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Panasonic Lumix S5 II Mirrorless Camera

BH #PADCS5M2 • MFR #DC-S5M2BODY
Panasonic
Panasonic Lumix S5 II Mirrorless Camera
Key Features
  • 24.2MP Full-Frame CMOS Sensor
  • 6K30p 4:2:0 10-Bit Video Recording
  • C4K/4K60p 4:2:2 10-Bit Unlimited
  • 3.68m-Dot 0.78x-Magnification OLED LVF
Designed for content creators needing strong stills and video performance, the second-generation Panasonic Lumix S5 II Mirrorless Camera is equipped with a host of new features to bring your vision to life. Benefitting from a new sensor design and an updated processing engine with L2 technology, the S5 II is the first Lumix camera to offer Phase Hybrid AF for fast and precise autofocusing performance. Making full use of the 24.2MP sensor and enhanced processor, this camera records 6K video for up to 30 minutes, while unlimited 4K video capture is available as well. Optimized for video, the S5 II is also equipped with a new Active I.S. system, which supports walking shots to further enhance image stabilization while recording video.
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Panasonic S5 II Overview

  • 1Description
  • 2
  • 3
  • 4New Sensor and Processing Engine
  • 56K and 4K Video Recording
  • 6Phase Hybrid AF System
  • 7Dual I.S. 2 with Active I.S.
  • 8Body Design
  • 9Bluetooth and Wi-Fi
  • 10Other Camera Features
By B&H Photo's
Designed for content creators needing strong stills and video performance, the second-generation Panasonic Lumix S5 II Mirrorless Camera is equipped with a host of new features to bring your vision to life. Benefitting from a new sensor design and an updated processing engine with L2 technology, the S5 II is the first Lumix camera to offer Phase Hybrid AF for fast and precise autofocusing performance. Making full use of the 24.2MP sensor and enhanced processor, this camera records 6K video for up to 30 minutes, while unlimited 4K video capture is available as well. Optimized for video, the S5 II is also equipped with a new Active I.S. system, which supports walking shots to further enhance image stabilization while recording video.
New Sensor and Processing Engine
Featuring an upgraded full-frame 24.2MP CMOS sensor and an updated image processing engine with L2 technology, the S5 II's sensor incorporates a newly-developed Phase Hybrid AF system — a first for Lumix-series cameras — providing 779 phase-detection points for significantly-improved subject tracking. Balancing high sensitivity and a wide dynamic range, the sensor provides a useful ISO 100-51200 range, which can be expanded to ISO 50-204800 for working in a variety of lighting conditions. Well-equipped for action and fast-moving subjects, the S5 II also enables full-res shooting at up to 9 fps with the mechanical shutter and up to 30 fps with the electronic shutter. Additionally, the S5 II utilizes sensor-shift stabilization technology and features a High Resolution mode to capture and compile eight separate exposures to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.
6K and 4K Video Recording
In addition to stills, the S5 II sports highly capable video recording assets. Full-frame 6K30p recording with 4:2:0 10-bit color can be captured for up to 30 minutes, while unlimited video recording is possible when filming in DCI and UHD 4K60p 4:2:2 10-bit mode. The camera supports 120p video capture for videographers who want to create high-resolution slow-motion video, and RAW HDMI output is possible via an optional license upgrade. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range provides precise control of color data in post-production, as well as seamless editing with footage shot with VariCam cameras.

Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied, ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.
Phase Hybrid AF System
The S5 II is the first Lumix mirrorless camera to adopt a Phase Hybrid AF system, which offers 779 phase-detection points to provide fast and precise focusing for outstanding AF accuracy. When it comes to autofocus, dependability is the most important thing, and with Phase Detection AF you can fully supplement and track the subject in six different situations that until now had been a challenge for conventional systems to capture. Whether shooting stills or video, this means the S5 II persistently captures the intended subject in difficult scenes involving multiple people in backlit or low-light environments.
Dual I.S. 2 with Active I.S.
Offering comprehensive support for hand-held use, the S5 II incorporates a Dual I.S. 2 image stabilization system, which compensates for approximately 6.5 stops of camera shake to achieve the utmost sharpness for handheld photography. For video applications, the camera is designed with a newly-developed Active I.S. system for walking shots to further enhance image stabilization while the camera is moving and recording video.
Body Design
  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics. Additionally, this camera allows for the use of all the classic and modern Anamorphic lenses that have been in use for over 60 years.
  • A high-resolution 3.68m-dot OLED EVF offers a clear 0.78x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.
  • Large 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.
  • An 8-direction joystick and easy-to-use menu design enables quick and efficient operation.
  • A USB-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, a new full-size HDMI-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.
  • Dual SD memory card slots — both UHS-II-compatible — offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
  • An industry-first, the S5 II utilizes a built-in cooling fan to suppress the camera's internal temperature for extended or unlimited recording.
  • A robustly-built magnesium alloy body with a dust and splash-resistant design accommodates working in harsh weather conditions and trying environments.
Bluetooth and Wi-Fi
Bluetooth Low Energy (5.0) provides constant connection between your smartphone or tablet with minimal power consumption. For more robust wireless activities, IEEE 802.11b/g/n and 802.11a/n/ac support is also available for faster transmission and more fluid remote control and monitoring. Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control, wireless image transfer, and updating firmware.
Other Camera Features
  • Real-time LUT enabling color grading to be done in the camera itself
  • Live cropping allows in-frame panning and zooming while recording video
  • In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can be recorded in 65:24 and 2:1 panoramic formats
  • Color Shading Compensation corrects the bluish/reddish coloration on the periphery that may occur when older lenses are mounted
  • Compatible with Lumix Tether for remote photo and video shooting via USB
  • 4-channel 48 kHz or 96 kHz 24-bit recording with optional DMW-XLR1 XLR microphone adapter
  • In-camera USB PD battery charging with optional DMW-BTC15 Battery Charger

Panasonic S5 II Specs

Key Specs
Lens Mount
Leica L
Sensor Resolution
Actual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor
35.6 x 23.8 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
ISO Sensitivity
Photo/Video
100 to 51,200 (Extended: 50 to 204,800)
Continuous Shooting
Mechanical Shutter
Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Electronic Shutter
Up to 30 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Internal Recording Modes
H.264/H.265/MOV/MPEG-4 AVC 4:2:2/4:2:0 8/10-Bit
5952 x 3968 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5952 x 3136 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [150 to 200 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [150 to 200 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94/100 fps [20 to 150 Mb/s]
External Recording Modes
12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI (Unspecified Signal) Output
Audio I/O
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O
1 x USB-C Input/Output
Other I/O
1 x USB-C Data Input/Output (Shared with Power Input)
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 5.0
Display Type
Free-Angle Tilting Touchscreen LCD
Battery Type
1 x Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
Imaging
Lens Mount
Leica L
Sensor Resolution
Actual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor
35.6 x 23.8 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
None
Capture Type
Stills & Video
Exposure Control
Shutter Type
Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed
Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Shutter
1/8000 to 60 Seconds
Up to 60 Seconds in Bulb Mode
Bulb/Time Mode
Bulb Mode, Time Mode
ISO Sensitivity
Photo/Video
100 to 51,200 (Extended: 50 to 204,800)
Metering Method
Center-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure Modes
Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3 EV Steps)
Metering Range
0 to 18 EV
White Balance
2500 to 10,000K
Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting
Mechanical Shutter
Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Electronic Shutter
Up to 30 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Interval Recording
Yes
Self-Timer
2/10-Second Delay
Still Image Capture
Image Sizes
3:2
96 MP (12,000 x 8000) *Via In-Camera Pixel-Shift
96 MP (8496 x 5664) *Via In-Camera Pixel-Shift
24.2 MP (6000 x 4000)
24.2 MP (4272 x 2848)
24.2 MP (3024 x 2016)
4:3
96 MP (10,656 x 8000) *Via In-Camera Pixel-Shift
96 MP (7552 x 5664) *Via In-Camera Pixel-Shift
24.2 MP (5328 x 4000)
24.2 MP (3792 x 2848)
24.2 MP (2688 x 2016)
16:9
96 MP (12,000 x 6736) *Via In-Camera Pixel-Shift
96 MP (8496 x 4784) *Via In-Camera Pixel-Shift
24.2 MP (6000 x 3368)
24.2 MP (4272 x 2400)
24.2 MP (3024 x 1704)
1:1
96 MP (8000 x 8000) *Via In-Camera Pixel-Shift
96 MP (5664 x 5664) *Via In-Camera Pixel-Shift
24.2 MP (4000 x 4000)
24.2 MP (2848 x 2848)
24.2 MP (2016 x 2016)
65:24
24.2 MP (6000 x 2208)
2:1
24.2 MP (6000 x 3000)
Aspect Ratio
1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Image File Format
JPEG, Raw
Bit Depth
14-Bit
Video Capture
Internal Recording Modes
H.264/H.265/MOV/MPEG-4 AVC 4:2:2/4:2:0 8/10-Bit
5952 x 3968 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5952 x 3136 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [150 to 200 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [150 to 200 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94/100 fps [20 to 150 Mb/s]
External Recording Modes
12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
Fast-/Slow-Motion Support
Yes
Gamma Curve
Panasonic V-Gamut, V-Log
Recording Limit
None
Broadcast Output
NTSC/PAL
IP Streaming
None
Built-In Microphone Type
Stereo
Audio Recording
MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel 16-Bit 48 kHz AAC Audio
Interface
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI (Unspecified Signal) Output
Audio I/O
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O
1 x USB-C Input/Output
Other I/O
1 x USB-C Data Input/Output (Shared with Power Input)
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 5.0
Mobile App Compatible
Yes: Android & iOS
App Name: Lumix Sync
Functionality: Access Stored Files, Firmware Update, Remote Control
*As of January, 2023: Check with manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
Monitor
Display Size
3"
Resolution
1,840,000 Dot
Display Type
Free-Angle Tilting Touchscreen LCD
Viewfinder
Type
Built-In Electronic (OLED)
Resolution
3,680,000 Dot
Eye Point
21 mm
Coverage
100%
Magnification
Approx. 0.78x
Diopter Adjustment
-4 to +2
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Photo, Video
Contrast Detection, Phase Detection: 779
Autofocus Sensitivity
-6 to +18 EV
Flash
Built-In Flash/Light
No
Flash Modes
Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed
1/250 Second
Flash Compensation
-3 to +3 EV (1/3 EV Steps)
Dedicated Flash System
TTL
External Flash Connection
Shoe Mount
Environmental
Operating Temperature
32 to 104°F / 0 to 40°C
Operating Humidity
10 to 80%
General
Battery Type
1 x Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
Shoe Mount
1 x Hot Shoe
Tripod Mounting Thread
1 x 1/4"-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Dimensions (W x H x D)
5.29 x 4.03 x 3.55" / 13.44 x 10.24 x 9.02 cm (Without Protrusions)
Weight
1.45 lb / 658 g (Body Only)
1.64 lb / 744 g (With Recording Media)
Packaging Info
Package Weight
2.65 lb
Box Dimensions (LxWxH)
13.4 x 7.4 x 6.6"

