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by Mary Latvis · Posted
It’s raining, it’s pouring, your lead actor is snoring… in the toasty-dry holding area, while you and the rest of the camera crew wait out the storm in the not-so-great outdoors. Or perhaps your director has decided that their scene would just be so much more emotionally engaging if shot in a downpour and the dreaded rain machine is making its ominous appearance. Here we outline several solutions for keeping your video or film equipment dry in spring showers or heavier precipitation.
Cameraman in the rain
April Showers
When dealing with
by Cory Rice · Posted
Photo studios come in all shapes and sizes. If you are working with small subjects, there is no reason to rent a massive loft or build an addition onto your house to get the shots you need. In many of these cases, a functioning setup can take up as little space as a table. Like all things related to photography, tabletop studios can be as simple or complex as their creators require. For basic applications, plenty of all-in-one kits exist for “non-
by Justin Dise · Posted
Whether you’re assembling a personal lens kit or compiling the equipment-rental list for your next film, selecting a lens package is an important decision. It can also be a daunting one, especially if you’re new to the game. So what lenses should you get? A complete set of primes? A couple of zooms? Both? The answers aren’t always clear. Ask ten DPs what their favorite lenses and focal lengths are, and you’ll likely get about as many answers.
The fact is that everyone has his or her own preferences, from focal length to build quality, to a
by Steven Gladstone · Posted
I have been using filters ever since I first shot Super 8 film with a little Kodak M-22 camera. Just press the funny-looking piece of metal into the top of the camera to drop in (or remove—I can't remember which it was) the Wratten 85 filter that allowed you to use tungsten-balanced film in daylight, and achieve the correct color balance. Over the years, my filter experience has pretty much stayed the same—I use filters to achieve a