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FUJIFILM X-T4 Mirrorless Camera with 16-80mm Lens (Silver)

BH #FUXT41680S • MFR #16652908
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FUJIFILM X-T4 Mirrorless Camera with 16-80mm Lens (Silver)
Key Features
  • 26.1MP APS-C X-Trans BSI CMOS 4 Sensor
  • X-Processor 4 Image Processor
  • 5-Axis In-Body Image Stabilization
  • DCI/UHD 4K at 60 fps, Full HD at 240 fps
Addressing the needs of multimedia image-makers, the silver FUJIFILM X-T4 is a versatile mirrorless camera that blends advanced stills and video capabilities along with enhanced workflow and assistive functionality. Utilizing a proven and well-regarded APS-C-format 26.1MP X-Trans CMOS 4 sensor, the X-T4 is capable of high-resolution recording along with support for DCI/UHD 4K video at 60 fps, Full HD recording up to 240 fps, sensitivity from ISO 160-12800, and continuous shooting up to 15 fps with the mechanical shutter. The BSI design of the sensor affords reduced noise and greater overall clarity and is paired with the X-Processor 4 to achieve fast performance and improved responsiveness. The sensor's design also enables a hybrid autofocus system that combines 425 phase-detection points with a contrast-detection system for quick and accurate AF performance. Additionally, complementing all aspects of image production, the X-T4 also incorporates a 6.5 stop-effective sensor-shift image stabilization system to reduce the appearance of camera shake with almost any mounted lens.
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FUJIFILM X-T4 Overview

By B&H Photo's

Addressing the needs of multimedia image-makers, the silver FUJIFILM X-T4 is a versatile mirrorless camera that blends advanced stills and video capabilities along with enhanced workflow and assistive functionality. Utilizing a proven and well-regarded APS-C-format 26.1MP X-Trans CMOS 4 sensor, the X-T4 is capable of high-resolution recording along with support for DCI/UHD 4K video at 60 fps, Full HD recording up to 240 fps, sensitivity from ISO 160-12800, and continuous shooting up to 15 fps with the mechanical shutter. The BSI design of the sensor affords reduced noise and greater overall clarity and is paired with the X-Processor 4 to achieve fast performance and improved responsiveness. The sensor's design also enables a hybrid autofocus system that combines 425 phase-detection points with a contrast-detection system for quick and accurate AF performance. Additionally, complementing all aspects of image production, the X-T4 also incorporates a 6.5 stop-effective sensor-shift image stabilization system to reduce the appearance of camera shake with almost any mounted lens.

Beyond the sensor and processor capabilities, FUJIFILM's cameras are also beloved for their physical design, and the X-T4 has an updated design for improved handling and shooting efficiency. A large, bright 3.69m-dot electronic viewfinder can be set to a 100 fps refresh rate for notable smoothness when panning or tracking subjects. Conversely, the rear 3.0" 1.62m-dot touchscreen LCD now features a vari-angle design to suit working from high, low, and front-facing angles; or it can be closed against the body if just working with the EVF. Dual SD UHS-II memory card slots offer file-saving flexibility and the X-T4 supports the updated, high capacity NP-W235 battery that provides approximately 600 shots per charge. Additionally, built-in Wi-Fi and Bluetooth enables wireless remote camera control and image sharing to a mobile device.

FUJIFILM X-T4 Mirrorless Camera (Silver)

Addressing the needs of multimedia image-makers, the silver FUJIFILM X-T4 is a versatile mirrorless camera that blends advanced stills and video capabilities along with enhanced workflow and assistive functionality. Utilizing a proven and well-regarded APS-C-format 26.1MP X-Trans CMOS 4 sensor, the X-T4 is capable of high-resolution recording along with support for DCI/UHD 4K video at 60 fps, Full HD recording up to 240 fps, sensitivity from ISO 160-12800, and continuous shooting up to 15 fps with the mechanical shutter. The BSI design of the sensor affords reduced noise and greater overall clarity and is paired with the X-Processor 4 to achieve fast performance and improved responsiveness. The sensor's design also enables a hybrid autofocus system that combines 425 phase-detection points with a contrast-detection system for quick and accurate AF performance. Additionally, complementing all aspects of image production, the X-T4 also incorporates a 6.5 stop-effective sensor-shift image stabilization system to reduce the appearance of camera shake with almost any mounted lens.

