Podcasting 101: How to Start a Podcast

Podcasting 101: How to Start a Podcast

These days, so many people listen to podcasts. In fact, it’s easier than ever to start and publish your own podcast, but it can still be difficult to dive in headfirst without knowing the ropes. That’s where we come in, here at B&H, with another all-encompassing guide to set you up for success and help get your content off the ground as painlessly as possible. Let’s begin.

Why Make a Podcast?

So, why even start a podcast? The answer is simple—because it’s a relatively fast, simple, and cost-effective way to get your content to the masses. These days, millions of people gain a viable income stream and an increased Internet presence with successful podcasts, helping them to expand their brand, creative voice, and gain recognition.

If you have something to say that you think people in the world would want to hear, or you simply want to get a foot in the entertainment industry in this increasingly digitized and interconnected age, the humble podcast serves as an ideal starting point. But don’t let that fool you into thinking that creating a successful podcast is a simple walk in the park. First, you’ll need to know what equipment is necessary to get your podcast off its feet. Enter: the master gear list.

Master Gear List


The first decision for any burgeoning podcast producer is to choose a microphone. We can narrow our choices down initially to two categories: USB or XLR mic. With an XLR microphone, you get an analog device that converts your voice into electrical signals, but those signals need to be digitized to work with your computer. That means buying an audio interface, which will simultaneously digitize your audio, boost the signal (with a microphone preamp), and let you control its monitoring and playback.

A plug-and-play USB mic skips this step and plugs directly into a computer. This is a great option if you are recording solo or don’t have space and budget for external gear such as an interface. The downside, however, is that you will be limited in terms of growth or recording multiple people, because routing and mixing numerous USB mics can be troublesome. In this case, an audio interface with XLR mics is the preferred way to go, assuming recording several guests is your goal.

Blue Yeti USB Microphone
Blue Yeti USB Microphone

You’ll have to decide between dynamic and condenser mics, which offer different sound characteristics, as well as individual advantages and disadvantages with their performance. For a more in-depth guide to buying mics, check out our article How to Choose a Microphone for Podcasting.

Recording Options

Of course, recording to a computer isn’t the only option. Another popular choice, especially for podcasters on the go, is recording to a mobile device. This can be something like a smartphone or tablet, as well as more robust, purpose-built products like a Zoom portable recorder.

Zoom portable recorder
Zoom portable recorder

With a smart device, you can easily record through an app and touchscreen, but you’ll need to use a special cable adapter, which will either limit you to one USB mic or lugging around an interface (assuming it’s compatible). An audio field recorder will often have stereo mics built in, as well as audio inputs for plugging in XLR mics directly, but the downside to these ultra-portable devices is a limited interface with which to work.  

But believe it or not, your options don’t end there. Finally, you have all-in-one podcasting machines, such as those made by RØDE and Zoom. These products combine a portable recorder and an interface into one, letting you record to the podcasting device, send audio to your computer, or do both at once. Plus, they come with the full-featured I/O expected of an interface, featuring multiple microphone preamp inputs, plenty of outputs for talent and monitoring, USB connections for computers, onboard audio processing, and much more.

RODECaster Pro II
RØDECaster Pro II

Room Treatment

Room treatment is up next, and while it might not be the most interesting topic in podcasting, it is certainly an important one. Since we live in a world where many of us are recording our podcasts in difficult recording environments—such as bedrooms, offices, and basements, rather than in pro studios—giving your space that studio-style isolation will go a long way in making your podcasts sound clean and professional.

This means buying things such as acoustic panels for your walls to reduce excessive reflections, and sound-isolating shields for your recording mic. These shields, called reflection filters, will do wonders for improving the quality of your podcast audio, but unlike acoustic panels, they won’t improve the look of your podcast much if you are streaming video content along with your audio.

Elgato Wave Foam Acoustic Panels Starter Set
Elgato Wave Foam Acoustic Panels Starter Set


Finally, we can’t forget accessories. It might seem like you can just grab a mic and get going, but you’ll find yourself struggling without the right mic stands, shockmounts, pop filters, headphones, and cables to get started. With a proper broadcast-style boom arm, you’ll find it much easier to position your mic on your work desk for optimal distance and comfort. A boom arm will also offer direct compatibility with most common podcasting mics like the Shure SM7B.

RODE PSA1+ Pro Studio Boom
RODE PSA1+ Pro Studio Boom

Of course, you need to hear what you’ve recorded, too, so you’ll need a decent pair of studio headphones to keep an ear on your work. Closed-back headphones with good isolation are excellent for making sure your voice sounds right in your recordings, as well as avoiding any audio from your playback bleeding back into your mic, especially if you are recording close to your microphone.

A shockmount, such as the RØDE SM6 that comes with the RØDE NT1 5th Generation, will ensure your podcast audio is free from rumbles caused by vibrations from your desk or recording space. A pop filter is a great choice to eliminate plosives caused by consonants like “P’s” and “T’s.” You’ll definitely want this to help keep your recordings clean and distortion-free.

RODE NT1 5th Generation Large-Diaphragm Cardioid Condenser
RØDE NT1 5th Generation Large-Diaphragm Cardioid Condenser

Then, there are cables. If you’re recording with a USB mic, be sure to grab the correct style of USB cable for your computer and microphone, which will commonly be a USB-C to USB-A cable or a dual-ended USB-C. If you’re recording with XLR mics, make sure you get a good quality XLR microphone cable that will last for years, reject noise, and provide enough slack for a tidy workspace.

Recording Tips

Here’s some good general recording advice: don’t clip your input! The first rule of thumb for anyone new to audio recording is that when it comes to capturing sound, you want to record the strongest possible signal without ever letting it distort, which can occur when your volume becomes too high for your equipment and your waveform begins to flatten at the top.

