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by Trevor Collins · Posted
These days it often seems like everyone has a podcast. With so much competition and so many options for podcasting-centric equipment, it can be daunting to dive in headfirst without knowing the ropes. That’s where B&H comes in, with another all-encompassing guide to set you up for success and help you get your content off the ground as painlessly as possible. Let’s begin.
Why Make a Podcast?
The first topic couldn’t be simpler: Why even start a podcast? The answer is simple−because it’s the best way to get your content to the masses
by John Harris · Posted
Landscape photography is often considered the realm of the wide-angle lens, but as my editor made clear in the pitch for this article—“It isn’t all about wide-angle.” And she is right: As photographers, we tend to grab the 35mm (or wider) lens when we are inspired by our vistas. Could it be the sheer scale—the vastness of the oceans and mountains—that enchants us? And is it human folly to try to encapsulate what cannot be confined? Do we want to replicate what our natural angle of view perceives, or, perhaps, is it the distortion created by
by Shawn C. Steiner · Posted
Love it or hate it, high-quality video is now a significant part of the latest DSLRs, mirrorless cameras, and point-and-shoots. This is, in part, because of a greater consumption of video content, thanks to faster Internet, impressively good mobile screens, and what I see as a natural evolution of visual media. So, with this higher demand of stellar video content, many dedicated still photographers are making the leap to video. This series is designed to help guide a photographer through the often confusing world of digital filmmaking.
A few
by Allan Weitz · Posted
Sometimes, the phrases, acronyms and strings of numbers or number-letter combinations used to identify photographic hardware or techniques can be daunting to the uninitiated neophyte photographer.
We've prepared a list of the basic terms. Have we left any out that you think should be added? Please let us know!
0-9 | A | B | C | D | E | F | G | H | I |
by Todd Vorenkamp · Posted
The job of a photographic lens is to capture light and bend it toward the film or digital sensor. The refraction of light exerts a variety of side effects on the image projected onto the film or digital sensor. Your understanding of how this bending can affect the image may factor into how you compose your images.
Anomalies and Lens Distortion
Glass, crystal, liquid, or plastic lenses made for photography are never “perfect”—just like the lenses in our own eyes. Photographic lenses often comprise multiple lens elements. Because of the way
by Steven Gladstone · Posted
In the world of film production, a Digital Imaging Technician (DIT) can be many things. Depending on the scope of the production, the scope of their job is constantly evolving. Taking advantage of the wonders of email, I checked in with a few working DITs to get a better understanding of their complex and ever-changing job. What became apparent quickly was that although most people in the industry start off as beginners, taking on the role of DIT requires a healthy balance of experience, people skills, technical knowledge, and an almost
by John Paul Capo… · Posted
Share Experience / Share Vision
John Paul Caponigro
It was December 2005. We had just made the long crossing of the Drake Passage to Antarctica. On the horizon were enormous icebergs. It was our first view of big ice. We all rushed to the deck and began to photograph. I found myself standing shoulder-to-shoulder with Seth Resnick. He was using a long 300mm lens. I was using a wide 28mm lens. We both looked at each other and then looked again. Our approach was so different we were astonished. "Let me see your camera!" we both said