Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)

Canon Cinema EOS C300 Mark II Zacuto ENG Package (EF Mount)

Canon Cinema EOS C300 Mark II Zacuto ENG Package (EF Mount)

B&H # CAC3002EFKZ MFR # 0635C019
Canon Cinema EOS C300 Mark II Zacuto ENG Package (EF Mount)

Kit includes:


Canon Cinema EOS C300 Mark II Zacuto ENG Package (EF Mount) Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount) Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 (EF Mount) Canon Zacuto ENG Rig for C300 Mark II Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor Atomos Accessory Kit for Shogun/Ninja Inferno & Flame

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Expected availability: 4-6 months

Product Highlights

  • EOS C300 Mark II in EF Mount
  • 17 to 120mm Cine-Servo Zoom Lens
  • C300 Mark II Helmet
  • Custom VCT Baseplate
  • Lens Support
  • Gratical HD Micro OLED EVF
  • Axis Mini EVF Support
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Mount Type: EF Mount

EF Mount PL Mount

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Canon C300 Mark II Cinema overview

  • 1Description

The Canon Cinema EOS C300 Mark II Zacuto ENG Package in EF mount, provides you with the components to shoot ENG-style with the included Canon EOS C300 Mark II, Canon 17 to 120mm zoom lens. The EF-mount camera features a Super 35mm CMOS. This provides faster and more accurate autofocusing to assist users when operating with small crews.

The EF lens mount on the EOS C300 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to Full HD resolution video to CFast 1 cards using the XF-AVC codec, and H.264 format in MXF wrapper. For more flexibility to adjust your image during postproduction, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.

In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest.

The Cine-Servo 17-120mm T2.95 with EF mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team.

With a 17 to 120mm focal length, the lens features 7x zoom and has a maximum aperture of T 2.95 when set to 91mm or wider. Additionally, it features an 11 blade iris to create circular bokeh patterns as well as to reduce refraction. For ENG-style shooters, the lens drive features servo motors powering zoom, focus, and iris. The lens can be connected to the camera either using a standard 12-pin connector or will communicate directly through the lens mount when attached to compatible cameras. Three 20-pin connectors below the servo housing allow many Canon and third-party zoom, focus, and iris controllers to be connected.

The Zaacuto ENG kit allows you to use the Canon C300 Mark II and zoom lens as an ENG-style camera package. It includes a custom VCT baseplate with a sliding top for additional balance adjustment, the Zacuto C300 Mark II helmet, Axis Mini and Gratical HD EVF. The ENG kit also includes a Cheesebox Counterweight, which provides a v-mount battery plate, and allows you to attach the two included wireless plates for mounting optional wireless receivers. The Cheesebox helps balance the camera and provides power distribution options to power the camera and Gratical HD EVF.

  • Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)

    The EF-mount Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF features a Super 35mm CMOS. This provides faster and more accurate autofocusing to assist users when operating with small crews. Canon's Log 3 Gamma supports 14 stops of dynamic range.

    The EF lens mount on the EOS C300 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to 4K DCI resolution video to CFast 2.0 cards. For more flexibility to adjust your image during postproduction, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.

    In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest.

    Firmware v.1.0.4.1.00
    Firmware v.1.0.4.1.00 adds the following features:
    • Canon Log 3 achieves a dynamic range of 1600% with 14 stops of dynamic range, and can be ideal for middle end users that have a limited budget for post-production, and need quick turnaround.
    • A reduction in the dark noise level when shooting in Canon Log 2 mode. Streaking and black sun spots have been reduced in all modes by changing the CMOS sensor control.
    • ACES 1.0 Output via SDI/HDMI
    • Magnify Function During REC
    • Additional lens functionality is now available with the Cine -Servo 50 to 1000mm, Cine-Servo 17 to 120mm, Compact-Servo 18 to 80mm, and Dual Pixel Focus Guide has been added to the EF mount Canon Cinema prime lenses. Please note that you may need to also upgrade the firmware in your lens to access this functionality.
    Dual Pixel CMOS AF Technology
    It provides continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.

    Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.

