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by Mathew Malwitz · Posted
The most engaging portraits seem to have direct eye contact between subject and viewer, as if the camera were simply a window through which we’re looking. But is it that simple? So much goes into making a good portrait, can success simply come down to eye contact between subject and camera and is it even necessary to concentrate on the eyes for a portrait? There are certainly wonderful portraits that do not focus exclusively on the eyes that illustrate character with other aspects of the body, from posture to hands, but as an introduction to
by Mathew Malwitz · Posted
Getting great pictures of your newborn or infant is certainly no easy task. Indeed, the window of opportunity for coaxing a perfect expression and a picturesque pose from your little bundle of joy is fleeting, at best. For parents (and others) who aspire to capture such moments, user-friendly gear, highly functional accessories, and photogenic props can make all the difference. With this in mind, here are our best recommendations to help make photo sessions with your unpredictable little darlings a success.
Pick the Right Camera for the Job
by Cory Rice · Posted
Once your portrait needs have advanced beyond what natural and available light can provide, it is time to begin exploring studio lighting. The best way to build any lighting kit is one light at a time. This allows you to grow with your setup, developing an understanding of how and when to use your lights along the way. One of the simplest creative setups to experiment with when working with your first light is low
by Cory Rice · Posted
Mastering studio lighting can feel like a Herculean feat when you’re just getting started. Like any aspect of photography, it requires patience, practice, and plenty of mistakes before it comes naturally. In an effort to shorten your learning curve, we’ve rounded up 10 common issues that beginners encounter and how to fix them.
Technical Issues
Lighting setups can be as simple or complicated as your heart desires—or your shot requires. However, before you can begin to think about how to use your lights creatively, you need to understand how
by Cory Rice · Posted
When Nicéphore Niépce invented the first permanent photographic process in the early 19th century, he named it heliographie—or, sun-writing. Nearly two hundred years later, the sun continues to provide a quality light source to photographers at a fraction of the cost of its competitors. Like any creative decision, using natural light for portraits has its pros and cons. Its popularity stems from the facts that it is free, accessible,
by Jennifer Hahn · Posted
In times of transition, such as adding an extension to your business, creating a personal brand, or, especially now, mandatory social distancing during a pandemic, it becomes necessary to connect with friends, clients, or an audience in different ways. Livestreaming video seems fairly easy at its most basic if you're talking to your Mom or a friend on your smartphone, but when, for example, a yoga teacher needs to suddenly transition their classes online or a house of worship needs to reach their congregation, a higher-quality approach may be
by Shawn C. Steiner · Posted
At its most basic, tethered shooting involves connecting your camera to your computer as you shoot. You’ve likely seen it in some behind-the-scenes video for a professional studio shoot, or you just have a friend who swears it’s the best thing since sliced bread. Tethering is a shooting technique that can benefit many a photographer’s workflow significantly, though upon first hearing of it, the idea of tethering can be something that first requires a bit of education. Hopefully, this introduction will help get you started.
Why should you
by Todd Vorenkamp · Posted
Composition noun com·po·si·tion \ˌkäm-pə-ˈzi-shən\ : the way in which something is put together or arranged : the combination of parts or elements that make up something
Welcome to the wonderful world of photographic composition! In its most general terms, photographic composition is the art of composing an image through framing. And there exists the problem. How is it that one thing that almost everyone agrees is critical to the success of a photograph is completely subjective—an art unto itself—and is sculpted by rules that everyone agrees