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You don't need a vintage camera from the 1920s to get a classic film look: using your mirrorless camera can achieve a vintage result! The key lies in not only how the video is captured, but also how it is edited. Join Nick and Scott to learn how they were to emulate the retro 35mm film look, using the Canon C80, Adobe Premiere Pro, and DaVinci Resolve.
0:00 - Today's Video Shoot
0:43 - Gear & Setup
1:58 - Posterize, Speed/Duration (Premiere Pro)
5:03 - Color Space Transform (DaVinci Resolve)
6:02 - Adding Effects (DaVinci Resolve)
12:27
by Allan Weitz · Posted
How “good” are vintage lenses when used on modern digital cameras? In a word, vintage lenses are “fine,” though I would have to immediately follow that statement by adding, “It depends,” because there are always exceptions to the rules, though even in these cases, the lens in question often works fine albeit with a technical or optical shortcoming of sorts.
Original photographs © Allan Weitz 2020
When adapting older-generation film camera lenses to DSLRs and mirrorless cameras, most perform well in terms of sharpness, color fidelity, color
by Cory Rice · Posted
When many people think of special effects, they think of dimly lit rooms, expensive computers, and complicated software. While this may be an accurate picture if you are editing a blockbuster action movie, digital still photographers can do a lot to their images even before transferring files off their camera. The following guide covers some of the more popular in-camera effects on the market to consider when purchasing a new camera or for better understanding the camera you already own.
Film Simulation and Color Profiles
In recent years,