    Main Features

    Canon Super 35mm CMOS Sensor
    Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It features 4096 x 2160 resolution to deliver Cine 4K images, as well as supporting Ultra HD (3840 x 2160), and Full HD (1920 x 1080)
    Canon Log Gamma
    Canon Log Gamma 2/ACES/REC.2020 support
    Dual Canon DIGIC DV 5 Image Processor
    The camera features Dual DIGIC DV 5 processors to handle the internal data processing.
    XF AVC Codec
    To create digital files robust enough for major postproduction, the EOS C300 delivers the highest image quality with its XF AVC Codec - an H.264 format wrapped in the widely-supported MXF wrapper
    Designed with Filmmakers in Mind
    A logical layout of buttons and dials make operation simple. A lock switch turns off all controls except the recording button and function buttons. Small ridges between the buttons help prevent activating functions by mistake. A backlit display panel is great for low-light viewing. A tally lamp is clearly visible from the side or behind the camera.
    Compact & Modular Design
    The EOS C300 body is compact and easily handheld at just over 3 lb. There is a bright 1.55 Megapixel electronic viewfinder, and the camera comes bundled with a removable combination 4", 1.23 Megapixel monitor and control panel. The camera also has a removable handgrip with a control dial and function buttons for handheld shooting in DSLR style, or remove it and use the supplied thumb rest for completely stripped-down shooting. The EOS C300 has a manually operated built-in neutral density (ND) glass filter offering 1/4, 1/16, and 1/64th steps of filtering. Handheld or using a tripod, on location or in the studio, even on 3-D rigs, the EOS C300 fits shooting situations that are challenging for larger cameras.
    Rugged, Durable & Quiet
    The EOS C300's dust-proof and splash-proof design includes sealing gaskets around the edges of all access covers, dials fitted with o-rings on the axis of rotation, and button key-tops sealed with rubber. The EOS C300 also features a built-in silent cooling system with a heat-dissipating duct in the center of the body, a graphite sheet that conducts sensor heat towards the heat sink, three ventilation holes, and a cooling fan that pulls hot air out through an exhaust opening. All air is directed through a discrete pathway that keeps dust particles away from sensitive components. Your camera runs cool, quiet, and clean.
    Ultra-High-Resolution EVF
    The EOS C300 features a 0.46", 1.17 Megapixel color EVF and 100% field of view coverage for comfortable viewing and accurate judgment of composition, focus, and color. The angle of the viewfinder is adjustable for additional user comfort. EVF adjustments include brightness, contrast, color, and backlight (Normal or Bright).
    Rich Audio Controls
    When mounted to the EOS C300 Mark II camera, the included control unit provides two XLR audio inputs with +48V phantom power. A 3.5mm microphone terminal is also built in to the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs, as well as the mic terminal have the option for automatic, as well as full manual gain control (-Infinity to +18dB). Additionally, a 3.5mm headphone terminal with 16 volume settings offers accurate audio monitoring.
    CFast Memory Card Recording
    The camera records to CFast 1 cards through two slots.
    High-Speed, Slow-Motion, Time-Lapse & Stop-Motion
    Beyond the advantages of file-based recording, the camera offers a number of creative possibilities in post-production including Slow & Fast motion.
    Connectivity
    To connect to external monitors, switchers, VTRs, and NLE systems with SDI inputs, the EOS C300 features industry-standard HD-SDI output, genlock, and timecode terminals, plus audio terminals with linear PCM recording. Timecode and genlock enable synchronized multiple camera capture, perfect for multiple-camera shots, 3D acquisition, and more. The HD-SDI sync terminal can be switched to output to HD Sync, HD Y, Black Burst, and Composite.
    Full Manual Control & Focusing Aids
    The camera has a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green, and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. The Vectorscope (VS) display shows real-time hue and saturation levels. For sharp focus, the EOS C300 camera has two peaking modes and a magnified focus assist function. An Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents focus in three specific areas displayed on the camera's 4" LCD monitor. To maintain proper highlight exposure, it offers a zebra bar feature as well.
    UPC: 013803262681
  • Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 (EF Mount)

    The Cine-Servo 17-120mm T2.95 with EF mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team.

