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by Steven Gladstone · Posted
Day for night for color cinematography is an old shooting methodology that relies on a number of techniques regarding human perception, socially accepted convention, and technical qualities of film/sensors. There are a variety of reasons for shooting day for night, and understanding the whys and wherefores can help you create believable images.
Moonlight Is Blue
It isn’t really, any more than sunlight is blue. The reality is that moonlight is reflected sunlight, so why do people think moonlight is blue? Sunlight has a color temperature of
by Steven Gladstone · Posted
I have been using filters ever since I first shot Super 8 film with a little Kodak M-22 camera. Just press the funny-looking piece of metal into the top of the camera to drop in (or remove—I can't remember which it was) the Wratten 85 filter that allowed you to use tungsten-balanced film in daylight, and achieve the correct color balance. Over the years, my filter experience has pretty much stayed the same—I use filters to achieve a