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by Shawn C. Steiner · Posted
ProRes RAW. Is it ProRes? Is it raw? What is ProRes even? How do I get it? Why do I want it? What do I do with it once I have it? Okay, okay! We heard you. ProRes RAW is an exciting and relatively new video format, but it brings with it an almost endless number of questions. I will start off by saying that it is well worth the effort since raw video can offer increased dynamic range and detail than standard formats. Also, you do have to be sure that every stage in your process supports ProRes RAW. If you follow along here, we will help get you
by Steven Gladstone · Posted
As filmmakers, we’ve all heard that it is important to get BTS video and on-set shots. On my last shoot, I handed a digital camera to a PA and said, “Take behind-the-scenes-stills.” This did not work out well, because I ended up with about 900 stills, of which 97% were useless. It wasn’t the PA’s fault—after all, this is a highly developed craft, and he had no idea what to photograph. I also had no idea what to tell him, so between his making coffee runs, picking up and dropping off actors, and driving the cube truck, he did his best.
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by Peter Ward · Posted
In these days of digital post production, filters are often overlooked as an image-control tool. But there are times when filters can be extremely useful, especially when capturing images from a drone. Common filters available for done cameras include UV, which are typically used as “protective filters,” neutral density filters (ND), which reduce light levels, and circular polarizer filters (CP), which reduce glare and have other properties. Unlike typical screw-on camera filters, filters for drones, in many cases, need to be made for the