Let's take a look at the RED V-RAPTOR XL 8K VV Cinema Camera, which boasts a 35.4MP 8K VV Sensor, up to 8K120 Video, RED's first integrated electronic ND filters, and more. To learn more about what this cinema camera can do for your productions, check out the RED V-RAPTOR XL 8K VV announcement.
0:00 - Introduction
0:29 - Specs
3:10 - Production Packages
7:56 - Final Thoughts
Canon is making a huge splash in the cine and broadcast worlds, most notably with the updated XA75, XA70, XA65, and
When we think of a PTZ camera, what usually comes to mind are remote features for use in an education or corporate environment, a compact form, and a built-in zoom lens. However, Sony enjoys bringing new potential to popular tech, and the recently announced FR7 Cinema Line PTZ camera is no different. The FR7 not only has standard PTZ features such as smooth pan/tilt/zoom functions, up to 100 presets, PoE++, and IP remote control, but it also
Here are four things you may not have known about the DJI Ronin 4D camera-and-gimbal combo. Not to be hyperbolic, but this camera is pretty revolutionary!
Click to watch our hands-on review of the DJI Ronin 4D.
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ARRI’s new ALEXA 35 camera is already making waves in the cinematography world, and we are happy to provide you with the latest info. Boasting a new sensor design and new color science, the ALEXA 35 is a brand new camera with 17 stops of dynamic range (2.5 more than previous ALEXA cameras), and a familiar Super 35mm camera package with a host of dedicated accessories that will fit into established on-set workflows. Truly a 4K camera with a 4.6K resolution sensor that fulfills the mandates for 4K origination while using a Super 35mm-sized
Canon has announced the new EOS R5 C, a compact, hybrid camera that is ideal for journalists, event photographers, and drone users who routinely capture stills and video over the course of their workday. This RF-mount mirrorless camera combines the full-frame 45 MP resolution and speed of EOS R5 stills capture with up to 8K60, 12-bit Cinema RAW Light internal video capture, HDMI raw output, Canon Log 3, HLG and PQ HDR, unlimited recording
DJI has just announced the Ronin 4D, the brand’s newest line of professional cameras for the next generation of cinema production, featuring two all-in-one 4-axis gimbal cameras: the Ronin 4D 8K Cinema Camera and the Ronin 4D 6K Cinema Camera. The Ronin 4D’s modular system is made up of a core processing unit and a
The compact cinema camera market has become even more competitive with the announcement of Panasonic’s new Lumix BS1H box-style camera that sports a long list of professional features in a tiny form factor. This mirrorless camera joins the S1H and BGH1 compact camera line, featuring a full-frame 24.2MP CMOS sensor that captures cinema-quality video up to 10-bit 6K24 resolution, 14+ stops of advertised dynamic range using V-
Canon has never been one to sit out an opportunity to enter new markets, and during the past year, a need has manifested itself in the world for remotely controlled, networked cameras to create high-quality broadcast productions with minimal staff and crew over the Internet, from just about anywhere. To meet the requirements of the times, Canon has just announced a new line of 4K PTZ cameras, including the CR-N300 and
Emphasizing compactness, Sony's FX3 Cinema Camera is the latest take on blurring the lines between Sony's Cinema and Alpha lines of cameras, marrying the top-end video capabilities of the FX cameras with a portable, handheld-optimized form factor like the a7S III. As a camera straddling the lines of capability and versatility, the FX3 takes some of the most coveted features from both to make the ideal camera for solo
Every filmmaker has their own needs on set, so which Canon camera is right for you? In this cinema camera comparison, Doug takes a look at the Canon C70, the Canon C300 Mark III, and the Canon C500 Mark II, as well as rigging options for the
Go behind the scenes on our team’s latest video production as they try the Z CAM E2-S6 with the Atomos Ninja V. Doug Guerra shows you his ProRes Raw workflow for filming and color grading, and he also compares the E2-S6 to the
In this video review, Doug Guerra explores the features of the Sony PXW FX6, a full-frame 4K cinema camera. This compact camera sits between the Sony FX9 and a7S III and was built for filmmakers who demand light, mobile tools that don’t sacrifice image quality or control. The FX6 is versatile, allowing you to use it on a variety of shoots—from gimbal to drone to documentary work.
Features include a 10.2MP full-frame BSI CMOS Sensor, 15+ stops
The RED KOMODO 6K Digital Cinema Camera marks a first for many features never seen before in a RED DIGITAL CINEMA camera. It features a built-in LCD screen, 19.9MP Super35 Global Shutter CMOS, phase-detect autofocus system, 16+ stops dynamic range, the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production, and more. Check out Doug
The B&H film crew took the RED Gemini 5K S35 out for a real-world test to see if this cinema camera could work in a run-and-gun situation. Bobby takes you behind the scenes on an independent WW1 film to see this camera in action, then Doug takes you through the post production process and tells you how color grading worked for this 5K cinema camera.
To learn more about the RED Gemini 5K, watch this