Beyond the sensor and processor capabilities, FUJIFILM's cameras are also beloved for their physical design, and the X-T4 has an updated design for improved handling and shooting efficiency. A large, bright 3.69m-dot electronic viewfinder can be set to a 100 fps refresh rate for notable smoothness when panning or tracking subjects. Conversely, the rear 3.0" 1.62m-dot touchscreen LCD now features a vari-angle design to suit working from high, low, and front-facing angles; or it can be closed against the body if just working with the EVF. Dual SD UHS-II memory card slots offer file-saving flexibility and the X-T4 supports the updated, high capacity NP-W235 battery that provides approximately 600 shots per charge. Additionally, built-in Wi-Fi and Bluetooth enables wireless remote camera control and image sharing to a mobile device.

26.1MP APS-C X-Trans BSI CMOS 4 Sensor and X-Processor 4
Revolving around a highly versatile sensor, the X-T4 features an APS-C-format 26.1MP X-Trans CMOS 4 sensor, which has a back-illuminated design to afford smooth tonal rendering, improved low-light performance, and a wide native sensitivity range of ISO 160-12800. As an X-Trans sensor, it utilizes a randomized pixel array, too, which provides a high degree of image quality and sharpness due to the omission of an optical low-pass filter. Versus conventional pixel patterns, the X-Trans design more closely mimics the organic nature of film in order to produce nuanced colors and tonal transitions, while also reducing moiré and aliasing.

The sensor's design also includes an expanded phase-detection autofocus system, which has 425 selectable points that cover nearly the entire sensor area. This AF system delivers faster, more accurate focusing performance in a variety of lighting conditions down to -6 EV. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, which has a quad-core CPU, and delivers faster, more responsive performance throughout the camera system, including a full-resolution 15 fps shooting rate with the mechanical shutter, 20 fps rate with an electronic shutter, or a 30 fps rate with an electronic shutter and a 1.25x crop.
In-Body Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 6.5 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, 4-axis digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
UHD and DCI 4K Video Recording
Expanding its capabilities beyond stills, the X-T4 offers a versatile array of video capabilities, including internal DCI/UHD 4K recording at up to 60 fps and Full HD recording up to 240 fps for ultra slow-motion playback. Greatly benefitting overall video performance, the speed of the X-Processor 4 enables fast read speeds when recording video and helps to reduce rolling shutter distortion when filming moving subjects. Also, a micro-HDMI port enables 10-bit 4:2:2 recording to an optional external recorder.

In addition to the supported 10-bit color depth, the X-T4 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness.

Also, the camera features a 3.5mm microphone jack and 2.5mm remote port with included headphone adapter for more advanced audio solutions.
Body Design
  • Bright, high-resolution 3.69m-dot OLED electronic viewfinder has a 0.75x magnification and the EVF's refresh rate can be pushed to 100 fps to reduce lag for smoother panning and tracking movements.
  • Vari-angle 3.0" 1.62m-dot LCD has a touchscreen design for intuitive operation and playback, and the articulating design greatly benefits working from high and low shooting angles. This vari-angle design also means you can close the screen against the camera body, hiding it from view for distraction-free shooting.
  • The top plate incorporates a series of locking dials and levers for fast, intuitive control over exposure settings, including dedicated shutter speed, ISO, and exposure compensation dials that offer direct settings adjustment, even when the camera is off. This exposure compensation dial also has a C position to afford an expanded +/- 5 EV range when working with the command dials.
  • Front and rear command dials integrate a push function for easier use and settings selection.
  • Rear joystick is available for intuitive selecting and switching of AF points as well as menu navigation and image playback.
  • Redeveloped mechanical shutter has improved durability and is rated for 300,000 actuations.
  • Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.
  • Dual SD memory card slots both support up to the UHS-II standard for fast and flexible file storage.
  • Included NP-W235 battery provides approximately 600 frames per charge when working with the EVF.
Film Simulation Modes
    Taking advantage of FUJIFILM's vast history in traditional film-based photography, the X-T4 integrates several Film Simulation modes, which mimic the look and feel of some of FUJIFILM's classic film types:

