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FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL)

BH #FUGFXETERNA • MFR #16969715
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FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL)
Key Features
  • Large-Format Sensor, Variable ND
  • 4K48 4:3 Open Gate, 6.3K24 Super 35
  • 14.5-Stop Dynamic Range, Dual-Native ISO
  • Internal ProRes 422 HQ, H.265, Proxies
FUJIFILM brings its vaunted photographic history to a video-centric form with the GFX ETERNA 55 Cinema Camera. Built around a new large-format sensor that covers Open Gate and a range of additional formats, the GFX ETERNA 55's array of features is designed for exceptional video capture and seamless integration with FUJIFILM G lenses.
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FUJIFILM GFX ETERNA 55 G/PL Mount Overview

Advanced Large-Format Video Capture
FUJIFILM brings its vaunted photographic history to a video-centric form with the GFX ETERNA 55 Cinema Camera. Built around a new large-format sensor that covers Open Gate and a range of additional formats, the GFX ETERNA 55's array of features is designed for exceptional video capture and seamless integration with FUJIFILM G lenses.
Native 4:3 Aspect Ratio
Dubbed the GFX ETERNA "55" in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio provides creators with a canvas that is 1.75x greater than 4-perf Super 35.
Five Main Formats
The GFX ETERNA 55 offers five main formats that are paired to specific lens categories:

  • GF and Premista, for use with FUJIFILM lenses.
  • 35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.
  • Each of these five formats has multiple resolution selections, further expanding your capture options.
Video Formats/Resolutions
The GFX ETERNA 55 expands the GFX100 II's video recording choices with new Open Gate, Super 35, and 2.39:1 anamorphic options using a large 43.8 x 32.9mm sensor.

  • Open Gate is available in 3.8K 4:3 at rates up to 48 fps.
  • Super 35 options include 6.3K24 in 16:9, DCI 4K30/UHD 4K30 in 17:9 and 16:9, and up to 1080p60 in 17:9 and 16:9.
  • Anamorphic 2.39:1 is available in Cine 5.8K up to 30 fps, Super 35 8K24 in 2.39:1, and Super 35 4K24 in 1.2:1.
Anamorphic Ready
The GFX ETERNA's large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.
Recording Codecs
Take full advantage of the GFX ETERNA 55's large sensor and internally record video in Apple ProRes 422/HQ/LT, 4:2:2, 10-bit HEVC/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.
Custom Frame Guides
Users can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range include 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom. Customizable functions include 1-100% scaling, four line widths, and five color options.
FUJIFILM G and ARRI PL Mounts
The native FUJIFILM G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimized for this camera and features autofocus and auto iris functions, as well as geared focus, iris, and zoom rings. The included ARRI PL-mount adapter provides compatibility with an array of cine-style lenses and Cooke /i lens data where available.
Variable ND Filter
The built-in variable electronic ND filter lets you adjust your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks. This dial-control filter varies from ND 0.6 to ND 2.1, providing a range of two to seven stops in visually stepless .015 increments.
Low-Pass Filter
New to the GFX line, the included OLPF (optical low-pass filter) helps to reduce color anomalies and moiré effects, especially helpful when shooting with LED wall backgrounds.
20 Film Simulations
GFX ETERNA 55 users have access to 20 FUJIFILM film stock simulations, letting you recreate your favorite cinema looks.

  • PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE
  • PRO Neg. Hi and Std., Classic Neg., Nostalgic Neg., ETERNA/Cinema
  • ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, + R Filter, + G Filter
  • Black & White, Black & White + Ye Filter, + R Filter, + G Filter, Sepia
Cinematic Visuals
In addition to the 20 film looks, the GFX ETERNA 55 lets users create 3D LUTs for select film simulations for use with the expansive colors and dynamic range of F-Log2 C.