    With a 17 to 120mm focal length, the lens features 7x zoom and has a maximum aperture of T 2.95 when set to 91mm or wider. Additionally, it features an 11 blade iris to create circular bokeh patterns as well as to reduce refraction. For ENG-style shooters the lens drive features servo motors powering zoom, focus, and iris. The lens can be connected to the camera either using a standard 12-pin connector or will communicate directly through the lens mount when attached to compatible cameras. Three 20-pin connectors below the servo housing allow many Canon and third-party zoom, focus, and iris controllers to be connected.

    Broadcast-Style Shooting

    Suitable for Shoulder Mounted Camera Operation
    The CN7x17KAS S features the form factor and control layout of typical ENG lenses, and is designed to be friendly for a single camera operator to control while using the camera shoulder mounted. The zoom servo is controlled by rocker with the right hand and focus and iris can be operated manually with the left hand
    Support for Standard Broadcast Lens Controllers
    The lens is compatible with many 20-pin zoom and focus controllers, allowing the lens to be operated comfortably in a studio tripod or pedestal configuration or remotely, say while mounted on a jib or crane. Compatible controllers include the Canon FPD-400D focus control and the Canon ZSD-300D zoom control
    Variable Speed Servo
    High speed servo-driven zoom and iris is available for critical situations such as while filming sports or fast action. Meanwhile, slower speed settings are available for more expressive work. With this variability, the zoom duration can be set to last anywhere from 0.5 to 300 seconds
    Immediate System Startup
    The drive unit features a high-performance encoder so that the lens requires no initialization. This means the system can be used immediately without any delay waiting for it to boot up
    Supports Virtual Image Data Output
    Via three 20-pin connectors below the servo it is possible to connect an external system to collect 16-bit virtual image data
    Standard Broadcast 12-Pin Camera Interface Cable
    The lens features the same 12-pin camera interface for power and serial data as found on regular Canon broadcast lenses
    Broadcast Lens-Style Focus Ring
    In addition to servo zoom, focus, and iris another ENG-derived feature is the knurled focus ring, which is limited to a 180° rotation
    Angle of View Shift Suppression
    The lens features a three-group inner focus system that is designed to minimize angle of view shift (breathing) that occurs when focusing the lens to ensure stable framing even during rack focus
    Flange-Back Adjustment
    The flange back may be adjusted in the same manner as on broadcast lenses to simplify the transition between different camera systems with different flange focal distances
    Macro Function
    The zoom ring features a broadcast lens-style release allowing the lens to quickly set to macro or back again
    Fully Closing Iris
    The iris may be closed fully for setting camera black balance or other calibration procedures

    Cinema-Style Shooting

    Detachable Drive Unit
    The motor unit housing the servo motors and zoom rocker may be removed for cinema style shooting where full manual control is preferred
    Supports Super 35mm Image Sensors
    The CN7x17KAS S provides a sufficiently large image circle to cover a Super 35mm sensor
    Easier-to-Read Ring Markings
    The lens incorporates the following features designed to make the markings easier to read:
    • The focus ring markings are placed on an angled surface so that they can be seen even by an operator sitting behind the camera
    • Each ring marking is printed on both sides of a lens allowing focus-pullers or camera assistants to operate the lens from various positions. Additionally, the markings on one side of the lens have a luminous coating so that they can be read even in the dark
    • The focus ring features both metric and imperial scales (meters and feet) so that you do not have to replace the lens ring to suit users accustomed to different units of measure
    Support for Cinema Lens Accessories
    The lens is compatible with a wide array of accessories common in the cine industry, including matte boxes, follow focuses, and electronic and wireless controllers. The focus ring features both a 0.8mm pitch cine standard gear ring as well as a 0.5mm Canon pitch ring, the zoom feature a 0.5mm Canon pitch, and there is also a 0.4mm pitch iris gear
    Compatible with Lens Support
    Because of the weight of the lens it is often deemed helpful or necessary to support the lens using a 15mm or 19mm rod system. This lens makes that possible by allowing you to attach a lens support
    Lens-to-Camera Metadata Transmission
    The lens communicates directly with Cinema EOS camera through the lens interface. This allows lens metadata such as zoom setting and iris to recorded in the camera. Note that a firmware update may be required for proper communications between the lens and the camera.

