With the introduction of the Aizu 21, 100, and 125mm Cinema Primes Lenses, Sigma expands both the wide and telephoto ends of this large-format series. Available in both ARRI PL and Sony E mounts, these primes share the ultrafast T1.3 aperture, 46.3mm image circle, and organic, moderately sharp look of the existing focal lengths.
Added to the initial release of eight Aizu primes in 25, 27, 32, 35, 40, 50, 65 and 75mm focal lengths, the three new lenses bring the series total to 11 lenses. Quietly elegant and natural, all focal lengths offer a consistent look with minimal breathing and distortion and balanced color, contrast, and flare characteristics.
Sigma’s Aizu lenses are the first to maintain a uniform T1.3 across all the focal lengths in the full-frame series. This wide-open maximum enables an exceedingly shallow depth of field with subject separation that draws viewers into your frame while maintaining a natural sense of depth. Notably short minimum focus distances help to create close-up visual tension.
With an image circle of 46.3mm, Aizu primes can cover not only full-frame and Super 35 sensors but are compatible with large-format camera options like ARRI ALEXA LF Open Gate and VistaVision. Their cine-style design features a lightweight compact form, 0.8 MOD gears, and luminous paint for all lens markings.
For more information about the new full-frame cine-style prime lenses, including additional features, specs, and highlights, be sure to check out the detailed product pages for the Sigma Aizu LF Cinema Prime Lenses.