Panasonic S5 II Reviews

A remarkable gem of a camera

By William
Rated 5 out of 5
Date: 2023-09-28

After much research, I decided to purchase the Lumix S5II mainly for still photography. This camera is incredible for both stills and video alike. The color science is outstanding - it produces colors very similar to Leica colors and I honestly cannot tell the difference between a Leica photo and a Lumix S5II photo. The upgraded autofocus is spectacular - fast and accurate. The menu system frustrated me at first due to the sheer amount of options, but once you dial in your preferred settings, you can set it and forget it. This is a special camera that is flying under the radar but in time it will have the respect of all. The real-time LUT feature (for video AND stills) is fantastic. The new full-size HDMI input is great. For me, it’s a perfect size camera. It’s not tiny like the great Fujifilm crop sensor cameras, but it’s not giant either. It’s a good balance of size and weight. All Lumix S lenses are the same size and weight, which means they can all utilize the same filters interchangeably. Love the thought that went into this. Lumix S5II is a truly innovative camera and the best camera in its class within this price range. It is top of the line and has new technology that almost no other camera in its class has. This camera blows Sony mirrorless cameras out of the water. At the end of the day, all that matters is how the pictures and video look, and whether your photography experience is fun or not. My photos look gorgeous and this camera has re-ignited my love for photography again. Nuff said.

Lumix S5 mk 2 is excellent (photos and videos))

By Carla
Rated 5 out of 5
Date: 2023-06-05

The Lumix S5 Mark 2 is an excellent camera for both photos and videos. I absolutely love the customizable nature of the camera, and all of the features that it offers. I came from a Sony A73 and I am in love, this is a very special camera!