    In addition the lens features a standard 12-pin broadcast camera interface and can also transmit zoom, focus, and iris data to a camera or other device via this connection
    11-Blade Aperture Design
    The lens features 11 aperture blades to make lens flares and orbs causes by the bokeh effect as close to round as possible. With fewer blades it is often possible to see the geometric shape of the aperture. Additionally, using an odd number of blades helps prevent diffraction effects that can cause pin-points of light to produce an unwanted "staring" effect

    Lens Design

    Aspherical Lens Technology
    Since spherical lenses refract more in the periphery than the center it is essentially impossible for an image to be sharp across the entire frame. Aspherical lenses, on the other hand, are able to maintain much more even focusing across the image area for more uniform focusing. In addition, it means less elements are required in the lens design helping make it not only sharper, but reducing the size and weight as well
    Canon Fluorite Coating
    Because glass lenses can never be totally free from chromatic aberration Canon applies a special coating, fluorite, which has an anomalous dispersion characteristic effectively reducing the aberration below what is possible with glass alone
    UD and Hi-UD Glasses
    In addition to fluorite, the use of ultra-low dispersion (UD) glass helps reduce the chromatic aberration that is a normal part of glass lenses. Additionally Hi-UD offers high refraction in addition to low dispersion to help combat spherical as well as chromatic aberration, including the aberration fluctuation normally caused by zooming
    UPC: 013803248074
  • Canon Zacuto ENG Rig for C300 Mark II

    The Zacuto ENG Rig for C300 Mark II from Canon outifts your C300 Mark II camera for ENG-style productions. It includes a custom VCT Pro baseplate with a sliding top for additional balance adjustment, the Zacuto C300 Mark II Helmet Kit, Axis Mini, and Gratical HD EVF. The ENG kit also includes a Cheesebox Counterweight, which provides a V-mount battery plate and comes with two wireless plates for mounting optional wireless receivers. The Cheesebox helps balance the camera and provides power distribution options to power the camera and Gratical HD EVF.

    C300 Mark II Helmet Kit
    Featuring the C300 Mark II Helmet, a 3" Z-Rail, and a Zacuto Recoil Top Handle, this kit provides a simple yet flexible system for handling your camera. It can be adjusted by sliding the recoil handle along the length of the 3" Z-rail to achieve comfortable operating balance. The helmet also adds multiple 1/4"-20 and 3/8"-16 threaded accessory mounting threads, while the handle adds two cold shoe mounts.
    VCT Pro Baseplate
    The Zacuto VCT Pro Baseplate features a sliding camera platform, a built-in curved shoulder pad, a V-lock tripod connector, removable and extendable 6.5" (16.5 cm) rods, and rows of 1/4"-20 mounting threads along the sides for accessories. The V-lock tripod connector offers compatibility with VCT-14 tripod adapter plates and 1/4"-20 and 3/8"-16 threads for direct connection to your tripod quick release plate.
    VCT Lens Support
    The VCT Lens Support was designed specifically for the Servo Zoom Lens in this package. It attaches directly to the VCT Pro and then to the lens, instead of mounting to support rods.
    Gratical HD EVF
    The Gratical HD uses a micro OLED panel no bigger than your thumbnail that is packed with more than 5.4 million dots to deliver 720p resolution images with true blacks. It features SDI and HDMI inputs/outputs and supports cross-conversion as well as custom LUTs on both the viewfinder's display and the downstream video. Additionally, it is packed with all the professional scopes and video assist functions you'd expect from a professional viewfinder, and offers a variety of mounting options, including an ARRI compatible rosette and 1/4"-20 threaded holes.
    Axis Mini
    The Zacuto Axis Mini is an adjustable ENG-style mount for rosette-mounted EVFs. It enables full 360° motion with four adjustment points. Designed to attach to the top of your camera set up, it leaves sufficient room at the lens area for focusing and will work even with the wider lenses. It can easily be adjusted with one hand while the rig is on your shoulder.
    Cheesebox Counterweight with V-Mount Battery Plate
    This adjustable counterweight box attaches to the back of the baseplate using two 3" long 15mm rods. It includes three counterweights and features a V-Mount battery plate with two D-Tap outputs and one LEMO connector to power the camera. The box features multiple 1/4"-20 and 3/8"-16 screw holes to mount additional accessories. It also features attachment points for Zacuto wireless plates. Two plates are included, allowing you to attach optional wireless video transmitters.
    Additional Items
    • LP-E6 to D-Tap power cable to power Gratical HD
    • D-Tap to 12-pin Hirose cable to power a Cine-Servo lens
    • 6x Cable ties
  • Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor

    The Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.

