Search results for: photography tips solutions darkroom basics
About 4 filtered resultsby Bjorn Petersen · Posted
Despite photography taking mainly a digital form nowadays, there is still immense value in the tactile side of photography, especially in regard to teaching photography. With education being based more in the home at the moment, it can be the perfect time to introduce someone to photography using the simplest and most basic tools. Pinholes are of the most primitive examples of photography but are also some of the most perfect tools with which to teach the basics of exposure without needing to complicate it using abstract modes, shutter speeds,
by John Harris · Posted
I love spending time with my kids, lots and lots of time. And while we are passing all of this time together, I thought I’d have a try at teaching them a little bit about photography. I don’t go into this endeavor with any illusions; they are probably going to end up teaching me.
My kids were both born well after the year 2000 and, I’d argue, that alone puts their visual acumen far ahead of what mine was at their age. Their understanding of photography as a language and their consideration of what can happen inside a frame is much more
by Allan Weitz · Posted
The practice of hand-coloring black-and-white photographs can be traced all the way back to the days of daguerreotypes, which predates Instagram creative filters by about 180-plus years. In a bid to add life to the putty-like tonality of many of the earliest print technologies, photographers would very carefully brush thin layers of color pigments mixed with gum arabic (or quicker-drying mixtures containing alcohol) onto the cheeks, hair, and outerwear of portrait sitters. With the advent of paper print processes and tintypes, the use of
by Cory Rice · Posted
In 1976, the Museum of Modern Art opened an exhibition of William Eggleston’s color photographs, a show that would be remembered as a turning point in the history of photography. The press release announcing the exhibition described a new generation of photographers whose work mobilized color in new and inventive ways:
“Unlike most of their predecessors, whose color work has been either formless or too pretty, a new generation of young photographers has begun to use color in a confident spirit of freedom and naturalness. In their work the role