Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)

Canon Cinema EOS C300 Mark II Zacuto ENG Package (EF Mount)

Canon Cinema EOS C300 Mark II Zacuto ENG Package (EF Mount)

B&H # CAC3002EFKZ MFR # 0635C019
Canon Cinema EOS C300 Mark II Zacuto ENG Package (EF Mount)

Kit includes:


Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount) Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 (EF Mount) Canon Zacuto ENG Rig for C300 Mark II Canon Cinema EOS C300 Mark II Zacuto ENG Package (EF Mount)

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Important Notice: This item is non-cancelable and non-returnable
Back-ordered
Expected availability: End of Dec 2016
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Product Highlights

  • EOS C300 Mark II in EF Mount
  • 17 to 120mm Cine-Servo Zoom Lens
  • C300 Mark II Helmet
  • Custom VCT Baseplate
  • Lens Support
  • Gratical HD Micro OLED EVF
  • Axis Mini EVF Support
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Kit Configuration: Zacuto ENG Package

Base Zacuto ENG Package Zacuto Z-Finder Kit

Mount Type: Canon EF Mount

Canon EF Mount PL Mount

Not available with current selections

REBATES See Details
  • Canon Financial 24 Month 0% & 36 Month 1.99% Interest Lease Business Program. Offer ends: DEC 31 '16
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  • 1Description

The Canon Cinema EOS C300 Mark II Zacuto ENG Package in EF mount, provides you with the components to shoot ENG-style with the included Canon EOS C300 Mark II, Canon 17 to 120mm zoom lens. The EF-mount camera features a Super 35mm CMOS. This provides faster and more accurate autofocusing to assist users when operating with small crews.

The EF lens mount on the EOS C300 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to Full HD resolution video to CFast 1 cards using the XF-AVC codec, and H.264 format in MXF wrapper. For more flexibility to adjust your image during postproduction, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.

In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest.

The Cine-Servo 17-120mm T2.95 with EF mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team.

With a 17 to 120mm focal length, the lens features 7x zoom and has a maximum aperture of T 2.95 when set to 91mm or wider. Additionally, it features an 11 blade iris to create circular bokeh patterns as well as to reduce refraction. For ENG-style shooters, the lens drive features servo motors powering zoom, focus, and iris. The lens can be connected to the camera either using a standard 12-pin connector or will communicate directly through the lens mount when attached to compatible cameras. Three 20-pin connectors below the servo housing allow many Canon and third-party zoom, focus, and iris controllers to be connected.

The Zaacuto ENG kit allows you to use the Canon C300 Mark II and zoom lens as an ENG-style camera package. It includes a custom VCT baseplate with a sliding top for additional balance adjustment, the Zacuto C300 Mark II helmet, Axis Mini and Gratical HD EVF. The ENG kit also includes a Cheesebox Counterweight, which provides a v-mount battery plate, and allows you to attach the two included wireless plates for mounting optional wireless receivers. The Cheesebox helps balance the camera and provides power distribution options to power the camera and Gratical HD EVF.

  • Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)

    The EF-mount Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF features a Super 35mm CMOS. This provides faster and more accurate autofocusing to assist users when operating with small crews. Canon's Log 3 Gamma supports 14 stops of dynamic range.

    The EF lens mount on the EOS C300 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to Full HD resolution video to CFast 1 cards using the XF-AVC codec, and H.264 format in MXF wrapper. For more flexibility to adjust your image during postproduction, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.

    In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest.

    Firmware v.1.0.4.1.00
    Firmware v.1.0.4.1.00 adds the following features:
    • Canon Log 3 achieves a dynamic range of 1600% with 14 stops of dynamic range, and can be ideal for middle end users that have a limited budget for post-production, and need quick turnaround.
    • A reduction in the dark noise level when shooting in Canon Log 2 mode. Streaking and black sun spots have been reduced in all modes by changing the CMOS sensor control.
    • ACES 1.0 Output via SDI/HDMI
    • Magnify Function During REC
    • Additional lens functionality is now available with the Cine -Servo 50 to 1000mm, Cine-Servo 17 to 120mm, Compact-Servo 18 to 80mm, and Dual Pixel Focus Guide has been added to the EF mount Canon Cinema prime lenses. Please note that you may need to also upgrade the firmware in your lens to access this functionality.
    Dual Pixel CMOS AF Technology
    It provides continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.

    Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.

    Main Features

    Canon Super 35mm CMOS Sensor
    Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It features 4096 x 2160 resolution to deliver Cine 4K images, as well as supporting Ultra HD (3840 x 2160), and Full HD (1920 x 1080)
    Canon Log Gamma
    Canon Log Gamma 2/ACES/REC.2020 support
    Dual Canon DIGIC DV 5 Image Processor
    The camera features Dual DIGIC DV 5 processors to handle the internal data processing.
    XF AVC Codec
    To create digital files robust enough for major postproduction, the EOS C300 delivers the highest image quality with its XF AVC Codec - an H.264 format wrapped in the widely-supported MXF wrapper
    Designed with Filmmakers in Mind
    A logical layout of buttons and dials make operation simple. A lock switch turns off all controls except the recording button and function buttons. Small ridges between the buttons help prevent activating functions by mistake. A backlit display panel is great for low-light viewing. A tally lamp is clearly visible from the side or behind the camera.
    Compact & Modular Design
    The EOS C300 body is compact and easily handheld at just over 3 lb. There is a bright 1.55 Megapixel electronic viewfinder, and the camera comes bundled with a removable combination 4", 1.23 Megapixel monitor and control panel. The camera also has a removable handgrip with a control dial and function buttons for handheld shooting in DSLR style, or remove it and use the supplied thumb rest for completely stripped-down shooting. The EOS C300 has a manually operated built-in neutral density (ND) glass filter offering 1/4, 1/16, and 1/64th steps of filtering. Handheld or using a tripod, on location or in the studio, even on 3-D rigs, the EOS C300 fits shooting situations that are challenging for larger cameras.
    Rugged, Durable & Quiet
    The EOS C300's dust-proof and splash-proof design includes sealing gaskets around the edges of all access covers, dials fitted with o-rings on the axis of rotation, and button key-tops sealed with rubber. The EOS C300 also features a built-in silent cooling system with a heat-dissipating duct in the center of the body, a graphite sheet that conducts sensor heat towards the heat sink, three ventilation holes, and a cooling fan that pulls hot air out through an exhaust opening. All air is directed through a discrete pathway that keeps dust particles away from sensitive components. Your camera runs cool, quiet, and clean.
    Ultra-High-Resolution EVF
    The EOS C300 features a 0.46", 1.17 Megapixel color EVF and 100% field of view coverage for comfortable viewing and accurate judgment of composition, focus, and color. The angle of the viewfinder is adjustable for additional user comfort. EVF adjustments include brightness, contrast, color, and backlight (Normal or Bright).
    Rich Audio Controls
    When mounted to the EOS C300 Mark II camera, the included control unit provides two XLR audio inputs with +48V phantom power. A 3.5mm microphone terminal is also built in to the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs, as well as the mic terminal have the option for automatic, as well as full manual gain control (-Infinity to +18dB). Additionally, a 3.5mm headphone terminal with 16 volume settings offers accurate audio monitoring.
    CFast Memory Card Recording
    The camera records to CFast 1 cards through two slots.
    High-Speed, Slow-Motion, Time-Lapse & Stop-Motion
    Beyond the advantages of file-based recording, the camera offers a number of creative possibilities in post-production including Slow & Fast motion.
    Connectivity
    To connect to external monitors, switchers, VTRs, and NLE systems with SDI inputs, the EOS C300 features industry-standard HD-SDI output, genlock, and timecode terminals, plus audio terminals with linear PCM recording. Timecode and genlock enable synchronized multiple camera capture, perfect for multiple-camera shots, 3D acquisition, and more. The HD-SDI sync terminal can be switched to output to HD Sync, HD Y, Black Burst, and Composite.
    Full Manual Control & Focusing Aids
    The camera has a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green, and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. The Vectorscope (VS) display shows real-time hue and saturation levels. For sharp focus, the EOS C300 camera has two peaking modes and a magnified focus assist function. An Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents focus in three specific areas displayed on the camera's 4" LCD monitor. To maintain proper highlight exposure, it offers a zebra bar feature as well.
  • Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 (EF Mount)

    The Cine-Servo 17-120mm T2.95 with EF mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team.

