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by Mathew Malwitz · Posted
The bald eagle, one of the most regal birds of prey, has a secret. It’s notably one of the most difficult subjects to expose for. If we trust the camera in an automatic mode, we’re likely to get either an overly bright head, or a body that’s too dark in shadow to see. The only reliable way to capture good exposures of these birds is to expose to the right.
Mathew Malwitz
This technique is as useful as it is controversial,
by Bjorn Petersen · Posted
Using flash is one of the technical aspects of photography that’s difficult to understand, mainly because it’s something you cannot really see with your own eyes. Working with natural light, you can usually envision how your shot will turn out, and then when you become a bit more skilled, you can even envision how the effects of aperture and shutter speed will affect your images. Working with flash further complicates our visual relationship to what we’re photographing, since it’s an additional level of abstraction we’re adding to the mix
by Jill Waterman · Posted
The photographic divide between art and tech is a curious thing. In my experience writing about the field, I’ve found that when photographers gather to discuss the medium’s connection to technical or scientific concerns, shoptalk is ubiquitous, and chatter about gear flows from the lips. Yet when photographers are immersed in more of an arts-oriented environment, responses to questions about material tools become somewhat vague and ephemeral. Such was my challenge at the opening of this year’s Association of International Photography Art
by Allan Weitz · Posted
Sometimes, the phrases, acronyms and strings of numbers or number-letter combinations used to identify photographic hardware or techniques can be daunting to the uninitiated neophyte photographer.
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