood, it measures about 11.4" in length. Extended to 600mm with its hood in place, it reaches almost 19". The included carrying case is quite nice, though in a pinch, you might be able to fit the lens into a large enough backpack or gear bag—the tradeoff for saving space would be concentrating a substantial weight into one pack. But, it’s not impossible.


ISO 640, 309mm, f/5.6, 1/200, tripod without OS

The construction looks, feels, and is rock solid. Shooting in the outdoors includes plenty of exposure to the elements, which can, in turn, dole out a beating. This lens was clearly built to handle it, presenting itself as a dust- and splash-proof metal giant. Even the lens hood is made of metal, and screws into position with a bolt. Once it’s on, it’s not going anywhere. But it does add considerable length to the already colossal lens. The front element, which has a 105mm filter thread, is treated with protective coatings to minimize smudges from dirt, oil, and fingerprints. Sure enough, it stayed thoroughly clean throughout its trial. The hood also helped block contaminants.


 ISO 1600, 600mm, f/8, 1/250, tripod without OS

The included rotatable tripod collar has three linear connection ports. Since a tripod is pretty much a necessity with this lens, it’s worth mentioning that something cheap and light won’t cut it. Make sure your tripod is sturdy and can withstand a decent amount of weight. Otherwise, apart from the risk of taking a tumble, you’ll run into substantial blur from a drooping ball-head mount or wobbly legs.   

ISO 250, 600mm, f/10, 1/800, handheld with OS

Handheld shooting isn't impossible, but might not be practical for more than a few minutes at a stretch. You need balance and decent arm strength to pull it off and OS is definitely helpful if you do so. Leaving the tripod collar on will assist in handheld shooting. The angled mount acts as a sort of handle for a much easier, stabilizing grip. Some photographers leave the lens hood reversed on the lens barrel when they aren’t using it. Since this one is so large, it ends up blocking the zoom ring, which is placed nearest the front element (with the focus ring behind it). If you don’t want to use the lens hood, it’s easiest to just remove it completely.


ISO 250, 600mm, f/10, 1/800, handheld with OS

On the barrel itself, several switches denote focus mode and limitation, image stabilization, and zoom lock. The zoom lock switch is not optional, because a lens of this size and weight inevitably creeps. This one is particularly handy. Apart from keeping it compact during storage, the lock can also be engaged at different focal-length markers (150, 180, 200, 250, 300, 400, 500, and 600mm) so you don’t have to deal with creep while you’re working. The focus limiter switch is familiar to most other large telephotos, and lets you narrow your range of distance to save time finding a focal point. The options are Full, 10m - ∞, and 2.6 - 10m. The toggle between Auto and Manual focus also includes an option for Manual Override, so you can make your own adjustments while shooting with autofocus. Optical Stabilization is available in two modes, with toggle OS 1 being general purpose and OS 2 better suited for panning.

The Custom Mode switch toggles between C1, C2, and Off. This feature is designed for adjustments made with the compatible Sigma USB Dock and Optimization Pro software (download link provided with dock). This little accessory can be a lifesaver for perfectionists. It screws onto the rear of your Sigma Art, Contemporary, or Sports lens like a cap, and then communicates with an easy-to-use computer interface. There, you can update your firmware and make fine-tuning adjustments to your focus-setting parameters. For a Sports line lens like the 150-600mm f/5-6.3, you can also adjust your AF speed settings, customize your focus limiter ranges, or choose one of three Optical Stabilization view modes. For a complex lens like this, these minor tweaks can make a big difference. It simply helps keep it sharp and efficient; making sure it meets its full potential. 


This lens was tested with a Canon 5D Mark II and a Canon 6D. Up first was the local zoo, where the open-air pens and bird atrium accurately mimicked a potential wildlife photography setting. It was also a great area to find some color, with the rest of New York lost to the grays and muddy browns of early winter. Super telephotos tend to be slower than regular telephotos, and as a result, they like a lot of light. This one does, too. If you can afford shooting with a smaller aperture, however, this lens's sweet spot happens around f/8. Sharp images are obtainable wide open, which is either f/5 at the wide end or f/6.3 at the long end, but stopping down shows noticeable improvement. For what it's worth, this isn't uncommon. Lenses are not often their sharpest at their maximum aperture.


