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A photographer’s success hinges on access. This is an underlying thread in the tapestry woven in this week’s show. Our discussion covers multiple facets and cultural attributes of Indian society, as seen through the eyes of a photographer with a knack for being in the right place at the right time.
Above photograph © Pablo Bartholomew
In this month’s episode of the series, Picturing World Cultures, we speak with Indian photographer Pablo Bartholomew about his long career as a documentarian and photojournalist.
From his early intimate views of
by Jill Waterman · Posted
The photo community has a unique advantage over other art forms. As the most democratic of the arts, photographs, by their very nature, are among the most easily shared and viewed. This has given rise to an abundance of photographic portfolio reviews. In recent years, the portfolio review has become ubiquitous in the field of photography, providing a venue for photographers of all levels, from students to enthusiasts to accomplished professionals. Opportunities for critique, feedback, and professional connection are also available within a
by Jill Waterman · Posted
Although he has spent most of his career riding the rollercoaster of emotion that comes with documenting the human condition, Doug Menuez is pragmatic about his camera gear. “I’m not a fetishist about a camera, I’m not a romantic typically,” he says. “It’s a practical thing for me.” Yet this unflappable attitude recently met its match when Menuez got his hands on a Leica SL. “As soon as I learned about it I thought it might be perfect,” he says. “Once I tried it, I was immediately sure.”
This is ninth in a
by Jill Waterman · Posted
Despite our increasingly digitized culture, interest in analog processes is still on the rise. At a time when most of what surrounds us are ephemeral computations of zeros and ones, there is an indisputable appeal to photographs shot on black-and-white analog film.
For photojournalist Peter DaSilva, this appeal is rooted in having something tangible, “having an archive that’s not going to evaporate because the medium has changed or due to the incompatibility of files and systems.”
His distinctive style of run-and-gun street photography is