    • Provia: The standard contrast and normal saturation color transparency film
    • Velvia: High contrast, high color saturation, and vivid color transparency film
    • Astia: Subdued contrast and color saturation with a look that is ideal for portraits
    • Classic Chrome: Delivers muted tones and deep color reproduction, similar to a dated slide film
    • Classic Neg: Muted contrast but vibrant colors with a vintage filmic feel
    • PRO Neg—Available with both Hi and Std. contrast options, this mimics the punchy-but-natural feeling of their professional-grade color negative film
    • Eterna: For a cinematic look, this provides a flat color, low saturation look well-suited to post-production color grading
    • Eterna Bleach Bypass: Refines the standard Eterna look with a higher key, higher contrast feeling while maintaining the overall desaturated look
    • Acros: Based on the popular B&W film, this monochrome mode has a distinct tonality and graininess and can be used along with Yellow, Red, and Green contrast filter effects
    • B&W: Straightforward and classic black and white effect with Yellow, Red, and Green contrast filter options
    • Sepia: Everyone's favorite old-timey look mimicking the popular alternative process

    In addition to simulating specific film types, a Grain Effect mode is also available to replicate the look of old film photos with an organic textured appearance, which is especially noticeable when printing. Color Chrome and Color Chrome Blue effects are also available to deepen color, tonal response, and gradation with higher saturation colors.
FUJIFILM XF 16-80mm f/4 R OIS WR Lens

Well-suited for a wide variety of shooting situations, the FUJIFILM XF 16-80mm f/4 R OIS WR is a versatile 24-120mm-equivalent zoom, spanning wide-angle to medium-telephoto, and featuring a constant f/4 maximum aperture. Complementing this flexible design is an advanced optical layout, which includes a trio of aspherical elements and one ED aspherical element that help to minimize a variety of aberrations in order to produce high sharpness and clarity. A Super EBC coating also improves contrast and color neutrality by reducing flare and ghosting when working in strong lighting conditions. Also benefitting use in a variety of situations is a quick and quiet autofocus system along with a six stop-effective image stabilization system that minimizes the appearance of camera shake. Additionally, the lens is fully weather-sealed for working in inclement conditions.

Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 24-120mm equivalent focal length range.
One extra-low dispersion aspherical element is used greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.
Three aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.
A Super EBC (Electron Beam Coating) coating has been applied to the entire surface of each element to for controlling ghosting and flare for greater contrast and color accuracy.
Quick and quiet autofocus performance benefits both stills and video applications.
An advanced Optical Image Stabilization system minimizes the appearance of camera shake by up to six stops to enable sharper imaging when working with longer focal lengths or slower shutter speeds.
Weather-sealed lens body protects against dust and moisture, and to enable worry-free use in inclement conditions and freezing temperatures as low as 14°F.
Rounded nine-blade diaphragm contributes to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.
UPC: 074101200850

