Filmmaking
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Doug discusses more advanced concepts to help deepen your understanding of frame rates. Both editors and videographers will find this video useful, since it will allow them to work in better tandem. We'll cover timecode basics, fractional frame rates (such as 29.97 fps and 23.98 fps), variable frame rates, and more.
0:00 - In This Video
0:39 - Timecode & Drop-Frames
5:36 - Variable Frame Rates
7:02 - Interlaced Video
10:34 - Telecine & Pulldown
12:47 - Mismatched Frame Rates & Refresh Rates
14:54 - Practical Tips
In this article series, we will take a look at five different production styles and come up with suggestions for camera accessories suitable for that style. This article will cover a range of different camera bodies and should provide a foundation for building out your camera package. Please note that for the purposes of this article, I will be excluding smartphones as well as action cameras, focusing instead on accessories for camcorders, DSLRs, mirrorless, and digital cinema cameras. Remember, if you go to the product page for your camera on
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Frame rates are one of the most fundamental ideas to understand when it comes to technical and creative decisions for your films. It's important to know how frame rates work so you know how they'll affect the final film or broadcast. So, what frame rates are typically used? Why is 24 fps the standard for movies? Are higher frame rates better than lower ones? Join Doug for a crash course on the basics of frame rates.
0:00 - In This Series
0:46 - What Is a Frame Rate?
2:21 - Creative Uses of Different Frame Rates
3:21 - Is a Higher Frame Rate
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Photography has plenty of different specialty areas—portraits, sports, fashion, food, still life—to name just a few. In today’s show we’re going to investigate a specialty that involves all these subjects, while calling for a photographer who is technically precise, emotionally intuitive, and practically invisible, all at once.
Above Photograph © Myles Aronowitz
It’s a corner of the industry people rarely consider, but one that holds massive influence over our cultural lives. This is the domain of the Unit Set Photographer: the person
Productions tend to fall into two categories—a disorganized mass of people scurrying around to somehow get the shot off as the sun goes down, leaving crew and cast exhausted at the end of the day, or a smooth moving production that is more like a complex dance, though not as frenetic, far less exhausting, and far more efficient. If you are only going to be working on a film/video production a single time, then the maddening chaos of the first type of production will probably feel very satisfying. However, if you are looking at working in the
Welcome to Part 2 of Keys to a Happy and Healthy Production Life.
Hopefully you’ve read Part 1, but if not, be sure to check it out.
Working on productions, and making films at every level can be fun, exciting, thrilling, and rewarding. The key to longevity in the business is both being easy to work with and being valuable to those who hire you. If you’re a director, you must figure out how to balance getting what
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People have been sleeping on the RED DIGITAL CINEMA V-RAPTOR XE. It's more than just a full-frame version of the KOMODO-X. Nick shares where this cine camera sits in RED's lineup and gets hands-on in for outdoor and indoor locations.
0:00 - Sizzle Reel
0:30 - Intro
1:53 - V-Raptor XE Specs
4:08 - Autofocus
5:03 - Dynamic Range & Low Light Performance
6:16 - Concurrent Pro-Res Proxy Recording
6:58 - Ergonomics
7:48 - File Sizes
9:10 - 2.2.1beta Firmware Updates
9:38 - Upgrade Program
10:04 - Takeaways
Sponsored by
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Did you know that the type of lens you choose affects the story you want to tell, whether you're a photographer or a filmmaker? There's ultra-wide, wide angle, normal, telephoto, medium telephoto, and supertelephoto. That's a lot of terminology, so if you're lost, Sidney's here to explain what focal lengths fall under each umbrella and they change your storytelling.
0:00 - In This Tutorial
0:25 - Focal Length & Field of View
0:56 - Sensor Size
2:10 - What We'll Cover
2:31 - Wide Angle Focal Lengths (Below 20mm)
4:13 - Normal Focal Lengths
DPA Microphones is announcing the new CORE+ line of microphones, a revolutionary leap ahead in terms of mic design. CORE+ effectively neutralizes distortion across the entire dynamic range of the microphone, making any residual distortion imperceptible and virtually unmeasurable.
DPA Microphones 4097 CORE+ Microphones
The new IP58-rated
On-camera monitors continue to grow in popularity with filmmakers and photographers wanting a bigger, better view of their image than a flip-out LCD can provide. The Desview R5II 5.5" touchscreen monitor is, on paper, a great offering: lightweight, affordable, versatile, and bright. It even comes with useful accessories like a swivel-and-tilt shoe mount, a sunshade, a USB drive for loading LUTs, and a couple variations of HDMI
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When you're shooting an indie film and are short on time, having gear that eases the video production process smoother is a lifesaver. Enter Impact’s new KeyGrip series: a lineup that innovates on the tried-and-true grip gear. Join us on set to see how we light a scene using these KeyGrip Stands.
0:00 - Today's Video Shoot
0:52 - Why Use Impact's KeyGrip Stands?
2:44 - Lighting Each Scene
5:57 - On-Set Video Monitoring
6:28 - Slider Shot
7:25 - Our Overall Thoughts
8:26 - It's Not About Talent by Doug Guerra
Sponsored by
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Nick shares his no-budget filmmaking tips. If you have zero budget, or even an extremely low one, you can still lean into those limitations for your movie while following the principles of good filmmaking.
0:00 - What We're Covering
0:45 - Story & Location (Pre-Production)
2:05 - Casting (Pre-Production)
3:22 - How to Find Film Ideas (Pre-Production)
3:56 - Screenwriting Software (Pre-Production)
5:00 - Audio (Production)
5:41 - Lighting (Production)
7:28 - The Most Important Part of Production
8:06 - Editing Software
9:18 - Things to
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If you're looking to become a professional filmmaker, you'll need to understand what codecs are, how to choose them, and how to use them. In part 1 of 2, Doug simplifies the tangled web of knowledge that is video codecs, sharing the fundamentals.
0:00 - What You'll Learn
1:04 - What Is a Codec?
2:25 - Why Are Codecs Necessary?
3:27 - How to Codecs Work?
6:53 - Choosing the Right Codec
14:24 - Inter vs. Intraframe
17:32 - What's Next?
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So, you're a filmmaker looking for an on-camera external monitor. Sidney simplifies the shopping process by comparing the specs for each of these monitors and sharing which works for each budget type, from beginners to indie filmmakers.
0:00 - Intro
0:37 - Budget Monitor
1:46 - Mid-Range Monitors
4:47 - High-End Monitors
7:01 - Which Is the Right Choice?
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Sony's new PXW-Z300 3-CMOS XDCAM Camcorder is perfect for camera operators looking to capture high-quality video in the field, or someone looking to add a camcorder to their existing Sony ecosystem. Join Sidney to learn this camcorder's specs and see the test footage he shot!
0:00 - Sample Footage
0:39 - Digital Signatures
1:13 - Sensor & Video
1:32 - Lens
1:42 - AI-Powered AF
2:05 - LCD Monitor
2:27 - Power
2:37 - V & Cold Shoe Mount
2:59 - Buttons & Ports
3:33 - S-Cine Tone Gamma Curve
4:14 - Who Is This Camcorder For?