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Posted
Doug discusses more advanced concepts to help deepen your understanding of frame rates. Both editors and videographers will find this video useful, since it will allow them to work in better tandem. We'll cover timecode basics, fractional frame rates (such as 29.97 fps and 23.98 fps), variable frame rates, and more.
0:00 - In This Video
0:39 - Timecode & Drop-Frames
5:36 - Variable Frame Rates
7:02 - Interlaced Video
10:34 - Telecine & Pulldown
12:47 - Mismatched Frame Rates & Refresh Rates
14:54 - Practical Tips
by Shawn C. Steiner · Posted
ProRes RAW. Is it ProRes? Is it raw? What is ProRes even? How do I get it? Why do I want it? What do I do with it once I have it? Okay, okay! We heard you. ProRes RAW is an exciting and relatively new video format, but it brings with it an almost endless number of questions. I will start off by saying that it is well worth the effort since raw video can offer increased dynamic range and detail than standard formats. Also, you do have to be sure that every stage in your process supports ProRes RAW. If you follow along here, we will help get you
by Mary Latvis · Posted
If you’ve lived in New York long enough, it’s bound to happen to you one day as you turn a corner: you’ll be gazing from the sidewalk as a movie, TV show, or commercial is being shot. You may ask yourself, “Who are all those people besides the actors standing around on the set?” Read on to discover the crew positions that you’ll find listed in the credits of most professional productions, and how, despite appearances to the contrary, the crew is indeed putting in a full day’s work, and then some.
As befits B&H Photo Video’s focus on all
by Allan Weitz · Posted
Sometimes, the phrases, acronyms and strings of numbers or number-letter combinations used to identify photographic hardware or techniques can be daunting to the uninitiated neophyte photographer.
We've prepared a list of the basic terms. Have we left any out that you think should be added? Please let us know!
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