FUJIFILM X-T4 Specs

Key Specs
Lens Mount
FUJIFILM X
Sensor Resolution
Effective: 26.1 Megapixel (6240 x 4160)
Image Stabilization
Sensor-Shift, 5-Axis
Continuous Shooting
Mechanical Shutter
Up to 15 fps at 26.1 MP for up to 38 Frames (Raw) / 110 Frames (JPEG)
Up to 10 fps at 26.1 MP for up to 44 Frames (Raw) / 164 Frames (JPEG)
Up to 8 fps at 26.1 MP for up to 49 Frames (Raw) / 200 Frames (JPEG)
Electronic Shutter
Up to 20 fps at 26.1 MP for up to 36 Frames (Raw) / 79 Frames (JPEG)
Up to 30 fps at 20.9 MP for up to 35 Frames (Raw) / 60 Frames (JPEG)
Up to 20 fps at 20.9 MP for up to 37 Frames (Raw) / 114 Frames (JPEG)
Up to 10 fps at 20.9 MP for up to 48 Frames (Raw) / 500 Frames (JPEG)
Internal Recording Modes
H.264/H.265/MOV 10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 400 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94/100//240 fps [50 to 200 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
External Recording Modes
10-Bit via HDMI
DCI 4K (4096 x 2160)
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Wireless
Wi-Fi, Bluetooth
Display Type
Articulating Touchscreen LCD
Battery
1x NP-W235 Rechargeable, 7.2 VDC, 2200 mAh
 • Approx. 600 Shots
Imaging
Lens Mount
FUJIFILM X
Sensor Resolution
Effective: 26.1 Megapixel (6240 x 4160)
Sensor Type
23.5 x 15.6 mm (APS-C) CMOS
Crop Factor
1.5x
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Mechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter Speed
Mechanical Shutter
1/8000 to 900 Seconds in Manual Mode
1/8000 to 900 Seconds in Shutter Priority Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 4 Seconds in Program Mode
Up to 60 Minutes
Electronic Shutter
1/32000 to 900 Seconds in Manual Mode
1/32000 to 900 Seconds in Shutter Priority Mode
1/32000 to 30 Seconds in Aperture Priority Mode
1/32000 to 4 Seconds in Program Mode
Fixed 1 Second
Electronic Front Curtain Shutter
1/8000 to 900 Seconds in Manual Mode
1/8000 to 900 Seconds in Shutter Priority Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 4 Seconds in Program Mode
Up to 60 Minutes
Electronic Shutter
1/8000 to 1/4 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
ISO Sensitivity Range
Photo
160 to 12,800 in Auto Mode (Extended: 80 to 51,200)
Video
160 to 12,800 in Auto Mode (Extended: 160 to 25,600)
Metering Method
Average, Center-Weighted Average, Multiple, Spot
Exposure Modes
Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3 EV Steps)
White Balance
Presets: Auto, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Mechanical Shutter
Up to 15 fps at 26.1 MP for up to 38 Frames (Raw) / 110 Frames (JPEG)
Up to 10 fps at 26.1 MP for up to 44 Frames (Raw) / 164 Frames (JPEG)
Up to 8 fps at 26.1 MP for up to 49 Frames (Raw) / 200 Frames (JPEG)
Electronic Shutter
Up to 20 fps at 26.1 MP for up to 36 Frames (Raw) / 79 Frames (JPEG)
Up to 30 fps at 20.9 MP for up to 35 Frames (Raw) / 60 Frames (JPEG)
Up to 20 fps at 20.9 MP for up to 37 Frames (Raw) / 114 Frames (JPEG)
Up to 10 fps at 20.9 MP for up to 48 Frames (Raw) / 500 Frames (JPEG)
Interval Recording
Yes
Self-Timer
2/10-Second Delay
Still Image Capture
Image Sizes
3:2 Raw / TIFF
6240 x 4160
3:2
6240 x 4160
4416 x 2944
3120 x 2080
16:9
6240 x 3512
4416 x 2488
3120 x 1760
1:1
4160 x 4160
2944 x 2944
2080 x 2080
Aspect Ratio
1:1, 3:2, 16:9
Image File Format
JPEG, Raw, TIFF
Bit Depth
16-Bit
Internal Recording Modes
H.264/H.265/MOV 10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 400 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94/100//240 fps [50 to 200 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
External Recording Modes
10-Bit via HDMI
DCI 4K (4096 x 2160)
Recording Limit
Up to 30 Minutes
Broadcast Output
NTSC/PAL
IP Streaming
No
Built-In Microphone
Stereo
Audio Recording
AAC Audio
2-Channel LPCM Audio
Interface
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1x Micro-HDMI Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1x USB-C Input/Output
Other I/O
1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
1x PC Sync Socket Output
Wireless
Wi-Fi, Bluetooth
Global Positioning (GPS, GLONASS, etc.)
No
Monitor
Display Size
3.0"
Resolution
1,620,000 Dot
Display Type
Articulating Touchscreen LCD
Viewfinder
Type
Built-In Electronic (OLED)
Size
0.5"
Resolution
3,690,000 Dot
Eye Point
23 mm
Coverage
100%
Magnification
Approx. 0.75x
Diopter Adjustment
-4 to +2
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 425
Flash
Built-In Flash/Light
No
Flash Modes
Commander, Manual, Off, Slow Sync, TTL Auto
Maximum Sync Speed
1/250 Second
Dedicated Flash System
TTL
External Flash Connection
PC Terminal
Environmental
Operating Temperature
14 to 104°F / -10 to 40°C
Operating Humidity
10 to 80%
General
Battery
1x NP-W235 Rechargeable, 7.2 VDC, 2200 mAh
 • Approx. 600 Shots
Tripod Mounting Thread
1x 1/4"-20 Female (Bottom)
Accessory Mounting Thread
1x
Dimensions (W x H x D)
5.3 x 3.65 x 2.51" / 134.6 x 92.8 x 63.8 mm
Weight
1.16 lb / 526 g (Body Only)
Packaging Info
Package Weight
3.545 lb
Box Dimensions (LxWxH)
8.3 x 6.7 x 5.7"

