Sony PXW-FS7 II 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens

Sony PXW-FS7 II 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens

Sony PXW-FS7 II 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens

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Sony PXW-FS7 II 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens

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Expected availability: End of Jan 2017

Product Highlights

  • Super 35-Sized CMOS Sensor
  • Locking Sony E-Mount
  • Integrated Electronic Variable ND Filter
  • DCI 4K (4096 x 2160) up to 59.94p
  • UHD up to 59.94 fps, HD up to 180 fps
  • XAVC-I/L, MPEG-2, XAVC up to 600 Mb/s
  • Supports Rec. 709 and BT-2020
  • Dual XQD Memory Card Slots
  • APS-C/Super 35mm E-Mount Lens Included
  • No Focus Shift or Lens Breathing
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Style: With 18-110mm f/4 G OSS Lens

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New Item - Coming Soon

With 18-110mm f/4 G OSS Lens
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  • 1Description

This pairing of a PXW-FS7 II 4K XDCAM Super 35 Camcorder Kit with an 18-110mm Zoom Lens from Sony provides you with a camera and lens system ready for today's Super 35mm 4K single-camera productions. Well suited to cinema, documentaries, news magazines, or as the base of a kit to build upon for commercial production. A sturdy locking E-mount, which can support cinema-style zoom lenses, and an electronic variable ND filter highlight some of the camera's features. The camera supports recording of HD, UHD 4K, and DCI 4K to integrated XQD media card slots.

The included Sony 18-110mm power zoom lens covers the Super 35mm format and supports 4K resolution. It features a Sony E-mount, which allows it to mount directly on the camera without requiring an adapter. The power zoom incorporates a mechanically linked zoom ring for precise control with no motor lag, and it features separate geared focus, zoom, and iris rings for manual image control.

  • PXW-FS7 II XDCAM Super 35 Camera System

    Expanding on the original FS7, Sony's PXW-FS7 II XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.

    Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.

    The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm.

    Sensor
    The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.
    Signal Processing
    The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7 II to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied.
    Locking E-Mount
    The PXW-FS7 II is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support.

    It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.
    Electronic Variable ND
    Behind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets.

    Additionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes.
    Magnesium Construction
    The camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.
    SmartGrip
    The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment.
    Redesigned Viewfinder and Mic Holder Mount
    With the FS7 II the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.

    In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation.
    Internal Recording
    The FS7 II records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.
    Media Card Slots
    The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the FS7 II compared to the FS7, making inserting and removing media cards easier.
    Genlock and Timecode
    Genlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.
    UPC: 027242904699
  • E PZ 18-110mm f/4 G OSS Lens

    With a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up. The 18-110m focal-length range covers moderately wide to narrow angles-of-view. Sony's built-in Smooth Motion Optics leverage the internal mechanics of the lens to minimize focus breathing, focus shifting, and other anomalies that would otherwise be noticeable when adjusting the lens during recording.

    The body of the lens sports separate focus, zoom, and iris rings for complete manual control. Just pull the focus ring back and full-time manual focus is engaged. The focus ring itself has built-in cinema-standard gearing for follow-focus compatibility. Zoom functionality can be operated both manually and electronically. The zoom ring is connected to the lens mechanically, so crash-zooms can be achieved without lag. Iris operation can be done automatically, or by rotating the iris ring. By disengaging the iris click switch, manual iris adjustments can be made smoothly.

    For smaller, less robust cameras, a quick-release tripod foot is included. The foot secures towards the rear of the lens for tripod use. Alternatively, a conventional lens support can be attached near front of the lens for compatibility with rod-based lens supports. The filter thread will accept 95mm-diameter round filters and the included lens cap. A lens hood is also included for minimizing flare. The hood's shuttered design can be closed when the camera is not in use.

    Smooth Motion Optics
    Sony's SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on image quality. Focus breathing is minimized by an internal focus mechanism, focus shift while zooming is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design.
    Versatile Zoom Control
    In addition to a smooth servo zoom, mechanical manual zoom ensures precise control with an immediate response. The desired angle of view can be accurately reached by preventing over or undershoot due to lag. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant, regardless of focal length.
    Professional Focusing Features
    The focus ring slides back to quickly engage manual focusing. Cinema-standard MOD 0.8 gear teeth are built into the focus ring, enabling use of standard follow focuses without requiring cumbersome focus gear accessories.
    Compact Design
    The lightweight form-factor of this lens contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support as well.
    Optical SteadyShot
    Built-in Optical SteadyShot (OSS) image stabilization helps to keep recorded images stable and free of excess blur in a wide range of handheld or locked-down shooting conditions involving camera movement.
    Weather Resistance
    A dust and moisture-resistant design provides extra protection and ensures reliable operation in challenging environments and inclement weather. Shoot with confidence in light rain or windy conditions.
    Teleconverter Support
    This lens is fully compatible with Sony's separately available SEL14TC 1.4x and SEL20TC 2x teleconverters, providing extended reach while maintaining sharp images and reliable autofocus.
In the Box
Bundle Items
  • Body Cap
  • Viewfinder
  • Eyepiece
  • Grip Remote Control
  • Wireless Adaptor Bracket
  • BC-U1 Battery Charger
  • BP-U30 Lithium-Ion Battery
  • 2 x Power Cord
  • USB Cable
  • LCD Viewfinder Lens Hood
  • Limited 1-Year Warranty Parts, 90-Days Labor
  • ALC-SH148 Lens Hood
  • Front Lens Cap
  • R1EM Rear Lens Cap for E-Mount Lenses (Dark Gray)
  • Lens Case
  • Tripod Foot
  • Limited 1-Year Warranty
Table of Contents
  • 1Description
  • PXW-FS7 II XDCAM Super 35 Camera System
    Image Device Super 35mm Single-Chip Exmor CMOS
    Effective Picture Elements 17:9 4096 (H) x 2160 (V)
    16:9 3840 (H) x 2160 (V)
    Signal-to-Noise Ratio 57 dB (Y)
    Sensitivity 2000 lx, 89.9% reflectance
    T14 (3840 x 2160/23.98p mode 3200K)

