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by Jill Waterman · Posted
Making pictures by night is a curious practice. While specialists of this subject embrace it as a deep-seated passion and have a never-ending quest for technical and creative advancement, those more familiar with daytime photography are often unaware that tried and true photography rules often need to be adapted or even overlooked at night. With this in mind, consider the following tips the next time you venture out in the darkness, to help you to adapt.
1. Take a Chance and Explore the Unknown
What’s my exposure time? This is the number one
by Todd Vorenkamp · Posted
The sun. Always on. Always overhead (of some part of the planet). Always free. Always a consideration for every photograph taken outside of a windowless studio or closet. The sun is nature’s free light source for photography and video. Regardless of whether you are making a landscape image, architectural photograph, portrait, macro shot, street photo, etc., sunlight, or the absence of sunlight, is a critical ingredient in the image.
Photographs © Todd Vorenkamp
by Jill Waterman · Posted
Defined in the fine arts as a point of interest that makes an art work unique, in the realm of optics the term “focal point” also refers to the site where parallel rays of light meet after passing through a convex lens, or diverging from a concave mirror. In its broadest sense, a focal point in a photograph is synonymous with a photographer’s point of view. After all, what interest is there in an image without an author standing behind it?
Focal points have a tremendous effect on the reading and appreciation of any given image, so let’s dive
by Bjorn Petersen · Posted
If you spend much time perusing the Lenses section of the B&H website, or follow along with the latest announcements of new glass, you're likely to run into a range of phrases that are not inherently known to those with less than a keen, honed understanding of photographic and optical geekery. Scientific-sounding words like aspherical elements, chromatic aberration, coma, low dispersion, and high refractive index to the layman often lead to imprecise thoughts
by Steven Gladstone · Posted
I have been using filters ever since I first shot Super 8 film with a little Kodak M-22 camera. Just press the funny-looking piece of metal into the top of the camera to drop in (or remove—I can't remember which it was) the Wratten 85 filter that allowed you to use tungsten-balanced film in daylight, and achieve the correct color balance. Over the years, my filter experience has pretty much stayed the same—I use filters to achieve a