Great for low light and astrophotography

By Justin
Rated 5 out of 5
Date: 2023-05-30

I received this in the mail and immediately took it on a camping trip to Crater Lake. The night was a bit hazy and I only had a 28-60mm lens, but it performed beyond what I could have expected - amazing lowlight capabilities at high ISO and 6-second exposures, far better than the Canon RP a friend next to me was using. For daytime shots, it has great color range and fidelity. It has a solid feel, relatively intuitive controls, and both LCD and in-camera viewfinder options, and it's not too heavy (although heavier than I expected, compared to the Sony alphas I've tried). I bought it as much for video as for stills, but I haven't tested it very much on video yet. The little I've done has had excellent results, and so far I don't see any downsides. Considering it's hundreds of dollars cheaper than the comparable Fujifilm X-H2 and Canon EOS R6 mark ii, it's a great deal.

Excellent Still Photo Camera

By Gary
Rated 5 out of 5
Date: 2023-05-24

I received this about one week ago. I have not had a lot of time shooting with this S5II camera. However in the time I have taken several test shots with various Leica lenses I own I have been impressed with the accuracy of the auto focus, the image stabilization and the image sharpness, contrast and color. I have used two Leica TL lenses as well as a Leica SL 35mm Summicron lens. The camera is about a half pound less weight than my SL2. I very much enjoy the reduced weight. The only negative I'd note is that the menu system is vast and at time a little overwhelming. I mostly stayed with the defaults for video. I was able to make changes to the still menus to conform to the way I like to shoot. No manual is included. However you can download the manual from Panasonic which helped. Overall I'd give a two thumbs up recommendation for this camera.

Love panasonic

By Eugenio
Rated 5 out of 5
Date: 2023-04-14

Amazing camera , autofocus was Improved a lot

Great Video Camera

By Brett
Rated 5 out of 5
Date: 2023-03-13

Been using it for some interviews I've been doing ..I really like it.. easy to use even for a noob like me

It's perfect for photo and video.

By Caoyang
Rated 5 out of 5
Date: 2023-08-14

I take photos and videos. I have 6300 and fp. But I tried the S5 of my friend and it's ability of video and color management is so good and surprised me that I ordered the S5M2 without any hesitation after I returned the S5 to my friend. The phase detection is good enough for my portrait shoot and the video shooting is fantastic! I hight recommend it to who would do same thing as me.

Now is the time to buy Panasonic. Phase Detect Autofocus!

By Joshua
Rated 5 out of 5
Date: 2023-08-09

I have been holding out on buying Panasonic since the gh6 was announced and turned out to still have the older contrast depth from defocus autofocus system. That was the only reason I didn't buy that camera. I am a Panasonic fan, having the AG-CX350 as my first true camera. When I heard about this camera with the phase detect autofocus system that got me interested. Now, that was not the only thing that got me to seriously consider this camera: the internal fan that prevents overheating was a strong number 2 reason to buy this. I have very long recording sessions and I need to depend on the camera to not overheat no matter what. Now, getting into more technical things, I like 4k60, but this camera has a crop in that mode. Problem? Perhaps, but the 14-28mm f4-5.6 lens solves that for me by going super wide so the widest is no longer 30mm with the 20-60mm lens I bought as well, it's 21mm at the widest of the 14-28 lens. I like 4k24 but 4k60 is just better for a lot of things in my opinion. Now, about 4k24, there is a 5.9k 16:9 option to record in that I use every time I want 24p footage. The HDMI out sends 2160p 16:9 out so I have that and also the internal 5.9k footage. There is also an open gate 6k 3:2 mode that I would prefer to record in, internally, but the HDMI out has that 3:2 footage inside a 16:9 container so the sides have pillar boxes. Perhaps they can fix that HDMI out to have a 16:9 crop of the 3:2 image the internal is recording. I hope that can be done. As for still images, I could not be happier with the autofocus, and I use single point for a lot of my images. But the 4k60p footage with the 14-28mm lens I got a bit after I purchased the camera just takes that one tiny worry out of the back of my mind, the crop in 4k60p, and just makes it not exist anymore. If you like 4k60p I would recommend getting that 14-28mm f4-5.6 lens instead of buying an apsc 16mm 1.4 or something from sigma, because you can also use the 14-28 in full frame mode and get some crazy cool wide footage in 5.9k and 6k in 24 and 30p. To sum up my experience with the camera, I could not be happier with everything the camera has to offer and I am extremely happy that panasonic decided to invest in the phase detect autofocus system and I highly recommend this camera for videographers everywhere, especially panasonic fans.

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