Search results for: photography tips solutions e 6 processing your own slide film
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by Todd Vorenkamp · Posted
FUJIFILM continues to lead the digital photography world with its unique and beautiful film simulations that give FUJIFILM X series APS-C interchangeable lens, X series fixed lens, and
by Allan Weitz · Posted
I came of age as a photographer when film was still the only dance in town. When digital began infiltrating the marketplace, in the mid-1990s, I resisted until the cost of DSLRs capable of producing commercially acceptable image files began to fit my needs and budget. The year was 2002, and the camera was a Fujifilm S2 Pro, which cost about $3,500, accepted Nikon F-mount lenses (it was based on a Nikon F80), and featured a 6.17MP, APS-C Super CCD sensor, which produced image files deemed “acceptable” among the fussiest photo editors.
It would
by Allan Weitz · Posted
Agfa Scala was a wonderful, ISO 200 black-and-white slide film that was produced about 25 years ago. Scala had an amazing tonal range with rich blacks and lovely highlight detail. If there was a downside to shooting Scala, it was that there was only one lab in the US that would process Scala—Duggal Color Labs, in New York City. Luckily, I worked down the street from Duggal so, for me, it wasn’t a hardship.
Then digital technology bulldozed the business and like many films, Scala became a thing of the past, and instead of shooting black-and-
by Todd Vorenkamp · Posted
Panoramic photography has never been easier than it is today, thanks to digital technology. In the days of film, your options for panoramic photos were the purchase of expensive, but very capable, panoramic cameras, stitching images together in a darkroom, or physically cutting and pasting prints together. Panoramic cameras, like the Linhof Technorama-series, Hasselblad XPan, Fujifilm GX617, or Horseman SW-series cameras, are beautiful machines and still incredibly viable tools of the trade if you want to take exquisite panoramic images with