About 10 filtered results
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The Matts take on the Warner Bros. film lot at Cine Gear LA 2024 to explore the all-powerful LED lights, hybrid lenses, and brand-new cine cameras that it has to offer!
0:00 - Intro
0:27 - Profoto L1600D Mono-LED Light
1:24 - Canon EOD S C400 &
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Today, Canon is announcing the EOS C400, a full-frame cinema camera featuring all of the best features from Canon’s lauded C300 and C500 series, plus an RF mount and a host of high-tech features that should make it one of the best options around for professional video work.
Canon EOS C400
At the core of the EOS C400 is a 6K CMOS sensor that offers more dynamic
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Matt vs. Matt is back, and this time they're comparing the Canon EOS R5C and C500 Mark II. Which of these cinema cameras is right for you?
0:00 - In This Video
0:21 - R5 C Specs
1:20 - C500 II
2:11 - Set Up Time
3:45 - Portability Test
6:03 - Test Footage
7:30 - And the Winner is...
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Is the Canon EOS R5C right for cinematic filmmaking? Join Matt Zefi as he creates a woodsy, moody short film. You'll see how he builds his camera rig, how the C-Log 3 footage looks, how this camera performs in low light, and more.
0:000 - Today's Shoot
0:38 - Building Out Camera and Specs
1:15 - Opening Scene
2:16 - Filming Handheld and with Gimbal
3:15 - Slow Motion and Low Light
4:22 - Indoor
7:31 - Final Scene
8:30 -
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Jabari Holder tests the video quality of almost every entry-level ZEISS digital cinema lens available, from the CP.3 and LWZ.3 series. He also compares them to the Zeiss Otus, Milvus, Loxia, and Batis lenses.
0:00 - Introduction
0:52 - The Zeiss Look
1:52 - Photo vs. Cine Lenses
7:19 - CP.3
8:51 - LWZ.3
10:21 - Otus
11:23 - Milvus
12:23 - Loxia
13:26 - Batis
14:05 - Final Thoughts
Are you a ZEISS fan? Tell us why in the Comments section, below.
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With Sony’s innovations in the mirrorless world, full-frame is more accessible than ever before. Even so, cameras with Super 35 sensors, such as the Sony FX30, remain an excellent option for filmmakers across the board. In this B&H video, Stepan Andranikian discusses the many benefits of utilizing the FX30 over its full-frame counterparts. Covering topics such as lens options, effective focal range, size, and
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Should you use manual focus or autofocus when shooting video? Using the Canon C70, Nick Brigadier tests various shots, such as the whip pan and tracking shot, to see which type of focus provides better results.
0:00 - Introduction
0:40 - Test 1
3:27 - Test 2
5:38 - Test 3
7:43 - Test 4
9:26 - When to Use Auto vs. Manual Focus
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Here are four things you may not have known about the DJI Ronin 4D camera-and-gimbal combo. Not to be hyperbolic, but this camera is pretty revolutionary!
Click to watch our hands-on review of the DJI Ronin 4D.
Are you excited to try the DJI Ronin 4D? Let us know in the Comments section, below.
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Compact, fast, and full frame—the black V-RAPTOR 8K VV is an impressive introduction to RED DIGITAL CINEMA's new DSMC3 platform. Sized only slightly larger than the KOMODO, but boasting a new 35.4MP sensor, the V-RAPTOR offers multi-format capture in 8K VV (including 8K 120fps), 6K Super35, 4K, 3K Super16, and anamorphic options.
Are you itching to get your hands on one? Tell us why!