    ISO Sensitivity
    ISO 2000 (S-Log3 Gamma D55 Light source)
    Minimum Illumination 0.7 lux: +18 dB,23.98p,Shutter OFF,ND Clear, f/1.4
    Signal System NTSC / PAL
    Built-in Filters Clear, 1/4, 1/16, 1/64
    LCD Monitor 3.5" / 8.8 cm
    Approx: 1.56M dots
    Speaker Monaural
    Shutter Speed 1/3 to 1/9000 of a sec
    White Balance Preset
    Memory A
    Memory B (1500K-50000K)/ATW
    Gain Selection -3, 0, 3, 6, 9, 12, 18 dB, AGC
    Gamma Curve STD
    HG
    User
    S-log3
    Shooting Formats 4K 4096 x 2160
    12-bit raw

    UHD 3840 x 2160
    10-bit 4:2:2 XAVC-I
    8-bit 4:2:0 XAVC-L

    2K 2048 x 1080
    12-bit raw

    HD 1920 x 1080
    10-bit 4:2:2 XAVC-I
    10-bit 4:2:2 XAVC-L
    MPEG2 4:2:2

    HD 1280 x 720
    MPEG2 4:2:2
    Audio Recording Format LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)
    Recording Formats XAVC-I QFHD MPEG-4 H.264/AVC
    59.94P CBG, bit rate 600 Mb/s
    50P CBG, bit rate 500 Mb/s
    29.97P CBG, bit rate 300 Mb/s
    23.98P CBG, bit rate 240 Mb/s
    25P CBG, bit rate 250 Mb/s

    XAVC-I HD MPEG-4 H.264/AVC
    59.94P VBR, maximum bit rate 222 Mb/s
    50P VBR, maximum bit rate 185 Mb/s
    59.94i VBR, maximum bit rate 111 Mb/s
    50i VBR, maximum bit rate 112 Mb/s
    29.97p VBR, maximum bit rate 111 Mb/s
    23.98p VBR, maximum bit rate 89 Mb/s
    25p VBR, maximum bit rate 112 Mb/s

    XAVC-L QFHD MPEG-4 H.264/AVC
    59.94p/50p mode: VBR, maximum bit rate 150 Mb/s
    29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s

    XAVC-L HD 50 MPEG-4 H.264/AVC
    VBR, maximum bit rate 50 Mb/s

    XAVC-L HD 35 MPEG-4 H.264/AVC
    VBR, maximum bit rate 35 Mb/s

    XAVC-L HD 25 MPEG-4 H.264/AVC
    VBR, maximum bit rate 25 Mb/s

    MPEG-2 Long GOP
    CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL

    XAVC-I QFHD 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p

    XAVC-I HD
    1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

    XAVC-L QFHD 50
    3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
    XAVC-L 35
    1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

    MPEG-2 Long GOP
    1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p 1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
    Recording Frame Rate XAVC-I QFHD
    3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p

    XAVC-I HD
    1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

    XAVC-L QFHD
    3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p

    XAVC-L HD 50
    1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

    XAVC-L 35
    1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

    XAVC-L 25
    1920 x 1080/59.94i, 50i

    MPEG-2 Long GOP MPEG HD422
    1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p
    1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
    Slow & Quick Motion Function XAVC-I mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
    XAVC-I mode 1920 x 1080: 1 to 180 frames (59.94p, 29.97p, 23.98p)
    XAVC-I mode 1920 x 1080: 1 to 150 frames (50p, 25p)
    XAVC-L mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
    XAVC-L mode 1920 x 1080: 1 to 120 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
    Maximum Recording Time XAVC-I mode QFHD 59.94p
    When using QD-G128A (128 GB): Approx. 22 minutes
    When using QD-G64A (64 GB) Approx. 11 minutes

    XAVC-I mode QFHD 50p
    When using QD-G128A (128 GB): Approx. 26 minutes
    When using QD-G64A (64 GB) Approx. 13 minutes

