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by Zack Young · Posted
For decades, classic three-point lighting has been the conventional approach to lighting most sit-down interviews in film and TV. While this type of lighting looks nice, it can feel stale at times. By mixing up the lights you use and how you place them, you can shake up your cinematography game and shoot visually dynamic interviews that keep viewers engaged. In this article we’ll explore three unique ways to light your interview subjects, so they pop
by Stepan Andranikian · Posted
So you just finished watching a great white shark feeding video and thought, “Wouldn’t it be awesome to be in the water with a camera to film this feast?” I'm right there with you, which is why today we’ll be diving into the world of underwater video creation, from the gear you’d need, to tips for getting the perfect action shot.
Before we get into it, I’d like to leave a little disclaimer: while venturing out into the vast and expansive deep blue is a riveting adventure, please practice caution and, if you’re not experienced in underwater
by Steven Gladstone · Posted
Day for night for color cinematography is an old shooting methodology that relies on a number of techniques regarding human perception, socially accepted convention, and technical qualities of film/sensors. There are a variety of reasons for shooting day for night, and understanding the whys and wherefores can help you create believable images.
Moonlight Is Blue
It isn’t really, any more than sunlight is blue. The reality is that moonlight is reflected sunlight, so why do people think moonlight is blue? Sunlight has a color temperature of