    With a 17 to 120mm focal length, the lens features 7x zoom and has a maximum aperture of T 2.95 when set to 91mm or wider. Additionally, it features an 11 blade iris to create circular bokeh patterns as well as to reduce refraction. For ENG-style shooters the lens drive features servo motors powering zoom, focus, and iris. The lens can be connected to the camera either using a standard 12-pin connector or will communicate directly through the lens mount when attached to compatible cameras. Three 20-pin connectors below the servo housing allow many Canon and third-party zoom, focus, and iris controllers to be connected.

    Broadcast-Style Shooting

    Suitable for Shoulder Mounted Camera Operation
    The CN7x17KAS S features the form factor and control layout of typical ENG lenses, and is designed to be friendly for a single camera operator to control while using the camera shoulder mounted. The zoom servo is controlled by rocker with the right hand and focus and iris can be operated manually with the left hand
    Support for Standard Broadcast Lens Controllers
    The lens is compatible with many 20-pin zoom and focus controllers, allowing the lens to be operated comfortably in a studio tripod or pedestal configuration or remotely, say while mounted on a jib or crane. Compatible controllers include the Canon FPD-400D focus control and the Canon ZSD-300D zoom control
    Variable Speed Servo
    High speed servo-driven zoom and iris is available for critical situations such as while filming sports or fast action. Meanwhile, slower speed settings are available for more expressive work. With this variability, the zoom duration can be set to last anywhere from 0.5 to 300 seconds
    Immediate System Startup
    The drive unit features a high-performance encoder so that the lens requires no initialization. This means the system can be used immediately without any delay waiting for it to boot up
    Supports Virtual Image Data Output
    Via three 20-pin connectors below the servo it is possible to connect an external system to collect 16-bit virtual image data
    Standard Broadcast 12-Pin Camera Interface Cable
    The lens features the same 12-pin camera interface for power and serial data as found on regular Canon broadcast lenses
    Broadcast Lens-Style Focus Ring
    In addition to servo zoom, focus, and iris another ENG-derived feature is the knurled focus ring, which is limited to a 180° rotation
    Angle of View Shift Suppression
    The lens features a three-group inner focus system that is designed to minimize angle of view shift (breathing) that occurs when focusing the lens to ensure stable framing even during rack focus
    Flange-Back Adjustment
    The flange back may be adjusted in the same manner as on broadcast lenses to simplify the transition between different camera systems with different flange focal distances
    Macro Function
    The zoom ring features a broadcast lens-style release allowing the lens to quickly set to macro or back again
    Fully Closing Iris
    The iris may be closed fully for setting camera black balance or other calibration procedures

    Cinema-Style Shooting

    Detachable Drive Unit
    The motor unit housing the servo motors and zoom rocker may be removed for cinema style shooting where full manual control is preferred
    Supports Super 35mm Image Sensors
    The CN7x17KAS S provides a sufficiently large image circle to cover a Super 35mm sensor
    Easier-to-Read Ring Markings
    The lens incorporates the following features designed to make the markings easier to read:
    • The focus ring markings are placed on an angled surface so that they can be seen even by an operator sitting behind the camera
    • Each ring marking is printed on both sides of a lens allowing focus-pullers or camera assistants to operate the lens from various positions. Additionally, the markings on one side of the lens have a luminous coating so that they can be read even in the dark
    • The focus ring features both metric and imperial scales (meters and feet) so that you do not have to replace the lens ring to suit users accustomed to different units of measure
    Support for Cinema Lens Accessories
    The lens is compatible with a wide array of accessories common in the cine industry, including matte boxes, follow focuses, and electronic and wireless controllers. The focus ring features both a 0.8mm pitch cine standard gear ring as well as a 0.5mm Canon pitch ring, the zoom feature a 0.5mm Canon pitch, and there is also a 0.4mm pitch iris gear
    Compatible with Lens Support
    Because of the weight of the lens it is often deemed helpful or necessary to support the lens using a 15mm or 19mm rod system. This lens makes that possible by allowing you to attach a lens support
    Lens-to-Camera Metadata Transmission
    The lens communicates directly with Cinema EOS camera through the lens interface. This allows lens metadata such as zoom setting and iris to recorded in the camera. Note that a firmware update may be required for proper communications between the lens and the camera.

