Search results for: photography tips techniques lighting for texture
About 5 filtered resultsby Jill Waterman · Posted
Typing #food into Instagram's search bar returns more than 450 million posts, making the search for food photographers on this social platform somewhat akin to "shooting fish in a barrel." Yet, while the number of followers to the most popular feeds surpasses the million mark, when it comes to the topic of food, it's a common occurrence for cookbook authors, recipe creators, food stylists, and celebrity chefs to add the term "photographer" to their skill set, thereby magnifying the popularity of this flavorful subject.
To assemble this current
by Todd Vorenkamp · Posted
Texture is one of those multi-sensory things that we can feel with our sense of touch and “feel” visually with our eyes. Because texture transcends the senses, we must account for it when we create photographs. Sometimes the goal is to accentuate a specific texture. Sometimes we wish to “smooth” the texture visually. How you light your subject has a lot to do with how you reveal, or hide, texture.
Photographs ©Todd Vorenkamp
by Cory Rice · Posted
One of the first challenges awaiting portrait photographers new to studio lighting is how to produce soft light. Anyone who has used a flash or strobe knows that there is more to lighting portraits well than simply pointing a light at a subject and rattling off shots. At the same time, creating soft light does not necessarily require an investment in a ton of expensive lighting modifiers. This article covers the basics of soft light along with some light-shaping tricks for achieving soft light with and without modifiers.
by Bjorn Petersen · Posted
Have you ever tried to take a photograph of a snowy scene and later realized that your shot was underexposed, maybe with an overwhelming orange or blue hue, or just lacking a certain "something?" Frustratingly, and surprisingly, snow can be one of the trickiest environments in which to make a correct exposure. But, with a few tricks and techniques in mind, hopefully you'll be able to make easy work of these trying conditions.
It All Begins with the Light Meter
The culprit behind these wrong exposures is likely your light meter; but this light
by Bjorn Petersen · Posted
With much of photography’s attention being devoted to the sole creation of the image, and more recently the virtual and instant sharing of those images, the art and practice of physically producing prints is becoming less of a requirement than in the past. This scarcity of physical prints does have immense benefits, though, as it is still the best and most revered method of owning a photograph. Printing photographs also grounds your work and allows for a bit more separation from the image itself, since it is being turned into a tangible object