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by Mathew Malwitz · Posted
As photographers, we are faced with a wide array of lighting conditions, ranging from bright sunlight to dimly lit interiors. Using ambient light as your main source is often preferable; however, in a situation such as an event or portrait where time is of the essence, you will need to know how to properly expose all these varying scenes using both natural and artificial light sources.
Being resourceful with your lighting setups lends greater efficiency, and having a lighting system you can easily move from one situation to the next quickly is
by Luke Rollins · Posted
Subject and style may vary, but consistency is a quality shared by all successful photo studios. When working indoors, that begins with lighting. Strobes remain the bread and butter of many still photography studios. Unlike natural light, which can be finicky and unpredictable; on-camera flashes, which are not typically designed for studio use; or continuous lights, which can become costly as output increases; strobes are built to withstand the rigors of studio life while providing flexible and powerful light. But with so many options on the
by Jill Waterman · Posted
In his 1997 article “The Problem with Wildlife Photography,” author and environmental activist Bill McKibben wrote, “Without Kodak there’d be no Endangered Species Act.”
While viewed by some at the time as controversial, McKibben’s point has only gained traction in the intervening years. Recent news reports abound with stories of overenthusiastic shutterbugs who do harm to themselves—or worse yet, to their intended animal subjects—when attempting selfies in the wild or trying to capture a prize-winning close-up. Fueled by the power of
by Jill Waterman · Posted
Photo education has undergone significant changes since the story Photography Student? Here Is Some Advice from Teachers was published last year at this time—changes that are no less dramatic than the process of teaching and learning as a whole. With the sudden shift from face-to-face classes to remote learning, in March 2020, teachers and students scrambled to face unique challenges and solve unforeseen
by Mary Latvis · Posted
When I’d perform a camera package checkout as a camera assistant, if there was any chance that we’d be shooting outside during the day, guess which filters I would add to the order? Neutral Density filters (aka NDs)! Even if they were not part of the original order, any production office coordinator (P.O.C.) worth their salt would approve this addition by the A.C. Read on to discover why, next to a polarizer, these are the filters most essential to your video shoot.
Shallow depth of field, daylight
ND Basics
Neutral: meaning there’s no