    In addition the lens features a standard 12-pin broadcast camera interface and can also transmit zoom, focus, and iris data to a camera or other device via this connection
    11-Blade Aperture Design
    The lens features 11 aperture blades to make lens flares and orbs causes by the bokeh effect as close to round as possible. With fewer blades it is often possible to see the geometric shape of the aperture. Additionally, using an odd number of blades helps prevent diffraction effects that can cause pin-points of light to produce an unwanted "staring" effect

    Lens Design

    Aspherical Lens Technology
    Since spherical lenses refract more in the periphery than the center it is essentially impossible for an image to be sharp across the entire frame. Aspherical lenses, on the other hand, are able to maintain much more even focusing across the image area for more uniform focusing. In addition, it means less elements are required in the lens design helping make it not only sharper, but reducing the size and weight as well
    Canon Fluorite Coating
    Because glass lenses can never be totally free from chromatic aberration Canon applies a special coating, fluorite, which has an anomalous dispersion characteristic effectively reducing the aberration below what is possible with glass alone
    UD and Hi-UD Glasses
    In addition to fluorite, the use of ultra-low dispersion (UD) glass helps reduce the chromatic aberration that is a normal part of glass lenses. Additionally Hi-UD offers high refraction in addition to low dispersion to help combat spherical as well as chromatic aberration, including the aberration fluctuation normally caused by zooming
    UPC: 013803248074
  • Canon Zacuto ENG Rig for C300 Mark II

    The Zacuto ENG Rig for C300 Mark II from Canon outifts your C300 Mark II camera for ENG-style productions. It includes a custom VCT Pro baseplate with a sliding top for additional balance adjustment, the Zacuto C300 Mark II Helmet Kit, Axis Mini, and Gratical HD EVF. The ENG kit also includes a Cheesebox Counterweight, which provides a V-mount battery plate and comes with two wireless plates for mounting optional wireless receivers. The Cheesebox helps balance the camera and provides power distribution options to power the camera and Gratical HD EVF.

