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Posted 05/15/2019
I think it’s fair to say that animals, even more than cars, sunsets, and children, are the most photographed subject by listeners of the B&H Photography Podcast and, on this week’s episode, we speak with two photographers who not only have dedicated their craft to photographing animals, but bring to their process a compassion and advocacy that goes far beyond just a pretty picture. Our first guest, Steve Morello, is recognized for his whale and polar bear photographs, but he is also a founding partner of Natural Habitat Adventures, a wildlife adventure organization dedicated to sustainable tourism and guide training programs in Peru, Tanzania, and the Canadian and American Arctic. He serves on the Board of Directors of the Alaska Whale Foundation, where he assists on research projects and is currently working together with tourism planners, scientists, and local fishermen to conserve a newly created marine sanctuary off the coast of Peru. Morello’s photos have appeared in National Geographic and The New York Times, and he is a major contributor to the photo collection of the World Wildlife Fund. After a short break, we welcome photographer Isa Leshko to discuss her series Allowed To Grow Old: Portraits of Elderly Animals from Farm Sanctuaries, which has been made into a gorgeous new book by University of Chicago Press. Photos from this series have appeared in The Atlantic, Harper’s, and The New York Times, and will be exhibited at the Richard Levy Gallery, in Albuquerque, and at ClampArt Gallery, in New York. Leshko provides insight into her process and workflow as it evolved over the eight years she worked on this project. Her dedication to process is clear as she explains how she hit upon this idea, why she chose certain animals to photograph, what cameras and gear she decided upon, and how the series developed into an advocacy project. She emphasizes her cognizance of the power dynamic in portrait photography and how respectful interaction for and even a form of collaboration with the animals was fundamental to create this type of portraiture. Join us. Guests: Isa Leshko and Steve Morello Above photograph © Steve Morello Book Cover of Allowed to Grow Old: Portraits of Elderly Animals from Farm Sanctuaries © Isa Leshko © Isa Leshko © Isa Leshko © Isa Leshko © Isa Leshko © Isa Leshko © Isa Leshko Isa Leshko © Ron Cowie © Steve Morello © Steve Morello © Steve Morello © Steve Morello © Steve Morello © Steve Morello Allan Weitz and Steve Morello © John Harris Previous Pause Next
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Posted 10/27/2017
Bird photography is a big deal around B&H, and we’re not just talking about the lenses needed to get those wonderful close-ups of warblers, herons, gulls, and raptors. Bird photography is a passion that grabs pros and amateurs alike and seems to not let go; there are very few photographers as dedicated to their craft (and gear) as bird photographers. We are fortunate to have two photographers with us to discuss the gear, technique, and protocols necessary to capture pleasing images of our feathered friends. David Speiser is a member of the Board of Directors of New York City Audubon and has been an avid bird photographer for more than twenty years. He has an incredible body of work that includes birds of all varieties, and brings not only technical excellence to his photographs, but a birder’s meticulousness to his archive. Klemens Gasser is a visual artist who became enthralled with birding several years ago and turned his fixation into an exhibit of bird photographs enlarged to 72 inches across. He brings an artist’s spirit to his bird photography and humor to our discussion, and clearly loves the thrill of the chase. We speak with these two photographers about the gear and apps they use, their shooting styles, favorite locations, and how digital technology has transformed bird photography. Join us for some very practical advice and a fun conversation. Guests: David Speiser and Klemens Gasser Baltimore oriole, photograph © David Speiser Blackburnian warbler, photograph © David Speiser Canada warbler, photograph © David Speiser Great gray owl, photograph © David Speiser Prairie warbler, photograph © David Speiser Red-shouldered hawk, photograph © David Speiser Red-tailed hawk, photograph © David Speiser Snowy owl, photograph © David Speiser Spruce grouse, photograph © David Speiser Upland sandpiper, photograph © David Speiser Common grackle, photograph © Klemens Gasser American bittern, photograph © Klemens Gasser Snowy owl I, photograph © Klemens Gasser Glaucous gull, photograph © Klemens Gasser Saltmarsh sparrow, photograph © Klemens Gasser Franklin’s gull, photograph © Klemens Gasser Painted bunting, photograph © Klemens Gasser Snowy owl II, photograph © Klemens Gasser Snowy owl III, photograph © Klemens Gasser Klemens Gasser, Allan Weitz, David Speiser, photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/07/2017