FUJIFILM X-T4 Specs

Key Specs
Focal Length
16 to 80mm (35mm Equivalent: 24 to 120mm)
Maximum Aperture
f/4
Lens Mount
FUJIFILM X
Lens Format Coverage
APS-C
Focus Type
Autofocus
Image Stabilization
Yes
Filter Size
72 mm (Front)
Maximum Aperture
f/4
Minimum Aperture
f/22
Lens Mount
FUJIFILM X
Lens Format Coverage
APS-C
Angle of View
83.2° to 20.1°
Minimum Focus Distance
1.15' / 35 cm
Maximum Magnification
0.25x
Optical Design
16 Elements in 12 Groups
Diaphragm Blades
9, Rounded
Focus Type
Autofocus
Image Stabilization
Yes
Filter Size
72 mm (Front)
Dimensions (ø x L)
3.08 x 3.5" / 78.3 x 88.9 mm
Length at Maximum Extension
5.16" / 131 mm
Weight
15.52 oz / 440 g
Packaging Info
Package Weight
1.9 lb
Box Dimensions (LxWxH)
8.3 x 5.6 x 5.5"

FUJIFILM X-T4 Reviews

The Very Good, The Somewhat Bad and The Really Ugly

By Gary
Rated 4 out of 5
Date: 2023-01-12

I have had my Fujifilm X-T4 for several months now and wanted to give my impressions of the camera both positive and negative. High points for me are the in-body stabilization and the large eye-level viewfinder. The main low point is the so called, fully articulated monitor screen. I love the in-body stabilization. At first I did not realize that when using lenses that have in-lens stabilization, you have to turn the switch (on the lens), to the on position for the in-body stabilization to function. Some how the two work together I guess. It is really helpful to have in-body stabilization for lenses that do not have it built-in. Also it's great for hand held video shooting. Either way, it works well and it is a welcomed feature. The other feature of this camera I really like is the large eye-level viewfinder. It reminds me of the viewfinders in my old Nikon (FM and FE) film cameras, big and bright. I have never understood why cameras like my Nikon D750 have such small viewfinders. The full frame D750 viewfinder is like looking through a tunnel compared to the viewfinder of the APS-C Fujifilm X-T4. Other features of the X-T4 that I like are the old school layout of the controls and that the camera is just the right size and weight for me. I don't feel that the Fujifilm X-T4 focuses as quickly or as positively as my Nikon D750. It's not something I have tested side by side, it's just a feeling I have when using one or the other. I am not sure why this is, but no camera I have had since my Nikon D700 handles highlights and contrast as well as that camera did. Maybe it was the fact that camera was full frame and only 12 MP. I never had to worry about blown out highlights with the D700. I got that camera in 2007 and for the first four years I was shooting jpegs before switching to RAW, and I always got great results. I used that camera for at least 10 years. With my Nikon D750, my Fujifilm X-T20, and now the Fujifilm X-T4, high contrast scenes can be a problem. Of course they are all 24 or 26MP cameras. Who knows, maybe the larger pixels on the sensor of the D700 really were an advantage. With the newer cameras I have to always make sure that I am exposing for the highlights and let the shadows fall where ever they may. I can fix shadows in Lightroom, but if an area is blown out, it cannot be recovered. It's just like it was when shooting slide film. So now for my biggest gripe about the Fujifilm X-T4. It is the so called fully articulated monitor screen. In three words, I hate it. Both of my other currently owned digital cameras, the Fujifilm X-T20 and my Nikon D750, have monitor screens that tilt out from the top or bottom. Using the X-T20 pull out screen is a pleasure. If I shoot low, the screen is easy to quickly pull out from the bottom and because it is in-line with the lens, framing is a breeze. The same goes for shooting overhead. The D750 doesn't have the continuously on live-view like the mirrorless cameras, but I can quickly shoot a couple of frames and easily line the camera up with my subject. (Yes, the D750 has does have a live-view mode, but it's slow and clunky to use when taking still photos). With the X-T4's fully articulated monitor screen you have to swing it around, then twist it over, and then manipulate your camera strap out of the way. Lining up with your subject is also not as easy because the monitor is not in-line with the lens. So now to the so called advantage of the fully articulated monitor screen; being able to see yourself. Firstly, if you are shooting selfies, just use your iPhone on a stick. Why would you buy an expensive camera and lens to shoot selfies? Now, if you are shooting studio-style self-portraits, I can see where the fully articulated monitor screen might be beneficial. On the other hand if you are shooting videos where you need to see yourself, which I do when shooting instructional and/or music videos, the fully articulated monitor screen is nearly useless. If you serious about videos, you are going to want have a separate microphone. Well guess where the mic plugs in? It's right in front of the screen when it is in the position to see yourself. In my case, I am using microphones on stands that run through a mixer first. The audio cable and stereo plug adapter block the fully articulated monitor screen to the point it is difficult to see whether or not I am, or my instrument, or other people, are properly lined up in the frame. Plugging in headphones only makes it worse. I have included a picture below. My plan is to buy a cheap add on monitor that mounts on the hot shoe to solve that problem. If you are just using an on camera mic you will still have to plug it in on the side which will block the monitor. I have a bracket (from B&H) that I will use for mounting a mic and add-on monitor to the hot shoe at the same time. So to sum up the Fujifilm X-T4, it's a great camera, that takes great photos and videos (as long as you do not not overexpose the highlights), but the fully articulated monitor screen is a pain. After I wrote this review, Fujifilm announced the X-T5 with a tilt screen. It would seem that Fujifilm got the message.