    C300 Mark II Helmet Kit
    Featuring the C300 Mark II Helmet, a 3" Z-Rail, and a Zacuto Recoil Top Handle, this kit provides a simple yet flexible system for handling your camera. It can be adjusted by sliding the recoil handle along the length of the 3" Z-rail to achieve comfortable operating balance. The helmet also adds multiple 1/4"-20 and 3/8"-16 threaded accessory mounting threads, while the handle adds two cold shoe mounts.
    VCT Pro Baseplate
    The Zacuto VCT Pro Baseplate features a sliding camera platform, a built-in curved shoulder pad, a V-lock tripod connector, removable and extendable 6.5" (16.5 cm) rods, and rows of 1/4"-20 mounting threads along the sides for accessories. The V-lock tripod connector offers compatibility with VCT-14 tripod adapter plates and 1/4"-20 and 3/8"-16 threads for direct connection to your tripod quick release plate.
    VCT Lens Support
    The VCT Lens Support was designed specifically for the Servo Zoom Lens in this package. It attaches directly to the VCT Pro and then to the lens, instead of mounting to support rods.
    Gratical HD EVF
    The Gratical HD uses a micro OLED panel no bigger than your thumbnail that is packed with more than 5.4 million dots to deliver 720p resolution images with true blacks. It features SDI and HDMI inputs/outputs and supports cross-conversion as well as custom LUTs on both the viewfinder's display and the downstream video. Additionally, it is packed with all the professional scopes and video assist functions you'd expect from a professional viewfinder, and offers a variety of mounting options, including an ARRI compatible rosette and 1/4"-20 threaded holes.
    Axis Mini
    The Zacuto Axis Mini is an adjustable ENG-style mount for rosette-mounted EVFs. It enables full 360° motion with four adjustment points. Designed to attach to the top of your camera set up, it leaves sufficient room at the lens area for focusing and will work even with the wider lenses. It can easily be adjusted with one hand while the rig is on your shoulder.
    Cheesebox Counterweight with V-Mount Battery Plate
    This adjustable counterweight box attaches to the back of the baseplate using two 3" long 15mm rods. It includes three counterweights and features a V-Mount battery plate with two D-Tap outputs and one LEMO connector to power the camera. The box features multiple 1/4"-20 and 3/8"-16 screw holes to mount additional accessories. It also features attachment points for Zacuto wireless plates. Two plates are included, allowing you to attach optional wireless video transmitters.
    Additional Items
    • LP-E6 to D-Tap power cable to power Gratical HD
    • D-Tap to 12-pin Hirose cable to power a Cine-Servo lens
    • 6x Cable ties
In the Box
  • Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)
  • Monitor Unit
  • Handle Unit
  • Handle Bracket
  • Expansion Unit Attachment
  • BP-A30 Battery Pack For EOS C300 Mark II
  • Battery Charger for EOS C300 Mark II Camcorder Batteries
  • CA-A10 Compact Power Adapter for EOS C300 Mark II Camcorder
  • Shoulder Strap
  • Eye Cup
  • Viewfinder Cap
  • Thumb Rest
  • TB-1 Tripod Adapter Base
  • Measure Hook
  • 2 x Cables for Monitor Unit
  • 10 x Cap Head Socket Screws
  • Allen Key
  • Limited 1-Year Warranty
Table of Contents
  • 1Description
  • Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)
    Image Sensor
    Type CMOS
    Sensor Size Super 35
    24.6 x 13.8mm effective size / 6.4 x 6.4µm pixel pitch
    Effective Pixels Approx. 8.85 Mp (4096 x 2160)
    Approx. 8.29 MP (3840 x 2160
    Total Pixels Approx. 9.84 Mp (4206 x 2340)
    Scanning System Progressive
    Filter RGB primary color filter (Bayer array)
    Processor 2 x DIGIC DV 5
    Lens System
    Lens Mount EF
    Built-In ND Filters Standard: 2, 4, 6 Stops
    Expanded: 2, 4, 6, 8, 10 Stops
    Exposure and Metering
    Exposure Modes Manual
    Gain Normal: -2 dB to 44 dB
    Expanded: -6 to 54 dB
    ISO Range Standard: 160 to 25,600
    Expanded: 100 to 102,400
    Shutter Modes Off, Speed, Angle, Slow Shutter, Clear Scan
    Shutter Speed 59.94i/59.94p: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 - 250.70 Hz
    29.97p: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15; CS: 29.97 - 250.70 Hz
    23.98p/24p: 1/24 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.97 - 250.70 Hz
    50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 - 250.70 Hz
    25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 - 250.70 Hz
    Shutter Angle 59.94i/59.94p: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
    29.97p: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25
    23.98p/24p: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
    50i/50p: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
    25p: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25
    Focus Control
    Focus Modes Manual
    Auto
    Autofocus System Dual Pixel CMOS
    Video
    Signal System NTSC/PAL
    Compression XF AVC - H.264 in MXF wrapper
    Bit Rates Intra: 410 / 225 / 210 / 110 Mbps
    LongGOP: 50 Mbps
    LongGOP (Proxy): 35 or 24 Mbps (for proxy recording on SD cards)
    Color Space 4:2:2 (YCC) 10-bit
    4:4:4 (RGB) 12- or 10-bit*

    *Only available with 2048 x 1080 or 1920 x 1080 at 29.97p, 23.98p, 25.00p, and 24.00p
    System Frequency Selection 59.94 Hz,br> 50 Hz
    24 Hz
    Video Format XF AVC
    Video compression Formats: MPEG-4 AVC/H.264
    CFast Card
    Intraframe Recording Resolution : 4096x2160/3840x2160, 2048x1080, 1920x1080
    Signal Configuration : Y CC422/RG84 44 (10/12-bit)(Only with 2048x1080 or 1920x1080; 29.97p, 23.98p, 25p and 24p)
    LongGOP Resolution: 2048 x 1080/1920 x 1080
    Signal: YCC422 10-bit

    SD Card
    LongGOP Recording Only (Proxy)Resolution : 2048 x 1080 / 1920 x 1080
    Signal: YCC420 8-bit

    Photo: JPEGResolution : 2048 x 1080, 1920 x 1080
    Recording Media CFast Card: 2 x slots
    SD Card: 1 x slot
    Frame Rate 59.94 Hz Mode
    59.94i/p, 29.97p, 23.98p