Conservation photography can take many forms, and we will offer our definition, but more importantly, we will speak with noted outdoor photographer Art Wolfe about his definition of the term. After “Al’s Gearhead Pick of the Week,” we are joined by Mr. Wolfe for a segment in which we discuss how he produces beautiful images in the service of a greater cause. Wolfe is currently working on a project on African elephants and the critical need to safeguard their existence. From this topic, the conversation easily flows to the funding of expeditions through workshops and book deals to the work of other photographers promoting awareness on a global scale and photographers tackling local issues of concern to them. Above Photograph © Art Wolfe After a break, we are joined by David Brommer, director of OPTIC 2017-Outdoor, Photo/Video, Travel Imaging Conference, who will give us a preview of this year’s event, held June 4-7, in New York City. The theme of this year’s conference is conservation and the environment, so it is fitting that we pair him with Art Wolfe; however, the photographers who present at OPTIC represent a wide range of styles and concerns, and the topics discussed range from the aesthetic to the technical to the practical. Brommer provides us with a sense of the breadth of this photographic talent, as well as the manufacturers who will attend and festoon their booths with gear for everyone to try. Guests: Art Wolfe and David Brommer African Elephants, Savuti Marsh, Chobe National Park, Botswana: I was in a small boat as these elephants crossed the channel and hauled themselves out dark and slick with water. What I really like about this image is the implied African Elephants, Okavango Delta, Botswana: I set up by a shallow pond and was able to position the camera in a way to capture the width of the landscape Humpback Whale, Vava'u, Tonga: Tonga is one of the very few places you can actually snorkel within close proximity to whales. We had just five days on the water and four of them were just too windy and the whales were very shy. In a more outgoing moment, a whale swam by and eyeballed me. It was extraordinary. Puma, Torres del Paine National Park, Chile. African Elephant, Okavango Delta, Botswana: An African elephant's tusks are used for defense, digging for roots, stripping bark, and fighting during mating season. Previous Pause Next Art Wolfe DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/08/2016
Continuing with our series of conversations from the Eddie Adams Workshop, we sit with National Geographic photographer Steve Winter to talk about his work and career, specifically regarding capturing images and telling the stories of the big cats of the world. Winter started his photojournalism career in the social documentary tradition and, working for the famed Black Star agency, fate (and fear) pushed him into the world of wildlife photography. He tells us how his path shifted, how he blends photojournalism and wildlife photography and how specializing in one subject has benefitted his career. With many adventures and close calls under his belt, he relates how travel and gear logistics and long stretches away from home can be the hardest part of his job. He also talks gear choices, working with scientists and local trackers and drone photography. Winter’s work spans the globe and includes an ark full of creatures, but he is most recognized for his big-cat photography, which entails long expeditions in mountains and jungles and also the proficient use of camera traps to photograph elusive animals remotely, including the cougar known as P-22, which Winter photographed in its territory—the Hollywood hills.  Guest: Steve Winter All Photos © Steve Winter/ National Geographic A tiger peers at a camera trap it triggered while hunting in the early morning in the forests of northern Sumatra, Indonesia. 2009 With proper protection and enough prey tigers breed easily. This four year old tigress returned to the cave where she was born to have her first litter. Bandhavgarh National Park, India. 2011 A villager honors a slain elephant with incense and prayers, reflecting the Hindu belief that these pachyderms are sacred. This animal was illegally shot with a bullet soaked in acid while it was raiding a rice field near Kaziranga National Park, India. It died of its wounds a few days later. 2007 These men were apprehended while trying to sell a tiger skin near Chandrapur, India. Illegal trade in tiger bone, eyes, whiskers, penises, teeth and other parts for traditional Chinese medicine may generate up to five million dollars a year. Most poaching is done by local people trying to supplement their income. 2011 A leopard drinks at a waterhole where the caretaker of a local shrine lives with his livestock just outside Mumbai, India. 2014 Photographer Steve Winter sets up a camera trap on a beach in Yala National Park, Sri Lanka, in hopes of photographing a leopard that’s known to roam the beach in search of prey.   DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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