 ISO 1000, 450mm, f/8, 1/160, handheld with OS

One thing that was evident shooting brightly plumaged birds was beautiful color fidelity. The vibrant parrots, ibises, and flamingos were all represented with professional accuracy. The lens also has a rounded, 9-bladed aperture that yields gorgeous bokeh. This proved especially flattering when photographing animals, where subject matter was isolated effectively from the background.


 ISO 125, 600mm, f/8, 1/125, tripod without OS

After the zoo, this massive telephoto was tested in a more “natural” wildlife setting, set up on a snowy beach in Central New York's Finger Lakes region. There it photographed some ducks as they paddled through a nearby inlet, and then took flight. The AF was able to track them darting through the misty sky with admirable accuracy and sharpness, even from a great distance. Later, shooting some Canadian geese along a different lake, the same findings held true. Keeping the aperture at f/8 to maximize sharpness, it was able to capture some beautiful close-up shots with the background snow and water dissolving into smooth bokeh. The focus limiter switch was also a huge help. With the geese constantly moving and becoming increasingly antsy, time was of the essence. Limiting the focal range cut AF time own considerably, and no shots were missed due to hunting. The minimum focusing distance is 102.4", and in the tested environments, that was a completely comfortable working space. There’s no reason to be closer. Reviewing the shots afterward on a computer monitor, little to no aberration was present.

For the pure sake of unconventionality, I also shot a few portraits. 150mm is undoubtedly long for a portrait (even more so on an APS-C camera body), and you’ll need enough workable distance, but it’s not impossible. It’s not something to plan for. If you’re already out shooting with this lens and you need to snap a few shots of people, it’s doable.


The 150-600mm f/5-6.3 DG OS HSM Sports Lens makes quite the statement as Sigma's newest solution to dedicated wildlife, bird, outdoor sports, or long-range event photography. Its price tag is especially hard to argue with, and it's great to see this type of affordable gear aimed at both professionals and hobbyists alike. For those of you eager to get your hands on a super-telephoto zoom without spending an absolute fortune, this durable giant can be yours.


Has anyone used this lens for video?

I have pushed several thousand images through this lens. I'm using it on a Nikon D500. Other than updating the firmware when I received the lens I have done no AF fine tuning. The lens is every bit as solid and heavy as others have noted. I have not tried to hand hold it and have used it on a monopod in every case. The combination of the lens and D500 AF is astounding. The zooming is stiff, but smooth and not an issue. I have found the images sharp at virtually every focal length and distance from close focus limits to infinity. This is a horse to haul around all day, but the output is everything I could hope for. In terms of value, this may be the best buy in my kit.

I've had this lens for about 7 months, using it on my d610 and d7100.

Initially I wasn't very happy with the results but that was down to me and my camera settings and the first week I used it the keeper screw on the lens hood came off, One day at Sigma UK and the rework was done with a captive type screw.

I'm 62 and overweight and all I read about is people moaning how heavy this lens is, I use it with a Black's sports shoulder rig and have no trouble at all, sometimes carrying it all day.

The lens is superb, build quality better than the current Nikon lens line. I traded the Sigma 150-500 in when I bought this, the 150-600 is streets ahead in quality and optical performance. you just need to learn a good technique to use it to it's full extent as you would have to do for any super telephoto.

I've ordered the D500 it will live on this lens, a pairing from heaven, 10 frames a second and no buffer to fill to quickly.

I would recommend this lens, for £1500 ($2000) it's the nearest thing you can get to a $10,000 lens at one fifth the price.

Hi Bob,

Thanks for such a valuable comment. I have sold all my Canon gear and switching to Nikon. Buying NIK D500. When it comes to lens, have lot of ambiguity b/w Nikon 200-500mm and Sigma Sports 150-600mm. Many forums are telling that Sports is heavy. I have Black Rapid Sports too. So just wanted to know your experience and suggestion here. Just one step awat b/w NIK 200-500 & Sigma Sports. Somehow my mind and heart are inclining towards Sigma. 




