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Posted
Recording horns doesn't have to be hard or expensive. Join Andrew in his living room as he demonstrates the basics of recording solo horns and a 3-piece horn section at home. Starting with the humble Shure SM57 all the way up to top-shelf condenser microphones, you'll hear how all these mic types sound on a selection of woodwind and brass instruments.
0:00 - Intro
0:28 - What makes live horns so special?
1:07 - Mic Placement & Gain Levels
2:37 - Shure SM57
3:44 - Other Dynamic Mics
5:26 - Ribbon Mics
7:14 - Condenser Mics
8:44 - Tube
by Freddy Gerngross · Posted
DPA has announced the release of the new DPA 6388 CORE+, a directional feature-rich headset microphone designed for theater, broadcast, conference, and live stage/house of worship applications.
DPA Microphones 6388 CORE+
by Freddy Gerngross · Posted
Mackie has announced the latest refresh of the Thrash PA system with the release of the Mackie Thrash15v2 and 12v2 1300W powered loudspeakers. Mackie is known for offering PA systems with raw power and rugged design at an affordable price, and this revamp pulls no punches. The new Thrashv2 has some exciting new tech, including intelligent features and expanded connectivity.
The new lineup now offers Bluetooth connectivity that can pair two speakers for streaming from devices
Posted
There's no doubt that the C-800G is a legendary mic for vocals, especially for pop, R&B, and rap. But did you know that it sounds great from a wide range of sources? Join Andrew as he shows off the capabilities of Sony's flagship microphone on guitars, bass, Fender Rhodes, piano, drum room, and yeah, some vocals.
0:00 - In This Video
0:23 - Full Band Demo
1:32 - What Makes The C-800G Unique?
2:25 - Isolated Vocals
2:59 - Polar Patterns
3:22 - Isolated Acoustic Guitar
3:57 - Isolated Electric Guitar
4:35 - Isolated Fender Rhodes Suitcase
by Freddy Gerngross · Posted
If you’re looking to get into home recording, you’ll need an audio interface. They all do essentially the same thing, so what matters is the number and types of input/output (I/O) they have. In the current market, every manufacturer is looking to set themselves apart from the competition and in this guide, we’ll go over some popular and affordable series of audio interfaces we have in stock at B&H and what to look for depending on what you’re trying to accomplish. Our picks clock in under $500 for the most part so you won’t have to sweat
by Freddy Gerngross · Posted
When it comes to converting and amplifying audio, these three terms are often used interchangeably, and to make things more confusing, audio interfaces and headphone amps can have DACs built into them.
But fear not dear reader, we’ve got the info you need to make the right choice! Here’s the rundown of these categories and when to consider them:
DAC (Digital-to-Analog-Converter)
What is a DAC?
A DAC is an audio component that takes the 1s and 0s of a digital audio signal and converts it into an audible analog signal that is coherent to the
by Freddy Gerngross · Posted
In yet another entry to our 500-series guides, we’ll be discussing some of the many amazing equalizer modules for sale at B&H. In recent years, 500-series gear has exploded in popularity, and in turn, companies have been driven to offer more and more impressive and advanced modules—and with recent advancements in audio technology, the choices even include miniature recreations of legendary rack gear. So, whether you’re trying to add a standard or a superpowered 500-series EQ to your Lunchbox, read on to learn what we have in store!
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Take the guesswork out of at-home recording. Musician and B&H Social Media Video team member Andrew Swift walks you through the essential techniques for micing both acoustic and electric guitars live.
0:00 - Intro
1:03 - Recording acoustic guitar sound
12:20 - Recording with a dynamic mic
23:32 - Recording with a condenser mic
31:23 - Recording with both a large and small condenser mic
51:52 - Recording electric guitar sound
1:07:06 - Recording with a ribbon mic
1:15:21 - Recording with large condenser & ribbon mic
1:28:48 - Plugins
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Andrew takes us through ways to record both electric and acoustic upright bass at home. You'll hear how different DI boxes can subtly change the sound of the electric bass and how to mic a bass amp. For Upright bass, Andrew will share some considerations when using a DI box as well as a nifty trick to mic an upright with a Shure SM57. You'll also hear how both ribbon and condenser mics can make the upright bass sound full.
0:00 - What We're Covering Today
0:29 - How Electric Basses Work
1:03 - Using the Hi-Z/Intrument Input
2:03 - DI Boxes
by Freddy Gerngross · Posted
SSL Subsidiary Harrison Audio has released the Harrison FleX-10, a new high-performance USB/ADAT 10-in/12-out audio interface compatible with MacOS and Windows with the provided ASIO driver. The FleX-10 offers advanced features in a desktop form factor with premium circuitry, injecting analog quality harmonic saturation into anything it records.
by Freddy Gerngross · Posted
Sennheiser has announced the release of the new Spectera SKM handheld audio transceiver, which, when paired with the Spectra Base Station, can facilitate easy multi-microphone wireless connections for live music, theater, and broadcast productions. The Spectera SKM handheld
Posted
Join Gabe on a sonic tour of the Sequential Fourm. No talking, no effects, just the Fourm speaking for itself!
0:00 - A New Legend (Program 1, Factory bank 1)
0:32 - Hard Synch (Program 93, Factory bank 2)
0:45 - Mini Prophet (Program 42, Factory bank 1)
1:31 - Sawyer Vibez (Program 45, Factory bank 1)
2:00 - The Bassics (Program 3, Factory bank 1)
2:19 - EEEE PEEEE (Program 4, Factory bank 1)
2:48 - Syncing Pressure (Program 5, Factory bank 1)
3:04 - Fourmer Brass (Program 8, Factory bank 1)
3:19 - Petite Sweeper (Program 9, Factory bank 1)
by Freddy Gerngross · Posted
In the postmodern era of music production, most musicians, producers, and engineers rely on a computer running a robust Digital Audio Workstation (DAW) like Pro Tools or Ableton to be the studio centerpiece. But despite their power and convenience, sometimes creating in this environment can turn into a series of mouse clicks that eat away at the joy and magic of music production. There are times when ditching the DAW and going old school with a physical piece of hardware can unlock new potential, forcing you to develop alternative techniques
by Freddy Gerngross · Posted
Whether you record demo tracks on the road, produce podcasts at home, or collaborate with other artists in random locations, having a travel-friendly audio interface is key to staying versatile in your work. An ideal interface would be small enough to fit in a backpack, laptop bag, or satchel while supporting multiple types of I/O and USB powering. Seriously, the last thing you need is to have your ideas vanish whilst frantically searching for a free AC power outlet. Thankfully, your options are plentiful in number, and I’d like to bring your