    The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.

    In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an optional snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.

    Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-series battery plates that support battery hot swapping, enabling longer runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, and focus assist tools.

    Monitor
    • 1920 x 1200 resolution
    • 10-bit FRC monitoring processing
    • 1500 cd/m² brightness
    • AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
    • Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras
    • High Bright mode for Rec. 709 viewing
    • Supports custom 3D LUTs (.cube format)
    • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
    • UHD 4K downscale for HD monitoring
    Input/Output
    • 4K HDMI and 12G-SDI inputs/outputs
    • Four 3G-SDI inputs (or single 12G-SDI)
    • SDI/HDMI cross conversion
    • Genlock/LTC input
    • Audio breakout cable for XLR audio input
    Recording
    • UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR
    • 1080p recording up to 240 fps
    • 10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
    • 4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
    • ProRes Raw and ProRes Raw HQ
    • Record up to 5.7p30, 4Kp60, HDp240
    • Pre-roll record (HD 8 seconds, 4K 2 seconds)
    • Custom time-lapse mode
    • Ten metadata fields
    Additional Features
    • Dual Sony L-series battery slots support hot swapping for continuous power
    • Built-in armor with silicone-covered corners
    • Audio level meters and mic level adjustment
    UPC: 814164020718
  • Atomos Accessory Kit for Shogun/Ninja Inferno & Flame

    The Atomos Accessory Kit includes everything you'll need for a complete workflow with your Shogun/Ninja Inferno and Flame monitors/recorders.

    Kit Contents
    • HPRC hard flight case
    • 2.5mm female to dual 2.5mm male control cable
    • Two NP-F750 5200mAh batteries
    • Fast charger
    • USB 3.0 docking station
    • Coiled DC barrel to D-Tap cable
    • Four Master Caddy II drive caddies
    • AC power adapter
    • HDR sunhood
    UPC: 814164020749
In the Box
  • Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)
  • Monitor Unit
  • Handle Unit
  • Handle Bracket
  • Expansion Unit Attachment
  • BP-A30 Battery Pack For EOS C300 Mark II, C200, and C200B
  • Battery Charger for EOS C300 Mark II, C200, and C200B Batteries
  • CA-A10 Compact Power Adapter for EOS C300 Mark II, C200, and C200B Camcorders
  • Shoulder Strap
  • Eye Cup
  • Viewfinder Cap
  • Thumb Rest
  • TB-1 Tripod Adapter Base
  • Measure Hook
  • 2 x Cables for Monitor Unit
  • 10 x Cap Head Socket Screws
  • Allen Key
  • Limited 1-Year Warranty

