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by Mary Latvis · Posted
Continuing to expand its line of popular high-performance video cameras, Kinefinity has introduced the new Vista Full-Frame 6K Digital Cinema Camera. Positioned as a more affordable option for creators, this compact camera features full-frame 6K capture at rates up to 50 FPS and up to UHD 4K at 100 fps in Super 35. Available with user-interchangeable Kinemount,
by Zack Young · Posted
Core SWX has officially unveiled their new PowerVault System, centered around a powerful and customizable Base station with five modular bays and compatibility spanning twelve battery types. This charging hub is housed in an IP65-rated hard case for maximum portability, and features multiple USB-C outputs to charge additional accessories, making it an ideal choice for professionals that need a ton of power.
by Mary Latvis · Posted
Experienced cinematographers and videographers know that shoot days can run the gamut from capturing absolutely every second of a “reality show” star’s day to the more measured pace of a dialogue-based feature that may even, time permitting, include rehearsals. The new NANO X SNAP 99Wh Li-Ion Battery from Core SWX has a modular, scalable design that covers your power needs for this wide variety of production scenarios.
by Zack Young · Posted
Thypoch has unveiled the new Simera-C 16mm T1.9 full-frame cine lens, available in E- and M-mounts, along with a Simera-C six-lens kit and custom foam inserts. The 16mm is now the widest focal length in the series, with a 106° field of view. At T1.9, it’s a tad slower than the T1.5 maximum aperture seen in the rest of the line, but still quite impressive for so wide a focal length. The 6-lens kit, also available in E- and M-mounts, contains the 16mm, 21mm, 28mm, 35mm, 50mm, and
by Jordan Gallant · Posted
by Zack Young · Posted
Canon has unveiled the EOS R6 V, a new full-frame RF-mount camera capable of 7K open gate recording, active cooling, 5-axis in-body stabilization, and Dual Pixel CMOS Autofocus II. This compact video-forward body is ideal for content creation, streaming, podcasting, and a host of other modern production scenarios. Releasing alongside the EOS R6 V is a new
by Jennifer Hahn · Posted
Keep your lighting nimble in any shooting environment with the new Omnibar LED linear light fixtures just announced by ARRI. These narrow LED lights come in 2’ and 4’ lengths and in black and classic ARRI blue/silver housings, and they are packed with features, including daisy-chaining, IP65 weatherproof, wireless remote control options, magnetic optics, and a built-in battery. The lights come in multiple packages to fit your workflow.
by Zack Young · Posted
ARRI is raising the bar for lens control with the new cforce MAX lens motor. Expect speeds of up to 400 teeth per second, plus low latency, LBUS compatibility, a touchscreen interface, and four-level adjustable torque. The cforce MAX is twice as fast and 15% lighter than cforce Plus motors, yet just as powerful. Compared to cforce Mini motors, expect twice the speed and strength with only a 15% increase in size. With its impressive balance of weight and
by Zack Young · Posted
Hollyland is stepping things up with the new Pyro Ultra system, wireless transmitters and receivers capable of sending low latency 4K60p video using proprietary TWiFi technology. Connect one transmitter to an unlimited number of receivers, with automatic frequency hopping and an impressive line-of-sight transmission range of 4900’.
by Jordan Gallant · Posted
Atomos is scaling up its monitoring solutions with the release of the Sumo PRO-19 4K HDR Monitor-Recorder-Switcher. The new iteration of the 19” monitor features a notable display resolution upgrade to UHD 4K HDR while maintaining a combination of live switching and routing capabilities. Like most Atomos monitors, the Sumo PRO-19 features both SDI and HDMI connectivity, comprehensive color support, and a wide array of
by Zack Young · Posted
Canon has unveiled three unique products for the professional broadcast space, including a CINE-SERVO 40-1200mm T5.0-10.8 lens with a built-in 1.5x extender, the compact and powerful RC-1P300 PTZ controller, and the long range ultra-high-sensitivity MS-510 multipurpose camera.
The CINE-SERVO 40-1200mm T5.0-10.8 will be
by Zack Young · Posted
GoPro is taking a bold leap forward with their new MISSION 1 line of compact cameras. Billed as the world’s smallest, lightest, most rugged cinema cameras, initial offerings include the MISSION 1 PRO, capable of 8K60p and 4K240p, the MISSION 1, which supports 8K30p and 4K120p, and the MISSION 1 PRO ILS, which swaps the fixed lens for a Micro Four Thirds (MFT) lens mount. All three
by Zack Young · Posted
Anamorphic options continue to grow more compact and affordable with the new DZOFilm Arcana T2.1 primes. These PL-mount lenses feature a 1.5x squeeze and are available in 32mm, 45mm, 75mm, or as a set with all three. The Arcana primes promise full frame sensor coverage with dramatic oval bokeh and anamorphic flares that mirror
by Zack Young · Posted
Blackmagic Design announced a wide variety of new products in advance of next week's National Association of Broadcasters (NAB) show, including switchers, converters, cameras, and more. Many of them utilize the latest in 100G Ethernet technology and adhere to SMPTE 2110 standards. Let's break down what we saw and where the future of broadcast is headed.
Live Production Solutions
The Blackmagic ATEM 4 M/E Constellation IP is a new switcher with 32 possible inputs and a standards converter on each, routed via four 100GbE ports that can each
by John Foldi · Posted
One flight for limitless creativity. With the announcement of the Avata 360, DJI has entered the 360-degree drone category in a big way. The Avata 360 is actually a hybrid, using a twisting gimbal for dual-camera modes—360 and Single Lens—maintaining the Avata’s FPV legacy.
DJI Avata 360
The Avata 360 is available in