  • ETERNA, ETERNA BLEACH BYPASS, PROVIA/Standard
  • Velvia/Vivid, ASTIA/Soft, REALA ACE
  • Classic Chrome, Classic Neg., ACROS
Hot Swapping
An internal NP-W235 battery enables external battery hot swapping or switching to DC power input. This battery is automatically charged when the camera is attached to an external power source.
5" Monitor and Dual 3" Displays
The GFX ETERNA 55 features dual built-in 3" touchscreens with 4:3 aspect ratios and 700 cd/m² brightness. Located on both sides of the camera, these displays provide easy control access for both the operator and the A.C. The GFX ETERNA 55's external 5" touchscreen color LCD monitor provides a 16:9 aspect ratio and 2000 cd/m² brightness for daylight visibility.
Dedicated Top Handle
The included top handle features a multifunctional left-side dial that can be assigned to ND filter control or to focus, iris, or zoom control when paired with an electronically controlled lens. This handle has a sliding rail base, letting you quickly adjust your camera balance for hand-holding after a lens change, battery addition, etc.
Connectivity
Built-in Wi-Fi and Ethernet enable a range of features, including Frame.io compatibility, browser-based remote control for focus, iris, zoom, and more. BLE (Bluetooth Low Energy) will be supported using the FUJIFILM TG-BT1 tripod grip or an Atomos AirGlu Ambient device.
Expanded Audio Input
Compatibility with the TASCAM XLR microphone adapter handle lets you expand the GFX ETERNA 55's audio input options.
Additional Details
  • Grab button for capturing still photos
  • 2-pin LEMO output for powering accessories
  • SDI, HDMI, genlock, USB-C, Ethernet, and remote connectors
  • All connectors have durable caps to protect against dust and debris
  • Microphone input and headphone output
UPC: 074101213294

FUJIFILM GFX ETERNA 55 G/PL Mount Specs

Key Specs
Lens Mount
FUJIFILM G with Included ARRI PL Adapter
Image Sensor
Large Format
Effective Sensor Resolution
102 Megapixel
Image Stabilization
No
ISO/Gain Sensitivity
Dual Base: 800 / 3200
Native: 400 to 12,800 (100 to 25,600 Extended)
Max Recording Modes
H.265 ALL-Intra/MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT
Up to DCI 8K at 23.98/24.00 fps
H.265 Long GOP/MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT/XF-HEVC S Long GOP
Up to DCI 8K at 23.98/24.00 fps
Max Video Output
via SDI/BNC
Up to DCI 4K at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
4:2:2 10-Bit via HDMI
Up to 8K at 23.98/24.00 fps
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II) [2 TB Maximum / V90 or Faster Recommended]
Single Slot: CFexpress Type B [2 TB Maximum]
Mobile App Compatible
No
Battery
NP-W235, V-Mount
Imaging
Lens Mount
FUJIFILM G with Included ARRI PL Adapter
Lens Communication
Yes
Image Sensor
43.8 x 33.9 mm (Large Format) CMOS
Effective Sensor Resolution
102 Megapixel
Image Stabilization
No
Built-In ND Filter
2 to 7 Stop Electronic ND Filter
Built-In CC Filter
No
Internal Filter Holder
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Electronic Rolling Shutter
Shutter Speed
1/8000 to 1/8 Second
Shutter Angle
5.6 to 360°
ISO/Gain Sensitivity
Dual Base: 800 / 3200
Native: 400 to 12,800 (100 to 25,600 Extended)
Signal-to-Noise Ratio
Not Specified by Manufacturer
Advertised Dynamic Range
14 Stops
White Balance
Range: 2000 to 11,000K
Presets: Auto, Custom
Exposure Modes
Auto
Focus
Focus Mode
Automatic, Manual Focus
Autofocus Sensitivity
-2 to +1 EV
Video Capture
Internal Recording
H.265 ALL-Intra/MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT
8192 x 4320 at 23.98/24.00 fps (50 to 720 Mb/s)
7680 x 4320 at 23.98/24.00/25/29.97 fps (50 to 720 Mb/s)
6382 x 3590 at 23.98/24.00/25/29.97 fps (50 to 720 Mb/s)
4664 x 3380 at 23.98/24.00 fps (50 to 720 Mb/s)
4040 x 3380 at 23.98/24.00 fps (50 to 720 Mb/s)
4776 x 3184 at 23.98/24.00 fps (50 to 720 Mb/s)
8192 x 2968 at 23.98/24.00 fps (50 to 720 Mb/s)
3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps (50 to 720 Mb/s)
5440 x 2868 at 23.98/24.00/25/29.97 fps (50 to 720 Mb/s)
4776 x 2688 at 23.98/24.00/25/29.97 fps (50 to 720 Mb/s)
5824 x 2436 at 23.98/24.00/25/29.97 fps (50 to 720 Mb/s)
4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps (50 to 720 Mb/s)
3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps (50 to 720 Mb/s)
2048 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps (50 to 720 Mb/s)
1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps (50 to 720 Mb/s)