Includes Free

Table of Contents
  • 1Description
  • Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)
    Image Sensor
    Image Sensor Size 24.6 x 13.8 mm (Super35)
    Sensor Type CMOS
    Sensor Resolution 4206 x 2340 (9.84 MP)
    Effective Sensor Resolution 4096 x 2160 (8.85 MP)
    Pixel Pitch 6.4 µm
    Color Filter Bayer
    Shutter Type Not Specified by Manufacturer
    ISO 160 to 25,600 (Native)
    100 to 102,400 (Expanded)
    Gain -2 to 44 dB (Native)
    -6 to 54 dB (Expanded)
    Advertised Dynamic Range Not Specified by Manufacturer
    Camera
    Lens Mount Canon EF
    Lens Communication Yes, with Autofocus Support
    Shutter Speed 1/24 to 1/2000 sec
    Shutter Angle 11.25 to 360
    Built-In ND Filter Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters
    Built-In Microphone Type None
    Recording Media 2 x CFast 2.0 Card Slots
    1 x SDXC Card Slot
    Internal Recording
    Recording Modes MXF:
    4096 x 2160p (225 to 410 MB/s) 
    3840 x 2160p (225 to 410 MB/s) 
    Audio Recording 2-Channel 24-Bit 48 kHz
    Interfaces
    Video Connectors 2 x BNC (3G-SDI) Output
    1 x HDMI Output
    Audio Connectors 2 x 3-Pin XLR Mic Level (+48 V Phantom Power) Input
    1 x 1/8" (3.5 mm) Stereo Mic Level Input
    1 x 1/8" (3.5 mm) Stereo Headphone Output
    Other I/O 1 x BNC Timecode Input
    1 x BNC Timecode Input/Output
    1 x 2.5 mm LANC Control Input
    Display
    Display Type LCD
    Screen Size 4"
    Screen Resolution 1,230,000 Dots
    EVF
    Screen Size .46"
    EVF Resolution 1,170,000 Dots
    Power
    Battery Type Canon BP-A Series
    Power Connectors 1 x 4-Pin LEMO Input
    Generalvrzctdxsctfdfwtvtutfzud
    Accessory Mount 1 x 1/4"-20 Female Thread
    1 x Cold Shoe Mount
    Tripod Mounting Thread Not Specified by Manufacturer
    Dimensions 5.9 x 7.2 x 7.2" / 149 x 183 x 183 mm (Without Grip)
    7.5 x 7.2 x 7.4" / 19.1 x 18.3 x 18.8 cm (With Grip)
    Weight Not Specified by Manufacturer
    Packaging Info
    Box Dimensions (LxWxH) 18.3 x 14.0 x 13.9"
  • Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 (EF Mount)
    Focal Length 17 - 120mm
    Lens Mount Canon EF
    Format Super35/APS-C
    Image Circle Not Specified by Manufacturer
    Maximum T-Stop T2.95 - 3.9
    Minimum T-Stop Not Specified by Manufacturer
    Diagonal Angle of View Super35: 87.2 - 14.1°
    Minimum Focus Distance from Image Plane 2.8' / 0.85 m
    Optical Design Not Specified by Manufacturer
    Iris Blades 11
    Gear MOD & Pitch Focus: 0.8 MOD / 32 Pitch
    Focus: 0.4 MOD / 64 Pitch
    Zoom: 0.5 MOD / 51 Pitch
    Front Diameter 114 mm
    Filter Thread Not Specified by Manufacturer
    Focus Scales Not Specified by Manufacturer
    Zoom Ratio 7x
    Electronic Communication Not Specified by Manufacturer
    Tripod Mounting Thread Not Specified by Manufacturer
    Dimensions (W x H) 6.9 x 4.9" / 175.3 x 124.5 mm
    Length 10.4" / 263 mm
    Weight 6.4 lb / 2.9 kg
    Packaging Info
    Box Dimensions (LxWxH) 21.339 x 13.622 x 13.386"
  • Canon Zacuto ENG Rig for C300 Mark II
    Packaging Info
    Box Dimensions (LxWxH) 14.6 x 14.4 x 10.5"
  • Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor
    Display
    Type 7.1" / 18 cm IPS capacitive touchscreen
    Resolution 1920 x 1200
    325 ppi
    Bit Depth 10-bit (8-bit plus FRC)
    Video Aspect Ratio Native: 16:9
    Brightness 1500 cd/m²
    LUT Support 3D LUT (.cube file format)
    Interface
    Inputs 1 x HDMI (2.0)
    4 x 3G-SDI Quad/Single 12G-SDI (BNC)
    1 x Genlock / LTC (BNC)
    1 x 2.5 mm LANC
    2 x XLR (included LEMO breakout cable required)
    Outputs 1 x HDMI (2.0)
    1 x 12G-SDI (BNC)
    2 x XLR (included LEMO breakout cable required)
    1 x 3.5 mm headphone jack
    Supported Video Format
    Supported Signal Input: 10- / 8-bit 4:2:2 (dependent on video source)
    Output: 10- / 8-bit 4:2:2 (dependent on video source)
    Input/Output Resolutions HDMI:
    2160p: 24/25/30/50/60
    1080p: 24/25/30/50/60/120/240
    1080i: 50/60
    720p: 50/60

    SDI:
    2160p: 24/25/30/50/60
    1080p: 24/25/30/50/60/120
    1080PsF: 24/25/30
    1080i: 50/60
    720p: 50/60
    Video Signal Conversion HDMI to SDI:
    2160p: 24/25/30/50/60
    1080p: 24/25/30/50/60/100/120/
    1080i: 50/60
    720p: 50/60