    XAVC-I mode QFHD 29.97p
    When using QD-G128A (128 GB): Approx. 44 minutes
    When using QD-G64A (64 GB) Approx. 22 minutes

    XAVC-I mode QFHD 23.98p
    When using QD-G128A (128 GB): Approx. 55 minutes
    When using QD-G64A (64 GB) Approx. 27 minutes

    XAVC-I mode QFHD 25p
    When using QD-G128A (128 GB): Approx. 52 minutes
    When using QD-G64A (64 GB) Approx. 26 minutes

    XAVC-I mode HD 59.94p
    When using QD-G128A (128 GB): Approx. 59 minutes
    When using QD-G64A (64 GB) Approx. 30 minutes

    XAVC-I mode HD 50p
    When using QD-G128A (128 GB): Approx. 71 minutes
    When using QD-G64A (64 GB) Approx. 35 minutes

    XAVC-I mode HD 59.94i
    When using QD-G128A (128 GB): Approx. 118 minutes
    When using QD-G64A (64 GB) Approx. 59 minutes

    XAVC-I mode HD 50i
    When using QD-G128A (128 GB): Approx. 141 minutes
    When using QD-G64A (64 GB) Approx. 70 minutes

    XAVC-I mode HD 29.97p
    When using QD-G128A (128 GB): Approx. 118 minutes
    When using QD-G64A (64 GB) Approx. 59 minutes


    XAVC-I mode HD 23.98pM/b>
    When using QD-G128A (128 GB): Approx. 147 minutes
    When using QD-G64A (64 GB) Approx. 74 minutes

    XAVC-I mode HD 25p
    When using QD-G128A (128 GB): Approx. 141 minutes
    When using QD-G64A (64 GB) Approx. 70 minutes

    XAVC-L mode QFHD 59.94p/50p
    When using QD-G128A (128 GB): Approx. 87 minutes
    When using QD-G64A (64 GB) Approx. 44 minutes

    XAVC-L mode QFHD 29.97p/23.98p/25p
    When using QD-G128A (128 GB): Approx. 131 minutes
    When using QD-G64A (64 GB) Approx. 66 minutes

    XAVC-L 50 mode
    When using QD-G128A (128 GB): Approx. 262 minutes
    When using QD-G64A (64 GB) Approx. 131 minutes

    XAVC-L 35 mode
    When using QD-G128A (128 GB): Approx. 374 minutes
    When using QD-G64A (64 GB) Approx. 187 minutes

    XAVC-L 25 mode
    When using QD-G128A (128 GB): Approx. 524 minutes
    When using QD-G64A (64 GB) Approx. 262 minutes

    MPEG HD422 mode
    When using QD-G128A (128 GB): Approx. 262 minutes
    When using QD-G64A (64 GB) Approx. 131 minutes
    Media Card Slots 2 x XQD
    1 x SD (for configuration data only)
    Input and Output Connectors Audio Input
    2 x 3-pin XLR
    Line/mic/mic +48
    Mic Reference: -40. -50. -60 dBu

    SDI Output
    2 x BNC HD/3G-SDI
    SMTPE292M/424M/425M

    HDMI 2.0
    1 x Type A

    USB
    USB device, miniB

    Headphone
    1 x Stereo mini jack
    -16 dBu 16 Ohms

    Remote
    Stereo mini jack (Φ2.5 mm)
    Accessory Shoe Multi-Interface (MI) shoe
    Power Requirement 12 VDC
    Power Consumption Approx. 19 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
    Battery Operating Time BP-U30: Approx. 1 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
    BP-U60: Approx. 2 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
    BP-U90: Approx. 3 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
    Temperature Operating: 32 to 104°F / 0 to 40°C
    Storage: -4 to 140°F / -4 to 140°C
    Dimensions (WxHxD) 6.14 x 9.41 x 9.72" / 156 x 239 x 247 mm
    Weight 4.4 lb / 2.0 kg: Body Only
    9.9 lb / 4.4 kg: Body, Viewfinder, Eyepiece, Grip Remote Control, BP-U30 Battery, SELP28135G Lens, an XQD Memory card
  • E PZ 18-110mm f/4 G OSS Lens
    Mount Sony E
    Format APS-C
    Focal Length 18-110mm
    35mm Equivalent Focal Length 27-165mm
    Lens Elements/Groups 18 / 15
    Angle of View 76° to 14° 30'
    Maximum Aperture f/4
    Minimum Aperture f/22
    Number of Aperture Blades 7
    Minimum Focus Distance AF/MF Mode Wide-Angle: 15.75" / 40 cm
    AF/MF Mode Telephoto: 37.4" / 95 cm
    Full MF Mode: 37.4" / 95 cm
    Maximum Magnification 0.122x
    Filter Diameter 95mm
    Optical Image Stabilization Yes
    Zoom Type Selectable: Mechanical or servo
    Dimensions Diameter: 4.3" / 110mm
    Length: 6.6" / 168mm
    Weight 2.4 lb / 1.1 kg (without tripod foot)

Sony PXW-FS7 II 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens Review

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