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by Peter Ward_1 · Posted
The Introduction
In the introduction to his 1912 dramatic writing how-to, Play-Making, William Archer opens with this pessimistic observation:
There is thus a fine opening for pedantry on the one side, and quackery on the other, to rush in. The pedant, in this context, is he who constructs a set of rules from metaphysical or psychological first principles, and professes to bring down a dramatic decalogue from the Sinai of the lecture-room in the University of Weissnichtwo. The quack, on the other hand, is he who generalizes from the worst