    SDI to HDMI:
    2160p: 24/25/30/50/60
    1080p: 24/25/30/50/60/100/120
    1080i: 50/60
    720p: 50/60
    Encoding Formats DCI Raw 4096 x 2160 from supported cameras (Sony FS700, Sony FS7, Canon C300 MK II, Canon C500):
    Apple ProRes Raw and ProRes Raw HQ, ProRes HQ, 422, LT
    DNxHR HQX, HQ, SQ, LB

    UHD 4K (3840 x 2160):
    Apple ProRes HQ, 422, LT
    DNxHR HQX, HQ, SQ, LB

    1920 x 1080
    Apple ProRes HQ, 422, LT
    DNxHD 220x, 220, 145, 36
    Pulldown Conversion 24/25/30PsF to 24/25/30p (2:2 pulldown)
    60i to 24p (3:2 pulldown)
    Supported Codecs Raw to ProRes/DNxHR
    Apple ProRes: Raw, Raw HQ, HQ, 422, LT
    AVID DNxHR: HQX. HQ, SQ, LB

    Frame Rates
    DCI / UHD 4K: 24/25/30/50/60p
    PsF: 30/50/60/100/120/200/240

    Video to ProRes/DNxHR
    Apple ProRes HQ, 422, LT
    AVID DNxHR HQX. HQ, SQ, LB

    Frame Rates
    DCI / UHD 4K: 24/25/30/50/60p
    PsF: 30/50/60/100/120/200/240
    Supported Audio Formats
    HDMI 2- or 8-channel, up to 24-bit (camera dependent)
    SDI Up to 12-channel, 48 kHz, up to 24-bit (camera dependent)
    Dynamic Range >90 dB
    Signal Level Maximum: +24 dBu
    Gain Maximum Analog Gain: +52 dB
    Phantom Power +48 V phantom power for XLR inputs
    Remote Operation
    HDMI Auto HDMI trigger
    Supported Protocols: Canon, Sony, Atomos Open Standard
    SDI SDI trigger camera selectable
    LANC Supports slave configuration
    Recording Media
    Supported Media 4K
    2.5" SSD

    HD High Frame Rate (50/60/120p):
    2.5" SSD
    2.5" HDD (7,200 rpm and up) for 1080p 50/60

    HD (30p and less):
    2.5" SSD
    2.5" HDD (5,400 rpm and up)

    Note: Only use media that has been approved by Atomos
    Master Caddy Dock Interface: 2.5" SATA to USB 2.0/3.0
    Supported Applications Final Cut Pro X/7+
    Avid Media Composer 5.0+
    Adobe Premiere 5.5+
    Grass Valley EDIUS 6.0+
    Sony Vegas Pro 10+
    Lightworks
    Autodesk Smoke 2015
    XML Support FCP X XML native, FCP 7 supported with conversion (Adobe compatible)
    General
    Power Requirements 6.2 to 16.8 VDC (battery or DC power input)
    Power Consumption 10 to 24 W
    Supported Battery Types 2 x Sony L-series
    Battery Life 5200 mAh: Up to 1.5 hours (monitor and record 4K)
    7800 mAh: Up to 2.2 hours (monitor and record 4K)
    Construction ABS polycarbonate
    Dimensions 8.4 x 5 x 1.8" / 21.4 x 12.7 x 4.5 cm
    Weight Without Batteries & Media: 1.4 lb / 0.65 kg
    With Batteries & Media: 2.4 lb / 1.09 kg
    Packaging Info
    Box Dimensions (LxWxH) 10.0 x 6.6 x 4.0"
  • Atomos Accessory Kit for Shogun/Ninja Inferno & Flame
    Packaging Info
    Box Dimensions (LxWxH) 15.9 x 14.1 x 7.1"

Canon C300 Mark II Cinema reviews

Cinema EOS C300 Mark II Zacuto ENG Package (EF Mount) is rated 5.0 out of 5 by 1.
Rated 5 out of 5 by from Great studio camera It's great
Date published: 2017-08-15
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