H.265 Long GOP/MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT/XF-HEVC S Long GOP
8192 x 4320 at 23.98/24.00 fps (50 to 200 Mb/s)
7680 x 4320 at 23.98/24.00/25/29.97 fps (50 to 200 Mb/s)
6382 x 3590 at 23.98/24.00/25/29.97 fps (50 to 200 Mb/s)
4664 x 3380 at 23.98/24.00 fps (50 to 200 Mb/s)
4040 x 3380 at 23.98/24.00 fps (50 to 200 Mb/s)
4776 x 3184 at 23.98/24.00 fps (50 to 200 Mb/s)
8192 x 2968 at 23.98/24.00 fps (50 to 200 Mb/s)
3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps (50 to 200 Mb/s)
5440 x 2868 at 23.98/24.00/25/29.97 fps (50 to 200 Mb/s)
4776 x 2688 at 23.98/24.00/25/29.97 fps (50 to 200 Mb/s)
5824 x 2436 at 23.98/24.00/25/29.97 fps (50 to 200 Mb/s)
4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps (50 to 200 Mb/s)
3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps (50 to 200 Mb/s)
2048 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps (50 to 200 Mb/s)
1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps (50 to 200 Mb/s)
Video Output
via SDI/BNC
4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
3680 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
2048 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps

4:2:2 10-Bit via HDMI
8192 x 4320 at 23.98/24.00 fps
7680 x 4320 at 23.98/24.00/25/29.97 fps
6382 x 3590 at 23.98/24.00/25/29.97 fps
4664 x 3380 at 23.98/24.00 fps
4040 x 3380 at 23.98/24.00 fps
4776 x 3184 at 23.98/24.00 fps
8192 x 2968 at 23.98/24.00 fps
3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps
5440 x 2868 at 23.98/24.00/25/29.97 fps
5440 x 2868 at 23.98/24.00/25/29.97 fps
4776 x 2688 at 23.98/24.00/25/29.97 fps
5824 x 2436 at 23.98/24.00/25/29.97 fps
4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
2048 x 1080 at 23.98/24.00/25/47.95/48.00/50/59.94 fps
1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
Fast-/Slow-Motion Support
Yes
Gamma Curve
FUJIFILM F-Log2, FUJIFILM F-Log2 C
Built-In Microphone
Stereo
Audio Recording
MOV: 2-Channel, 24-Bit at 48 kHz via LPCM Audio
Interface
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II) [2 TB Maximum / V90 or Faster Recommended]
Single Slot: CFexpress Type B [2 TB Maximum]
Internal Storage
No
Video I/O
1x BNC (12G-SDI) Output
1x HDMI 2.1 Output
Audio I/O
1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
1x 1/8" / 3.5 mm TRS Stereo Input
Power I/O
1x LEMO 4-Pin Input
1x LEMO 2-Pin Output
Other I/O
1x 2.5 mm Sub-Mini (Remote)
1x BNC (Timecode) Input/Output
1x BNC (Genlock)
1x 12-Pin (Lens Control)
1x RJ45 (Ethernet)
Wireless
802.11a/b/g Wi-Fi / Bluetooth LE
*Built-In
Mobile App Compatible
No
Global Positioning (GPS, GLONASS, etc.)
No
Monitor
Display Type
Primary Monitor: Included External 5" Touchscreen LCD
Secondary Monitor: Fixed 3" Touchscreen LCD
Resolution
Primary Monitor: 1920 x 1080 (6,220,000 Dot)
Secondary Monitor: 720 x 480 (1,040,000 Dot)
Power
Battery
NP-W235, V-Mount
Power Consumption
21 W
Environmental
Operating Conditions
14 to 104°F / -10 to 40°C at 10 to 80% Humidity
General
Shoe Mount
1x Intelligent Hot Shoe on Included Handle
Tripod Mount
2x 1/4"-20 Female
3x 3/8"-16 Female
Accessory Mounting Thread
4x 1/4"-20 on Included Handle
6x Anti-Twist 1/4"-20 on Camera Body
12x Anti-Twist 3/8"-16 on Camera Body
9x Anti-Twist 3/8"-16 on Included Handle
Dimensions (W x H x D)
4.4 x 5.4 x 7" / 110.8 x 138.2 x 176.8 mm
Weight
4.4 lb / 2 kg (Body Only)
Packaging Info
Package Weight
12.43 lb
Box Dimensions (LxWxH)
15.2 x 10.1 x 10"