    50 Hz Mode
    50i/p, 25p

    24 Hz Mode
    24p
    Audio
    Audio Recording Linear PCM; 2-channel; 16/24-bit; 48 kHz 4-ch
    Built-In Microphone None
    Audio Inputs 2 x XLR (auto and manual level settings), switchable between mic/line
    1 x 3.5mm microphone jack
    Channel Selection 2-channel recording
    XLR Mic Trimming -12, -6, 0, or +12 dB
    Limiter Available
    Recording Levels -∞ to +18 dB
    Phantom Power +48V
    Headphone Output Level 16 settings; volume is muted at lowest setting
    Tone 1 KHz tone available; -12, -18, or -20 dB
    Monitor
    Type Rotating color LCD
    4" (10.16 cm) diagonal
    1,230,000 dots
    Aspect Ratio 16:9
    Viewfinder
    Type 0.46" (1.32 cm) diagonal, color
    1,170,000 dots
    Angle Adjustment Up and down 60°
    Features
    White Balance Manual
    2 Custom (2000 to 15,000K)
    Daylight (5400K)
    Tungsten (3200K)
    Exposure & Focus Aids Peaking (2 types), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode

    Note: Zebra can be output via the SDI or HDMI jack (HD only)
    Playback Index Displays: Index Display, Normal, "OK Mark" Index, "Check Mark" Index, "Shot Mark" Index, Expand Index, Photo Index
    Clip Playback: Forward Search (5x, 15x, 60x), Reverse Search (5x, 15x, 60x), Forward Frame Advance, Reverse Frame Advance, Record Review, Clip Jump (Forward and Backward), Skip Playback
    Playback Functions: Inter-Media Copy (Single Clip, All Clips, Last Clip); Clip Delete (Single Clip, All Clips, Last Clip)
    Still Image Playback: Index, Single Playback, Erasure, Protect
    Color Bars Color bars compliant with SMPTE, EBU, or ARIB standards can be selected
    Inputs/Outputs
    SDI 3G-SDI: 2x BNC (output)
    HDMI Output 1 x Type A
    Genlock BNC (input only)
    Adjustment Range: -1023 to +1023
    Time Code I/O 1 x BNC
    Drop Frame (DF) and Non-Drop Frame (NDF)
    Time Code Modes: Regen, Record Run, Free Run, and External Source

    Note: Drop Frame works with NTSC modes only and is not available in 24p
    Audio Input Terminals 2 x Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) 1 x 3.5mm microphone jack
    Headphone Connector 3.5mm stereo mini-jack
    Remote 2.5mm LANC-compatible terminal
    Wi-Fi WFT terminal for compatible Wi-Fi accessory
    General
    Power Supply 14.4 VDC (battery pack), 16.7 VDC (DC input)
    Dimensions (W x H x D) Approx. 5.9 x 7.2 x 7.2" / 149 x 183 x 183 mm (without grip)
    7.5 x 7.2 x 7.4" / 19.1 x 18.3 x 18.8 cm (with grip)
    Weight Not specified by manufacturer
    Packaging Info
    Box Dimensions (LxWxH) 18.3 x 14.0 x 13.9"
  • Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 (EF Mount)
    Optics
    Focal Length 17 to 120mm
    Zoom Ratio 7x
    Maximum Relative Aperture At 17 to 91mm: T 1:2.95
    At 120mm: T 1:3.9
    Number of Aperture Blades 11
    Angle of View For 1.9:1 Super 35 (26.2 x 13.8 mm) sensor:
    At 17 mm 75.2 x 44.2°
    At 120 mm: 12.5 x 6.6°
    Minimum Object Distance (M.O.D.) 0.85 m / 2.8'
    Object Dimensions at M.O.D. For 1.9:1 Super 35 (26.2 x 13.8 mm) sensor:
    At 17 mm: 36.3 x 19.1" / 92.1 x 48.5 cm
    At 120 mm: 5 x 2.6" /12.7 x 6.7 cm
    Front Diameter 114 mm
    General
    Mount Type EF mount
    Gear Pitch Focus: 0.8 mm and 0.5 mm - dual ring design
    Iris: 0.4 mm
    Zoom: 0.5 mm
    Dimensions 6.9 x 4.9 x 10.4" / 174 x 125 x 263 mm
    Weight 6.4 lb / 2.9 kg
    Packaging Info
    Box Dimensions (LxWxH) 21.339 x 13.622 x 13.386"
  • Canon Zacuto ENG Rig for C300 Mark II
    Packaging Info
    Box Dimensions (LxWxH) 14.6 x 14.4 x 10.5"

Canon Cinema EOS C300 Mark II Zacuto ENG Package (EF Mount) Review

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