Dear Rajesh, 

Have you decided which to buy and have you got one? If yes than how is the performance? especially with Nikon D 500? Waiting eagerly for your reply.

Thanks in advance.

Nilay Desai, India.

I'm interested in this lens for my sony a7r but it has to be adapted to the Sony E mount via an adapter. Has anyone had experience with using a Sony a7r or similar E mount camera with, for example, a Canon mount and a EF Canon to Sony Emount metabones or other adapter? Just wondering if speed of focus and other functionality suffers. any advice?

Yes, the Metabones Mk IV adapters for Canon EOS lenses to Sony E mount cameras is an excellent quality adapter and the one we recommend most.  It will maintain the autofocus speeds of the lens and camera together.  See the following link for details:

I have a sigma 50-600 lens, i don't like it if 150 -600 lens is like the i have you are throwing your money away, anythung past 400 you have soft focus,I use it with my nikon 810. I would to trade for a nikon 80-400 lens.

This is a DX lens the 810 is a full frame camera thats why its soft around the edges


@Mandito65 This lens is designed for full frame cameras. Yes, it *can* be used as a DX lens but then the focal length essentially becomes 240-960mm.

How about make videos using it? Like surfing videos....

You mention a price of US$ 1089.00 for this lens....isn't that an error. The Sports version retails for US$1999.00 and the Contemporary version for US$1089.00 ????

Yes, that was a typographical error.  The pricing for the Sigma 150-600mm SPORTS lens was accidentally and inadvertantly switched/copied with the pricing for the Sigma 150-600 CONTEMPERARY lens.  While I do understand the confusion this may cause, we recommend all of our customers to either use our website, call the store, or visit our NYC Super Store for our most up-to-date pricing.  Our website is always live and up-to-date with our current pricing.

We do indicate on the bottom of our website and in our B&H catalogs that "Prices, specifications, and images are subject to change without notice. Not responsible for typographical or illustrative errors. Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms."  While I do realize this may seem annoying or confusing, it was simply a typographical error due to the closeness of the names of the two products.  I do hope you can understand this, and we do apologize for any inconvenience this may have caused anyone.

Is there any expected release date for this lens?


The Sigma mount is currently in stock for the 150-600mm Sports lens.  As for the Nikon and Canon mounts, I’m not finding an ETA in our system from Sigma at this time for those lenses. If you haven't already, you could choose the Notify When in Stock option on the lens’s page on our website.  We would then send you an email when it came into stock.

I placed a pre-order the other day! Just checking to see if I could get some kind of idea. Thanks!

For status on an order you must contact our Customer Service Dept. directly at [email protected] or via phone at  1-800-764-8264 or 1-212-239-7765.

How would you compare the Nikon 80-400 with a 1.4TC for image quality, durability and longivity?

I'd go first with the Sigma lens over the Nikon 80-400mm with a 1.4x converter.  Nikon's Teleconverters are not compatible with the 80-400mm VR II lens, and while there are other good quality converter options from 3rd party manufacturers, I feel using a lens with a teleconverter has the greater potential for image degredation.  Light loss and lack of sharpness are common when used with converters.  The Sigma lens achieves basically the same range but without the use of the converter, and Sigma happens to use excellent quality optics in this lens. 

Sorry Yossi O,

The Nikon 80-400mm AFS is compatible with the Nikon !.4 TC.  The others, 1.7 and 2.00 ver III, will both work, but you will lose autofocus.


Carl M

Why does this lens cost TWICE that of the Tameron 150-600 with the same specs?

Possible answer to our long lens needs without the long lens pricetag. Just a thought to keep this lens in mind...

Both the "Shop Now" and linked text are broken links.

How do u compare this with tamron 150 - 600 both on performance and image quality

At this point the lens has not yet started shipping to the general public, and the author of this article was given a copy of the lens for the purposes of writing about it.  Unfortunately there are not any side by side comparisons conducted between the lenses yet for us to give an honest comparison.  Once the Sigmas start shipping and people start reviewing them, we will have a better ability to comment about their performance differences.