Most mixers, audio interfaces, and DAW (recording software) graphical interfaces will provide you with a visual indicator in the form of a meter that will become red if your audio spikes into distortion territory at any point. This is a clear sign that your recording levels are too loud, and you should lower the gain on your input device, whether hardware or software. Usually, a good place to start, recording-wise, is somewhere around -3 to -1 dB. If you can record in this range without clipping your mic input, you will get a signal that you can still easily work with in post but will be strong enough to stand against the loudness of your competition.

If you’re recording with a dynamic mic, be sure to experiment with the distance between your voice and your mic to exploit the proximity effect and get the best sound. This refers to the tendency of dynamic microphones to pick up more bass frequencies the closer it gets to a sound source. This can be a great way to get a rich, booming vocal response from mics such as the Electro-Voice RE20 and Shure MV7. For more information on recording techniques specifically for podcasting, head to our article on proper mic technique.

Shure MV7
Shure MV7

When it comes to selecting what software to use, the options are numerous, but not particularly varied. Any digital audio software that can record and edit multiple tracks at once is perfectly acceptable for use as a podcasting DAW. Whether you use free programs like Audacity and GarageBand or more professional (and expensive) software like Pro Tools, Logic Pro, and Cubase, the only practical difference for podcasters will ultimately be compatibility with plug-ins.

Steinberg Cubase Artist 12
Steinberg Cubase Artist 12

Plug-ins are special pieces of software typically designed to be inserted into an existing DAW to enhance its functionality, with specialized tools that process audio in various ways. If you are serious about producing your podcasts with top-notch sound, sophisticated audio performances, and utilities for fixing nearly any audio issue that might crop up, then you’ll want a DAW that supports plug-in formats like VST, AU, and AAX.

Most DAWs will provide at least a basic set of plug-ins such as de-essers (for sibilance), equalizers (for fine tuning audio) compressors (for more consistent dynamics), and noise gates (for clearer, noise-free audio). These tools will help you clean up your sound while simultaneously providing a pro-sounding sheen. Additional plug-ins are also available from brands including Waves, Antares, Arturia, and Universal Audio.

Arturia EQ SITRAL-295 Vintage Broadcast Equalizer
Arturia EQ SITRAL-295 Vintage Broadcast Equalizer


Editing your podcasts is a very important part of the process. You will make your podcast sound as good as it can, while also trimming out unnecessary or unwanted bits that detract from the flow of conversation. If you want people to tune in and stay tuned in to your podcast stream, you need to ensure your audio sounds smooth and is free of artifacts.

Start by cutting out any dead space or accidental sounds like mic bumps, belches, and the start and ending portions of your recording before the performance begins. Once you have the full audio track (or tracks) that you want to edit, it’s time to process your audio to make it sound better and more professional.

The previously mentioned plug-ins or similar audio processing tools will be indispensable for taking your audio that extra mile. Be sure to experiment with EQ to find where the best frequencies of your voice are. Compression will be ideal for bringing out quiet segments that might be hard to understand or hear while simultaneously taming loud spikes due to excessive dynamics, a classic trick used in broadcasting.

On the topic of dynamics, another handy tool is a limiter. This can be applied to your final output to make sure your recordings adhere to modern loudness standards. And to make sure that loudness is consistent throughout your podcast recording (without affecting dynamics), you should apply normalization, which will add constant gain throughout the audio to match your loudest peak, ensuring consistent volume.

ANARCHY AUDIOWORX Vocalator Pro Vocal Production Suite Plug-In
ANARCHY AUDIOWORX Vocalator Pro Vocal Production Suite Plug-In

Don’t forget to provide your productions with some music to spice things up. Nobody wants to listen to a voice and an empty room; you need to add some background music or sound FX to match the competition and make your content more entertaining. You can download music from numerous websites, or if you are a musician, make your own for free. At a minimum, a great podcast should always have some music and sounds to pad the intro and outro of your podcast. For a more detailed guide to editing podcasts, check out our article on that very subject.  


Once you have your podcast recorded and edited, it’s time to show the world. There are quite a few podcasting platforms on the Web today, and the main factors to consider here will be the two R’s: reach and revenue. On the one hand, you want to be able to reach the largest possible audience so you can gain as many new fans as possible. On the other hand, you also want to be able to make your podcast profitable by avoiding excessive subscription costs and earning revenue through monetization of your streams.

Some popular sites for hosting podcasts include Buzzsprout, PodBean, Captivate, and Simplecast. These sites will produce syndicated feeds for your podcasting content that can then be distributed to platforms for actual playback, such as YouTube, Spotify, iTunes, SoundCloud, and more. Think of it as the difference between a publisher and a distributor.

Are you subscribed to our B&H Photography Podcast?
Are you subscribed to our B&H Photography Podcast?

Most sites will offer free trials so you can try them and see which platform best fits your style and needs. All podcast hosting websites will cost money, so it will come down to your budget and the reach they provide through their supported distribution to playback sites.

Since platforms like YouTube, iHeart Radio, iTunes, and Spotify have a vast reach through millions of daily users, choosing a service that can link to these sites will provide you with optimal opportunities for expanding your audience. YouTube not only has an enormous array of daily users but also makes it easy for you to monetize your podcasts through simplified advertising opportunities that can help provide some income until you manage to score your first sponsorship.

Final Thoughts

We certainly covered quite a few topics here, but hopefully it has given you a solid foundation to start building your own successful podcasting career. Be sure to check out our other podcasting articles for a more detailed look at some of the steps involved. And as always, if you have any further questions, drop us a line below, and we’ll do our best to answer all your questions and comments.