Widely used on both classic feature films and newer digital productions, Cooke’s Panchro line features a unique look designed to draw your viewer into your story. The new ARRI LPL-mount Cooke Panchro 65/i series offers this distinctive aesthetic for large-format cameras with up to VistaVision sensors.
Matching the look of the Panchro/i Classic and SP3 series, the 65/i primes provide Cooke’s /i Technology lens data for seamless integration with digital workflows and VFX pipelines. Optimized for 59.86mm camera sensors, these lenses are compatible with a range of large-format cameras like the ARRI ALEXA 65, ALEXA 265, Blackmagic Design URSA 17K, and FUJIFILM GFX ETERNA 55.
This series of six primes comprises 30mm, 40mm, 55mm, 75mm, 100mm, and 152mm lenses, enabling you to cover anything from portraits to panoramic landscapes. The first five lenses are available to order now with the 152mm prime due in March 2026. Each lens maintains the distinct Cooke Panchro look with the resolution and clarity required by modern digital cinematography.
Noted for its organic character, the Panchro series is known for natural skin tones and gentle focus fall-off. With the introduction of the 65/i series, the Panchro look is now available for all your productions from indie features to high budget tentpole projects, enabling you to develop a consistent style.
The Cooke 65/i lenses have a compact, lightweight form that is suitable for gimbal and handheld rigs and relatively fast maximum apertures from T2.5 to T2.9 for lower-light capture. Advanced Cooke /i technology provides comprehensive metadata streams that are available through lens mount connections or cabled interfaces.
For more information about these new large-format cinema lenses, including additional features, specs, and highlights, be sure to check out the detailed product pages for the Cooke Panchro 65/i VV cinema lenses.