Beautiful Piece of Kit!

By Zachary
Rated 5 out of 5
Date: 2022-12-02

A couple months back I decided to pull the trigger and hop back into crop sensor land (currently have a ff Nikon D850 and D810) as I was looking for lighter weight alternatives for those quick hikes, family stuff, etc. I never had any expectations of this camera catering to anything other than those aspects. Now that I've had it for a few months, it's safe to say that my mindset has completely changed on this front. I was so blown away by the output of this little beast that I can't stop taking it with me everywhere! And that's the beauty of it, it's so easy to take it everywhere. The sad reality is that this lil guy gets far more action than any of my ff Nikon gear. Maybe that will swing in the future or balance back out but for what this X-T4 can do, I have't found myself missing the Nikon gear all that much. It's safe to say that this bad boy has blown me away in far more ways than I would have ever thought when I first purchased it! I love the dials, the feel of it, its character, its video and image quality.....the list goes on. The simple fact of the matter is that this thing actually excites me again, it makes me want to get out there, and that's something I can't always say with some of my other gear. This just goes to show that the best camera is the one that gets you excited to get out there.....and I found that here! Amazing work, Fuji!

Moved from my X-T2 to the XT4

By Don
Rated 5 out of 5
Date: 2022-11-13

Finally made the jump and I am quite happy with the decision. For still photography probability not necessary; but I love the new dual functionality of shooting both stills and movies. Very easy to transition to the menu as it is very similar to the earlier one.

Best Stills And Video Camera In the APSC Censor Class

By donald
Rated 5 out of 5
Date: 2022-09-29

So i'm both a video guy and Still Pictures , and this camera is a true hybrid camera, hands down.. This Camera offers 4k6p or 1080p up to 250p which is insane. The Video Quality looks amazing, and shooting in FLOG is a dream. It tracts focus in video very well and holds the focus well. When i shoot people it will track faces and eyes and hold it well i never see it lose focus i can run around or run toward my subject and it never drops out of focus at all, Which is amazing.. And if i shoot 4k 60p using my external recorder (ninja v) it last longer before overheating. If i shoot 4k 60p Internal i get around 30 min before it starts to overheat. If i shoot 4k 60p Externally i get about 1 hour of shooting before it starts to overheat, this is really good performance for a camera that doesn't have a cooling fan built into it. And Also the Still Performance is amazing i can shoot sports or wildlife very quickly, this is truly an amazing camera for the money..