FUJIFILM GFX ETERNA 55 G/PL Mount Reviews

I’m hoping …. XH1

By D.W.COOP
Rated 5 out of 5
Date: 2024-11-13

I’m hoping this has a built in nd filter for those sunny days! Will be trading in my xh1 for this bad boy for sure!

See any errors on this page?

What is the maximum video bit-rate?

What is the maximum video bit-rate?
Asked by: Willian
The maximum bit rate of the FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL) is 720 Mb/s.
Answered by: John W
Date published: 2025-12-10

What are the readout speeds in the different ...

What are the readout speeds in the different shooting modes?
Asked by: Samuel
The readout speeds of the FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL) range from about 20ms to 10ms across its various shooting modes. Although this camera uses the same sensor as the GFX100 II, Fujifilm has tuned the readout speeds to rival comparable cinema cameras and minimize rolling shutter artifacts.
Answered by: Kenneth C
Date published: 2025-09-16

Is there 8k at more than 24fps? What would a ...

Is there 8k at more than 24fps? What would a screen grab be in megapixels at 8k?
Asked by: Arthur Or Patricia
Yes, when shooting in 8K (7680 x 4320) with the FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL), the camera can capture in 23.98, 24.00, 25, and 29.97 fps. 8K DCI (8192 x 4320) can only be shot in 23.98 and 24.00 fps. An 8K screen grab at 7680 × 4320 with a 16:9 aspect ratio would have 33 megapixels.
Answered by: Daniel C
Date published: 2025-10-22

Does it shoot ProRes LT ?

Does it shoot ProRes LT ?
Asked by: Arvid
Yes, the UJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL) can record in ProRes 422 HQ and 422 LT internally.
Answered by: Kenneth C
Date published: 2025-10-05

Is there a pl mount adapter?

Is there a pl mount adapter?
Asked by: Tim
Currently FUJIFILM states that the FUJIFILM GFX ETERNA Cinema Camera will include a removeable PL adapter along with the native G mount on the camera.
Answered by: Tim Z
Date published: 2025-10-05

Does the unit have XLR inputs or any optional ...

Does the unit have XLR inputs or any optional audio handle or module?
Asked by: Braulio
The FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL) does not have an XLR input; you would need the TASCAM CA-XLR2d-F XLR Microphone Adapter Kit for FUJIFILM Cameras (https://bhpho.to/48ino5s) that mounts to the top handle.
Answered by: Elliot A
Date published: 2025-10-05

Does it shoot Raw?

Does it shoot Raw?
Asked by: freddy
The FUJIFILM GFX ETERNA 55 can record RAW externally.
Answered by: Nick Y
Date published: 2026-01-25
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