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by Freddy Gerngross · Posted
Choosing a Digital Audio Workstation, or DAW, is a major decision. For beginners, it will define their learning curve, workflow, and operating knowledge—for professionals, compatibility, functionality, and familiarity is key. In this guide, we will give some detailed overviews of the most popular DAWs in the audio industry, what their strengths and weaknesses are, and some of their unique features.
If you’re in a rush, here’s a quick rundown of the best DAWs for a variety of common purposes:
If you’re a songwriter/producer: Ableton, Logic,
by Zack Young · Posted
So you just signed up for another corporate documentary shoot for another tech company at another local high-rise. They don’t want you filming in their super-secret proprietary lab and they’re definitely not flying you to China to see where the products are made, so you’re stuck in a cube farm trying to scrounge up useable b-roll for your interviews. Fear not. With some thoughtful planning and a little bit of ingenuity, you can get enough clips to make your piece shine.
Have I done my prep?
Fortune favors the prepared mind, which is why the
by Mary Latvis · Posted
Welcome to Filmmaking 101, where we offer some tips on how to go about creating your movie masterpiece. Read on to discover suggestions for your pre-production, production, and post-production phases.
Pre-Production
Scriptwriting
You have your idea for an arthouse masterpiece or an action-based blockbuster; now how do you translate that into a script―the backbone of your production? You can use MS Word, Google Docs, or another document program. But using dedicated screenwriting software provides the standard formatting, outline tools,
by Stepan Andranikian · Posted
Following its electrifying debut in 2020, the Sony FX6 quickly established itself as a true powerhouse in the world of compact cinema cameras—thanks, in part, to its exceptional image quality, low-light dominance, and feature-packed design. Today, Sony's Cinema Line is more robust and well-rounded than ever, with the FX6 sitting firmly between the tried-and-true FX9 and the more recent FX3.
by Steven Gladstone · Posted
There are many kinds of car rigs, from hood mounts to “hostess trays,” side mounting, car-mounted jib arms, stabilizers, and full-blown process trailers. Each set up provides something different in terms of shot selection, flexibility, and how much you are asking the actor to do. On many large films, when an actor is seen driving a car, the car is often being towed behind a process car, so the actor doesn’t have to drive, and instead can concentrate on their performance. That isn’t possible for every shoot, and it may not work stylistically
by Mary Latvis · Posted
When looking to align camera images with what their eye sees, to smooth complexions subtly, or to create specific looks for various scenes, moods, or locations in their projects, experienced videographers and cinematographers often turn to optical filters. When you’re confident about the look you want, optical filters also enable you to “bake-in” elements of your vision, both saving time in post and reducing the possibility of unwanted or unintended “corrections.”
While many filter looks can indeed be replicated or at least approximated