The digital camera I always wanted

By Ray
Rated 5 out of 5
Date: 2022-09-01

I was debating on whether to save money with the XT3 or just go with the XT4. I bit the bullet & bought the XT4. I wanted this model because I believe it's the only brand that has old school knobs for the ISO & shutter speed which is what I mostly change during photo outings so it really comes in handy. I'm sort of delving into the video world & I thought the IBIS would come in handy. I did some test footage & the stabilization is good enough for my needs. I'm just a hobbyist so I can't speak for professional people. I think this will be the last camera that I will buy for a while (unless it breaks of course).

A needed improvement over the XT-3, but...

By Rick
Rated 5 out of 5
Date: 2022-08-24

First off, the improved battery alone almost makes it worth it. Secondly, IBIS does make it worth it. My only regret is that the new rear screen is not as handy as the previous design. Unfurling the screen and moving it to the side to take a low photo (for example) inevitably ends up in a conflict with the neck strap. Hey Fuji-- I understand that the world is going to video, but not everyone is a vlogger. Let's not forget still photographers on this march to the future. B&H was, once again, showing that they are on top of this game. The XT-4 and pretty much all Fuji products was hard to get, so I had to get on a waiting list. I was notified, I bought the camera and and extra battery, and both were on my doorstep in a matter of days. That is top notch service.

I'm impressed

By Martin
Rated 5 out of 5
Date: 2023-01-09

It's been a while since I bought a new camera but this one is awesome. Have to spend some time with the manual but once you learn the menus it's Great

On a par with the X-T2

By David
Rated 3 out of 5
Date: 2023-01-09

The Fuji X-T4 borders on being an awkward mirrorless camera to use, and I've used Fujis since their X-series debuted in 2011. The X-T4, for instance, has a new style battery that's both expensive and lacks the heft of previous batteries. While Fuji claims one charge will shoot 660 images, that's only in someone's dreams. It's not the case. More realistically, the X-T4's battery will shoot nearly 100 images. Charging is awkward with a side port that clashes with operation of the rear screen. The Fuji X-T2 is far more fun to handle and shoot.

See any errors on this page? Let us know

Does the X-T4 come with a memory card?

Does the X-T4 come with a memory card?
Asked by: Marianne
A memory card is not included in the box with this camera. https://bhpho.to/2CcRcDz
Answered by: Joseph
Date published: 2020-07-06

Does the X-T4 have built-in focus stacking? ...

Does the X-T4 have built-in focus stacking? Thanks.
Asked by: Robert
Yes, they call it Focus Bracketing.
Answered by: Rob
Date published: 2020-05-28

What is the shutter life expectancy?

What is the shutter life expectancy?
Asked by: William
300,000 actuations
Answered by: Perry
Date published: 2020-05-16

What is the HS Code this item is categorized ...

What is the HS Code this item is categorized under? Also, conflicting answers for country of manufacture - is it Japan or China?
Asked by: Tharindu
While I can't answer the HS code question, The reason there are conflicting answers are because the earlier cameras were being manufactured in Japan and due to uncertainty with supply demands they switched to China. So now the all the cameras are manufactured in China.
Answered by: Stephen
Date published: 2020-07-06

Does the X-T4 have a silent mode (for taking ...

Does the X-T4 have a silent mode (for taking pictures in a classical music concert, for instance?)
Asked by: Paul
Yes, the FUJIFILM X-T4 Mirrorless Camera has a silent electronic shutter mode.
Answered by: Boyd
Date published: 2022-12-16

Can the Film Simulation Modes be used for stills ...

Can the Film Simulation Modes be used for stills and video?
Asked by: alan
Yes, you are able to apply film simulations in the X-T4 to both stills and video. The new ETERNA film simulation was also developed with video in mind, and we'd highly recommend trying it out if you are keen on experimenting with color in video!
Answered by: Jeremy
Date published: 2022-03-20

can you connect your phone to the camera to take ...

can you connect your phone to the camera to take to take photos without pressing the shutter?
Asked by: Nicholas
Yes by downloading the Fuji app to your smartphone.
Answered by: Rob
Date published: 2020-10-20

Is there crop in 4k 60fps?

Is there crop in 4k 60fps?
Asked by: Camilo
So this isa 1.18x or 1.29x crop aditional to the crop factor of the APSC sensor?
Answered by: Camilo
Date published: 2022-06-09
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