Search results for: photography buying guide softboxes how when to use them in studio lighting
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by Shawn C. Steiner · Posted
After you pick up your first speedlight, strobe, or LED panel, the best investment you can make is in some modifiers. These are tools that shape and alter the intensity of our light source. Modifiers come in all shapes and sizes based on the type of light you plan to use them on, which can make it difficult to pick one out if you are new to photography. Since each modifier comes with its own distinct look and ideal use, here is a
by Cory Rice · Posted
Whether you are shooting a fashion editorial, a wedding reception, or anything in between, on- and off-camera lighting can make a huge difference outdoors. Natural light is wonderful, but there are scenarios in which you simply cannot run the risk of an unexpected cloud or rapidly setting sun ruining your shot. This article introduces the gear and accessories necessary to be prepared outdoors always, no matter what
by tom kirkman · Posted
The cameras in phones keep getting better and better, while the image quality in reduced-format cameras has shown superior quality in natural light. And they all have flashes, right? Then one day it hits you—usually after buying a DSLR and a flash—“I want more light,” and “I want it when I need it, not just on nice days, but maybe in the dark and rain.” Basically, you want to create light to more accurately express your perception of the subject or for cataloging or ecommerce, for example. Of the five kits below, four of them can be used by
by Jill Waterman · Posted
As they say, a company is only as great as the people within it. The product experts at B&H exemplify this adage daily, in the personal attention they offer every customer interaction, as well as their depth of knowledge and passion for practical solutions.
“Many people don’t realize, it’s not just knowing the tech that’s important; the sales reps behind the counter get customer feedback about the items that serve people best,” explains B&H Sony Specialist Yisroel Ybgi. “So, their recommendations are not only based on what it says in a
by Richard Scali · Posted
The word “photography” literally means “to draw with light” and is a simple way of expressing how essential light is to our craft. At times, however, natural light can be a scarce commodity and thus, it falls upon the photographer to create it. Fast-forwarding through the days of flash powder and disposable bulbs, we arrive at the modern day, an exciting time for “strobists,” when a plethora of compact options exists for creating and shaping light. Below, we’ll review some of the classic, essential, and innovative accessories for the
by Daniel Wagner_1 · Posted
Always shooting with an on-camera flash is like always shooting with the sun behind your back. While this is a good way to illuminate a subject and capture an image, it may not be the best way to capture your imagination creatively. Positioning your flash off-camera, using an on-camera flash for fill with a second flash, or shooting with three or more Speedlites at the same time, is a great way to add a new level of expression and control to your photography. And, thanks to the integration of radio transmission on Canon’s latest Speedlites,
by Shawn C. Steiner · Posted
An on-camera flash, also known brand-wise as a “speedlight” or “speedlite,” is an indispensible accessory for many photographers; it provides additional light when conditions become too dark to handhold your camera comfortably, allows you to achieve more balanced exposures in daylight, permits freezing of fast-moving subjects, and can also be used to control or trigger other flash light sources. Additionally, a flash can be used as a highly effective creative tool to establish an aesthetic that elevates your imagery when lighting conditions