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by Freddy Gerngross · Posted
As the democratization of music production continues to propagate, many people have been innovating new production techniques, creating entirely new genres of music, and recording literal chart-topping hits—all from the comfort of their bedrooms. But if you’re just getting started, you might soon realize that the vocal recordings you capture in your bedroom are … less than ideal.
Getting a tight and professional sound from a small bedroom is possible—but it takes planning, preparation, constant rearrangements, and maybe a few bucks here and
by Zach Kornhauser · Posted
With the ever-increasing mobility of music-production equipment, the subject of mixing and mastering on headphones becomes increasingly relevant. While there is no real substitute for mixing and mastering on tuned near- or mid-field monitors in an acoustically treated room, headphones certainly have a role to play in production. Whether for convenience, portability, noise considerations, or other reasons, here are a few ideas to keep in mind when mixing with headphones.
1. Protect your ears
When wearing headphones, recognize that because the
by Gabby Bloch · Posted
There are many factors to consider when choosing your first pair of studio monitors. And though the technical aspects of monitors can get a little complicated at times, it’s probably sufficient to understand the essentials of what a studio monitor can offer in terms of features and sound delivery. So, here’s an accessible guide to choosing the best monitors for your needs. We’ll also touch on how to best position your monitors for accuracy.
What Is a Studio Monitor?
Unlike regular speakers, which tend to have some coloration or biases in the
by Freddy Gerngross · Posted
Equalizers affect the fundamental character and quality of sound more than any other tool in audio engineering and sound design, making it perhaps the most common and useful tool in the industry. Like compressors, equalizers were originally meant to be a corrective tool, developed to increase the range of transmission for telecommunications by AT&T engineer George Ashley Campbell in the early 1900s—a few decades before John Volkman first used the technology in the method we use today while working for RCA, equalizing the audio of early
by Gabby Bloch · Posted
If you’re just starting out on your podcasting journey, it may be helpful to refer to our podcasting glossary. It provides common terminology pertaining to everything podcast related, from equipment to recording and mixing, distribution and more. We have also divided the terms into various categories to simplify your search.
Table of Contents:
Audio Terms
Podcast Equipment
Podcast Recording & Production
by Gabby Bloch · Posted
Right off the bat, we should tell you that this article is intended for podcasters who are just starting out. In this article, we’re going to stick with fundamental approaches and tips to getting a professional sounding podcast. We will also suggest great options for those with time constraints or limited audio production skills. Of course, research and practice will still be required after reading this article. But we’ll at least show you all the available tools to help you
by Gabby Bloch · Posted
If you’re in the market for a studio microphone, the first type of mic you’ll likely come across is a large-diaphragm condenser mic. These mics are often used for studio recording, especially with respect to vocals and many acoustic instruments. Why? Condenser mics are more sensitive and more accurate than dynamic microphones, making them better able to pick up nuances in tone and timbre. They also tend to provide a wider frequency response than dynamic mics can, giving them the ability to capture a broader range of sound.
How Does a Large
by Zack Young · Posted
While camera gear continues to shed weight, a similar shift has taken place amongst camera crews as well. Mid-range and lower-budget shoots that used to require at least four to eight people now frequently include a crew of just one to three, each with more responsibilities than ever before. The cinematographer often acts as their own grip, gaffer, DIT, loader, and assistant camera, while the director is also an interviewer, producer, hair and makeup, the art department, the audio mixer, and sometimes even the caterer.
While you might feel
by Gabby Bloch · Posted
Although they typically don't get as much attention as conventional dynamic and condenser microphones, ribbon mics can do a lot for your sound—especially when used wisely and for the right application. In this article, we'll be discussing the unique design and sound characteristics of this oft-forgotten mic, as well as suitable applications for its use and product recommendations.
What Is a Ribbon Microphone?
Although a ribbon mic is technically categorized as a type
by Trevor Collins · Posted
So, you’ve recorded a killer podcasting session but aren’t sure how to take it from raw to ready? We get it—there is a lot to take in. But editing is undoubtedly one of the most crucial aspects of the production process when making a podcast. We know editing a podcast can be intimidating and overwhelming at first, and that’s why B&H is here to run through some of the basics and get you producing polished, engaging, professional-sounding content.
In this article, we’ll walk through the essential techniques of trimming, adding effects
by Trevor Collins · Posted
From news and entertainment to educational and informative topics, podcasting has become an increasingly popular medium for delivering captivating content. But no matter how interesting your podcasting content is, it is always vital to ensure that the audio quality is top-notch if you want to maintain your listener’s interest and engagement.
That’s where proper microphone technique comes into play. Whether you’re a seasoned podcaster or a beginner, understanding effective mic techniques will make a huge difference in the overall quality of
by Phillip Nichol… · Posted
When considering a new gear purchase, it’s easy to get caught up in extravagant equipment and overlook things that would ease the pain of daily audio life. There are routine processes that can be simplified, common problems that can be more quickly solved, and significant sonic improvements that can be made if you have the right tools. I’d like to share six audio tools that can easily become irreplaceable pieces in your arsenal. Manufacturers such as Audioengine, dbx, Galaxy Audio, Little Labs, Phonic, Pyle Pro, Radial, Sonarworks, and Waves
by Nicholas Messitte · Posted
Let’s talk about the Tape Sync. It’s a term you may not know if you work in music or film. However, the Tape Sync is a good gig in the radio and podcast work, because it can supplement your income, especially during relatively slow weeks.
“Tape Sync” is a technical term for a remote interview. If you listen to talk radio, often you’ll hear your favorite host interview a guest. They sound like they’re sitting in the same room—but frequently, they are not. Sure, the host was in the studio, but the guest was hundreds of miles away.
How does it
by Nicholas Messitte · Posted
Podcasts. Still strong in the boom phase, it’s a good time to get in while the getting is good, and you’ll want to do whatever you can to make your podcast stand out. But here’s the thing: different types of podcasts require different ways of working. So, we here at B&H thought we’d give you a five-tip primer to get you inspired. Be sure you check out the last one—it’s the most important tip by far.
Tips for a Two-Way
A two-way is a show that typically involves one host and one guest. Pieces of gear I’d recommend for such an interview
by Nicholas Messitte · Posted
Ever had this problem? You record a demo in your DAW, plugging your acoustic guitar straight into your interface—no mic, just a DI. Then, when it comes to the actual mix, you think: can’t I somehow just use that acoustic DI track, so I don’t have to mic up my acoustic? As probably the laziest person at the B&H office, I can assure you it’s happened to me.
Though sometimes the problem is not even due to laziness: maybe you played gold in that one passage, and you can’t recreate it. Whatever the reason, you’re stuck with DI, and no idea how